俊風の英語

大山は青年期まで俊異として際立ったが、壮年以降は自身に茫洋たる風格を身に付けるよう心掛けた。例文帳に追加

Iwao was remarkably intelligent and outstanding until his adolescence, but tried to acquire the limitless style with himself after the age of maturity.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、現在、『丹下左膳余話百萬両の壺』『河内山宗俊』『人情紙風船』の三作品しか、見ることができない。例文帳に追加

However, we can only see 3 movies; "Tange Sazen Yowa Hyakuman-ryo no Tsubo (Extra Story of Tange Sazen, the Vase of One Million-Ryo)," "Soshun KOCHIYAMA" and "Ninjo Kamifusen."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

基俊に師事した藤原俊成は、歌合の判詞の中で、幽玄を「姿既に幽玄の境に入る」「幽玄にこそ聞え侍れ」「幽玄の体なり」「心幽玄」「風体は幽玄」と批評用語として多用した。例文帳に追加

FUJIWARA no Toshinari who studied under Mototoshi often used Yugen as a criticism word like "It reached Yugen already." "It sounds just like Yugen." "It is the Yugen style." "A Yugen mind." "It looks like Yugen." in his judgment words of Utaawase.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

定家の書道は、父の俊成と同じく法性寺流より入ったが、強情な性格をよく表した偏癖な別の書風を成した。例文帳に追加

Like his father Toshinari, Sadaie first learned Hosshoji-ryu calligraphic style, but he created his own idiosyncratic calligraphic style, which reflected his stubborn personality very well.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌学書には、『古来風躰抄』（後白河院の皇女である式子内親王に奉ったもの）のほか、『俊成卿和字奏状』『古今問答』。例文帳に追加

Books of poetry produced include "Korai Futeisho" (Poetic Styles from the Past) a tome presented to Imperial Princess Noriko (one of Retired Emperor Goshirakawa's ladies) as well as "Shunzei Kyo Waji Sojo" (Japanese Poetry of Shunzei) and "Kokin Mondo" (Ancient and Modern Questions and Answers).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後は山中貞雄監督の『河内山宗俊』（1936年）や『人情紙風船』（1937年）などに出演し、中堅俳優の一人として広く知られるようになる。例文帳に追加

Subsequently, he appeared in "Soshun KOCHIYAMA" (1936) and "Ninjo Kamifusen" (Humanity and Paper Balloons) (1937), both were directed by Sadao YAMANAKA, and became famous as an actor of solid reputation.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この百首歌を契機に、院は藤原俊成に師事し、定家の作風に直接の影響を受けるようになり、その歌作は急速に進歩してゆく。例文帳に追加

With this collection of 100 poems, Go-Toba-in began studying under FUJIWARA no Shunzei (Toshinari); he was directly affected by the style of FUJIWARA no Sadaie (Teika), and his poetry experienced dramatic improvement.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

これが当時の歌壇に新風を吹き入れたのは確かだが、のち藤原俊成に批判される通り、「戯（ざ）れの様」が過ぎて格調を欠く歌もあった。例文帳に追加

It is true that this ushered in a new phase among poetry circles, but FUJIWARA no Toshinari later criticized that many of the poems lacked a refined style or contained too many 'jokes.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス