優美代の英語

英国の家具職人で、同時代の人に影響を与えた（特に椅子の）優美なデザインで知られる（1718年−1779年）例文帳に追加

a British cabinetmaker remembered for his graceful designs (especially of chairs) which influenced his contemporaries (1718-1779)発音を聞く  - 日本語WordNet

色調は、同時代の『源氏物語絵巻』や『平家納経』ほどの重厚さはないが、優美かつ多彩であり、品格がある。例文帳に追加

The color tone is not as heavy as in "Genji Monogatari Emaki" (Illustrated handscrolls of the Tale of Genji) and "Heike-nokyo" (sutras dedicated by the Taira family), but is delicate, prismatic and full of grace.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

平安朝風の優美な作風の像であるが、『浄瑠璃寺流記事』によれば実際の制作は鎌倉時代の建暦2年（1212年）である。例文帳に追加

Despite the statue's elegant Heian period Imperial style, "Joruri-ji Ruki no Koto" states that it was in fact created in 1212 during the Kamakura period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

全体的に前時代の唐大刀に似るが、柄や鞘が細長く優美になり、内部には刀身ではなく細い鉄棒状のものが入っているだけで、純然たる儀仗用の外装である。例文帳に追加

The swords were generally similar to Karatachi (Chinese-style sword), but their hilts and scabbards became slenderer and more elegant, and the blades were substituted by iron bars, making the swords ritual objects dedicated to ceremonies.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

従って本来は西洋かぶれ・外面や形式のみを追い求める軽佻浮薄な様子などの負の意味が強かったが、転じて、進歩的・近代的・華麗・優美・お洒落など、肯定的な意味合いも強くなった。例文帳に追加

Therefore, the word originally had a strong negative meaning referring to westoxication/ flirtatious manners of following only outer aspects and patterns, but came to include an affirmative meaning of progressive/modernized/gorgeous/decent/fashionable and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

円満な面相、浅く流れる衣文などを特色とする定朝の優美で温和な作風は、「仏の本様」と称されて平安時代の貴族にもてはやされ、以後の仏像彫刻には定朝様（よう）が流行した。例文帳に追加

The elegant and gentle style exhibiting the contented face and the shallow flowing craftsmanship of the clothing at which Jocho excelled became known as 'the quintessential Buddhist style' and was highly praised among nobility, with the Jocho style becoming popular in later Buddhist statues.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

本三尊像の堂々とした量感や写実的な表現は、この当時流行した定朝様（じょうちょうよう）の繊細優美な仏像とは異なった作風を示し、次の鎌倉時代の作風のさきがけをなすといわれる。例文帳に追加

At the time, the style called Jocho, in which mainly delicacy and elegance were expressed in Buddhist images, prevailed, yet these statues rather express massiveness and realism and do not seem to follow the Jocho style; therefore, it is said that they were indicative of an incoming mode that was becoming dominant during the Kamakura period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス