拾町の英語

室町時代には、賛詩を必須とする詩画軸、上部に賛のある寒山拾得などの禅画が多数制作された。例文帳に追加

In the Muromachi period, many shigajiku (paintings with a san of Chinese poetry in the form of a hanging scroll) for which a san poem is essential were produced in large numbers, as were paintings by Zen monks such as Kanzan Jittoku or motif paintings with a san on their upper part (Kanzan and Jittoku were unworldly persons who lived in the Tang period and who were often used as the subject matter for paintings by Zen monks).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一方で、後世に成立した『今昔物語集』や『宇治拾遺物語』、室町時代になって成立した『御伽草子』などで、丹波国大枝山での酒呑童子討伐や土蜘蛛退治の説話でも知られる。例文帳に追加

On the other hand, in "Konjaku monogatari shu" (Tales of Times Now and Then collection) and "Uji Shui Monogatari" (a collection of the Tales from Uji) that were put together later, and in "Otogi Zoshi" that was put together during the Muromachi Period, he is known for the legends of his victories over the demons Shuten Doji of Mt. Oe-yama and Tsuchigumo.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

小宰相はとりあえず持ち帰ったが、御所で宮仕えしていたとき上西門院の前でこの文を取り落とし、女院はこれを拾って「あまり気が強いのもよくありませんよ」と、みじめな最後を遂げたという小野小町の例を出して、自ら硯を取り寄せて返事を書いてやるようにうながした。例文帳に追加

Kozaisho took the letter tentatively; however, she mistakenly dropped it just in front of Josaimonin (Imperial Princess Muneko) when served, and Josaimonin picked it up and said "Too much strong-mindedness is not favored" citing an example of ONO no Komachi who was said to have died a miserable death, and Josaimonin ordered an ink stone to be brought and prompted Kozaisho to write a reply to him.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

お松が強請に言う「今こそこうした女房なれ、元はわたしも祇園町、拾壱匁六分の、花を咲かせて宮川町、縄手をふんで道場か、高台寺前下り坂、八坂と落ちて欠け上り、二条新地や御りょう裏、おはもじながら虱の辻、泣かぬ勤めの蛍茶や、あらゆる場所を欠けめぐり・・・」の科白は七五調の小気味よい調子で京の花街を巧みに織り込んでいる。例文帳に追加

The threatening lines of Omatsu, 'I am like this now, but once I was in Gion-machi, earning twelve monme six fun (monme and fun are units of silver currency; fun is one-tenth of monme), being successful in Miyagawa-cho, went through rice fields to Dojo, then to a downhill in front of Kodai-ji Temple, down to Yasaka, up to Nijo-shinchi and behind Goryo Shrine, to the embarrassing lousy streets, and didn't cry working at a night tea house, going around everywhere...' artfully illustrates the red-light districts of Kyoto with the lilting rhythm of seven-and-five syllable meter.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大治(日本)3年（1128年）に三善為康が書いたものを原典として鎌倉時代にまとめられたとされる『二中歴』や南北朝時代(日本)に洞院公賢により書かれたとされる『拾芥抄』にも行基図が添付されているが、書かれた当時のものは残っておらず、現存のものは室町時代以後のものである。例文帳に追加

Gyoki-zu is attached to "Nichureki" which is said to have been compiled in the Kamakura period based on what MIYOSHI no Tameyasu had written and to "Shogaisho" (an encyclopedia produced in Japan in the medieval ages) which is said to have been written by Kinkata TOIN in the period of the Northern and Southern Courts (Japan), but the original versions created at those times do not exist any more and the existing versions were made after the Muromachi period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

第2次は隆盛をきわめ、1900年（明治33年）に泉鏡花『高野聖』、1901年（明治34年）5月号に国木田独歩『帰去来』、1906年（明治39年）9月号に夏目漱石『草枕』、1907年（明治40年）8月号に田山花袋『蒲団(小説)』、1910年（明治43年）に泉鏡花『歌行燈』、1913年（大正2年）6月号に森鴎外訳『病院横町の殺人犯』（エドガー・アラン・ポー『モルグ街の殺人』）、1914年（大正3年）2月号に森鴎外『堺事件』、1916年（大正5年）1月号に森鴎外『寒山拾得』、1917年（大正6年）に泉鏡花『天守物語』、1921年（大正10年）4月号に高群逸枝の長篇詩『日月の上に』、1923年（大正12年）5月号に横光利一『日輪』、1925年（大正14年）9月号に『一人二役(江戸川乱歩)』、1926年（大正15年）7月号に江戸川乱歩『モノグラム(江戸川乱歩)』をそれぞれ掲載、多くの名作を生み出した。例文帳に追加

During the second phase of its publication, Shinshosetsu published to bring out numerous masterpieces such as Koya Hijiri by Kyoka IZUMI in 1900, Kikyorai by Doppo KUNIKIDA in May 1901 issue, Kusamakura by Soseki NATSUME in September 1906 issue, Futon (fiction) by Katai TAYAMA in August 1907 issue, Uta Andon by Kyoka IZUMI in 1910, Byoin Yokocho no Satsujinhan translated by Ogai MORI (The Murders in the Rue Morgue by Edgar Allan Poe) in June 1913 issue, Sakai Jiken by Ogai MORI in February 1914 issue, Kanzan Jittoku by Ogai MORI in January 1916 issue, Tenshu Monogatari by Kyoka IZUMI in 1917, the long poem Nichigetsu no Ue ni by Itsue TAKAMURE in April 1921 issue, Nichirin by Riichi YOKOMITSU in May 1923 issue, Hitori Futayaku (Ranpo EDOGAWA) in September 1925 issue and Monogram (Ranpo EDOGAWA) by Ranpo EDOGAWA in July 1926 issue whereby the magazine reached new heights of prosperity.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス