和治郎の英語

大正期には市川左團次(2代目)が埋もれていた古典の復活を行い、上方では中村鴈治郎(初代)が和事の芸を大成するなど従来の作品の見なおしも行われた。例文帳に追加

During the Taisho period, old Kabuki works were re-evaluated through, for example, the revival of hidden classics by the second "Sadanji ICHIKAWA," and the completion of wagoto, the performances in a love scene by the first "Ganjiro NAKAMURA" in Kamigata.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

前名の三代目中村鴈治郎（さんだいめなかむらがんじろう）としても知られ、その芸風は和事や家の芸はもちろん、立役でも女方でも芝居の巧さと独特の雰囲気に定評がある。例文帳に追加

He was also famous by his former stage name, Ganjiro NAKAMURA III; he has established a reputation for skillful acting and the unique atmosphere he achieves when he acts as both a man and a woman, not to mention his acting in love scenes and his family's traditional acting.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

立役、女形、敵役、老役とあらゆる役種をこなしたが、本領は父・初代鴈治郎ゆずりの二枚目と二代目延若の影響を受けたつっころばしなどの上方和事にある。例文帳に追加

He could perform all types of roles, including tachiyaku, oyama, katakiyaku (a hate figure) and fukeyaku (a role of an aged person), but he showed his real ability in roles as a lover, inherited from his father Ganjiro, the first, and Kamigata wagoto influenced by Enjaku, the second, such as tsukkorobashi (a weak and feeble but somehow comical nimaime in Kamigata wagoto).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、「妹背山・金殿」の鎌七を演じたとき、周囲は荒事の鎌七を和事の鴈治郎が演じられるのか、あるいはミスキャストではないかと案じた。例文帳に追加

When he performed Kamashichi in 'Imoseyama; Kinden,' people around him were worried if Ganjiro, who was good at wagoto, could perform Kamashichi, which was aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) in its nature or it might be a miscasting.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

和事のエッセンスが凝縮しており、中村鴈治郎(2代目)、坂田藤十郎(4代目)へと伝えられ、大阪の成駒屋のお家芸（玩辞楼十二曲）の一つとなっている。例文帳に追加

Kawasho in which essences of wagoto (the production style of a love scene) were concentrated, and which was handed down to Ganjiro NAKAMURA the second and to Tojuro SAKATA the fourth was one of the specialties (Ganjiro-junikyoku (12 Ganjiro roles)) of Narikoma-ya in Osaka.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

昭和6(1931)年に中村歌右衛門(5代目)の五右衛門と中村鴈治郎(初代)の久吉で行った公演では、連日大向こうから「二人で二千両！」という掛け声がかかったという。例文帳に追加

In 1931, when Utaemon NAKAMURA (the fifth) played Goemon and Ganjiro NAKAMURA (the first) played Hisayoshi, every day during the performance, audience shouted against the actors on the stage: "Futari de Nisen-ryo!" (You two are worth two thousand ryo)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1958年（昭和33年）には弟・二代目中村鴈治郎や片岡仁左衛門(13代目)、實川延若(3代目)らとともに「七人の会」を立ち上げ、つづく「仁左衛門歌舞伎」にも参加するなど、関西歌舞伎の復興に尽力した。例文帳に追加

He made efforts to revive Kansai Kabuki, establishing the 'Shichinin no Kai' (a Kabuki study group created by seven Kamigata actors) in 1958 jointly with his younger brother, Ganjiro NAKAMURA the second, Nizaemon KATAOKA the 13th and Enjaku JITSUKAWA the third, etc., and participating in the 'Nizaemon Kabuki' subsequent thereto.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1931年（昭和6年）10月の歌舞伎座で鴈治郎と共演した『山門』の五右衛門が、東西成駒屋の火花を散らす共演として有名。例文帳に追加

In October, 1931, he co-starred with Ganjiro at the Kabuki-za Theater, playing the role of Goemon in "Sanmon" (the scene of 'Nanzenji Sanmon' of "Sanmon Gosan no Kiri"), which became famous as the top actor of the East Narikoma-ya (Utaemon from Tokyo) and the top actor of the West Narikoma-ya (Ganjiro from Osaka) had made the sparks fly on the stage.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス