勾藤の英語

母は掌侍藤原博子（勾当内侍）。例文帳に追加

Her mother was FUJIWARA no Hiroko who held the title of naishi no jo (a woman officer who carries the Emperor's sword when he goes out) (koto no naishi - a court noble lady).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

鶴山勾当、藤永検校、政島検校らによって洗練され、大いに流行した。例文帳に追加

They were refined by people such as Koto (the third title of official rank within the Todo-za) Tsuruyama, Kengyo Fujinaga and Kengyo Masajima, and became very popular.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

18世紀末には、尾張の藤尾勾当が、能の詞章を取り入れた曲をいくつも作曲した。例文帳に追加

At the end of the 18th century Koto Fujio of Owari composed many pieces to which verses from noh (classical Japanese musical drama) were added.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお、新田義貞が戦死した藤島近くの三国湊は、勾当内侍局の収入源の1つであった事も指摘されている。例文帳に追加

It is also pointed out that some of Koto no naishi-tsubone"s (-tubone: a honorary suffix attachde to the name of a high-ranked female in the court) income came from Mikuniminato near to Fujishima where Yoshisada NITTA died in a battle.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

当初、藤原忠通の下で侍所の勾当として摂関家に近侍したが、後に後白河天皇の北面武士に加えられる。例文帳に追加

He initially served Sekkan-ke (the families which produced regents) as Koto (a secretary) of Samurai-dokoro (the Board of Retainers) under FUJIWARA no Tadamichi and was later allowed to join Hokumen no bushi (the Imperial Palace Guards for the north side) for Emperor Goshirakawa.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

摂関家の内部で藤原忠通・藤原頼長兄弟の対立が起こると、頼盛が忠通に従属したのに対して、頼憲は頼長に仕えその勾当となる。例文帳に追加

When conflicts occurred between the two brothers, FUJIWARA no Tadamichi and FUJIWARA no Yorinaga, inside Sekkan-ke (the families which produced the Regent and the Chief Adviser to the Emperor), Yorimori became a subordinate to Tadamichi whereas Yorinori became a subordinate to Yorinaga and his Koto (a secretary).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

描写的な面では、砧を打つリズムを取り入れた「砧物」の曲群、宇治川での布ざらしを描写した「さらし」、虫の音を描写した「虫の音」（藤尾勾当作曲）や「八重衣」（石川勾当作曲）後半、胡弓楽では「鶴の巣籠」のツル、「蝉の曲」（吉沢検校作曲）のセミ、「千鳥の曲」（同）のチドリ、波、松風が挙げられる。例文帳に追加

Examples of tegoto having a descriptive aspect include a group of pieces in 'Kinutamono' which incorporates rhythms of beating with kinuta (wooden or stone block for beating cloth), 'Sarashi' which depicts nunozarashi (washing of cloth at a riverside) at Uji-gawa River, 'Mushi no Oto' (by Koto FUJIO) which depicts sounds of insects, the latter part of 'Yaegoromo' (by Koto ISHIKAWA), and in kokyugaku, the crane in 'Tsuru no Sugomori' (a song depicting various aspects of the life cycle of the crane), the cicada in 'Semi no Uta' (a song of cicadas) (by Kengyo YOSHIZAWA), the plover, wave, and matsukaze (wind blowing through pines) in 'Chidori no Kyoku' (a song for plover).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス