「隷書」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

しかし居延漢簡には純粋な篆書からはじまって、隷書になりかけた初期の隷書である「古隷」、完全な波磔（はたく、隷書独特の大きなはらい）を持つ隷書＝八分隷までこの時代考え得る移行期の書体が全て使用されており、隷変の過程が明らかになった。例文帳に追加

However, all the possible calligraphic styles of the transitional period in those days were used in Kyoen Kankan: from pure tensho (seal script), through 'korei' (old clerical script) which was early reisho (close to reisho) to reisho with complete hataku (horizontal lines ending in a noticeable triangular tail that were specific to reisho) which is called Happunrei; thereby the process of reihen was revealed.  - Wikipedia日英京都関連文書対訳コーパス

画技を好み、篆書・隷書を能くし、篆刻に巧みであった。例文帳に追加

He preferred art of painting, he was good at seal script and clerical script and was skillful at seal-engraving.  - Wikipedia日英京都関連文書対訳コーパス

隷書をよくした小野篁および紀夏井の流れを汲んだ勁健な書法である。例文帳に追加

The style of the calligraphy is dynamic, showing the influence of the work of ONO no Takamura and KI no Natsui, who were often commissioned to write inscriptions by the Buddhist clergy.  - Wikipedia日英京都関連文書対訳コーパス

篆書体、隷書体、楷書体、行書体、草書体、飛白体のどんな体にしてもそれぞれ他に類のない逸品を残した。例文帳に追加

He left masterpieces in any styles such as Tensho-tai (the seal-engraving style of writing Chinese characters), Reisho-tai (clerical script), Kaisho-tai (square (block) style), Gyosho-tai (semi-cursive style), Sosho-tai (cursive style) and Hihaku-tai (splash pattern).  - Wikipedia日英京都関連文書対訳コーパス

さて、前漢から五経博士たちが使っていた五経の写本は、漢代通行の隷書体に書き写されていて今文経といわれる。例文帳に追加

The manuscripts of the Five Classics used by the Gokyo hakase since former Han was copied in reisho-tai (clerical script), which was in use during the Han period, and was called Kinbun-kei.  - Wikipedia日英京都関連文書対訳コーパス

当時は通常、楷書・行書・草書を学ぶまでであったが、春洞は書域を隷書・篆書まで広げた。例文帳に追加

At that time, kaisho (Chinese characters in standard style), gyosho (cursive style of writing Chinese characters) and sosho (very cursive style of writing Chinese characters, more abbreviated and flowing than gyosho) were ordinarily learnt, but Shundo also learnt keisho (clerical scripts) and tensho (seal scripts) as well.  - Wikipedia日英京都関連文書対訳コーパス

隷書・楷書を得意とし、寛政11年（1799年）、20歳の時に書塾小山林堂を開いた。例文帳に追加

Beian was noted for his skill in demotic semi-square styled (reisho) and standard or square styled (kaisho) calligraphy, and in 1799, at the age of 20 he opened a private calligraphy school called Shosanrindo ("小山林堂").  - Wikipedia日英京都関連文書対訳コーパス

30歳で江戸に遊歴し、14代将軍徳川家茂に謁見し鉄筆の隷書を献じて親書を下賜されている。例文帳に追加

At 30, he made a trip to Edo, was received in audience with Iemochi TOKUGAWA, the fourteenth Shogun, and dedicated clerical script written with a steel pen and was granted an autograph letter as an Imperial gift.  - Wikipedia日英京都関連文書対訳コーパス

唐の地ですでに書家として知られ、殊に王羲之や顔真卿の書風の影響を受け、また篆書体、隷書体、楷書体、行書体、草書体、飛白体文字すべてよくした。例文帳に追加

He was known as a calligrapher already in Tang, and was affected, in particular, by the Tang style of Wang Xizhi and Gan Shinkei, and was good at all of tensho-tai (seal-engraving style of writing Chinese characters), reisho-tai (clerical script), kaisho-tai (square block style of writing), gyosho-tai (semi-cursive style of writing), sosho-tai (cursive style writing), and hihaku-tai (splash pattern of writing) characters.  - Wikipedia日英京都関連文書対訳コーパス

彼らは隷書の走り書きにすぎなかった行書と、それを整えただけの楷書を芸術的に完成させ、中国書道界に衝撃と一大変革をもたらしたのである。例文帳に追加

They perfected the artistic aspects of gyosho (cursive style of writing Chinese characters) which had been nothing but scrawled clerical script and kaisho, or just a neat version of gyosho, which brought about the impact and revolution in the world of Chinese calligraphy.  - Wikipedia日英京都関連文書対訳コーパス

しかし、居延漢簡でほぼ同時代に古隷と八分隷が混在していることから、元々八分隷は隷書の書風の一つであって、それが古隷の書法に代わり後に標準となったと結論づけられたのである。例文帳に追加

However, because korei and happunrei coexisted in Kyoen Kankan in almost the same period, it was concluded that happunrei was originally one calligraphic style of reisho and it became the standard later in lieu of shoho (penmanship, calligraphy) of korei.  - Wikipedia日英京都関連文書対訳コーパス

亀甲獣骨文字から金石文、小篆から隷書体、さらに草書体への書体の変化は主に実用性の追究から生じた。例文帳に追加

Mainly out of pursuit of practicability, calligraphic style changed from Kikko jukotsu moji (ancient Chinese characters inscribed on oracle bones and tortoise shells) to Kinsekibun (words written on metal or stones), from Shoten (a style of Chinese characters) to reisho-tai (clerical script) and sosho-tai (cursive style writing).  - Wikipedia日英京都関連文書対訳コーパス

居延漢簡の書かれた時代は篆書から隷書へと書体が変化する時期に当たっているが、ちょうどその変化＝隷変のあった前漢代にはほとんど碑などの金石文が残されておらず、ごくわずかな書蹟から推測するだけの状態であった。例文帳に追加

The days when Kyoen Kankan was written correspond to the period when the calligraphic style changed from tensho (seal script) to reisho (clerical script), but very few Kinsekibun (words written on metal or stones) such as stone monuments remained when such change, i.e. reihen (change in calligraphic style), occurred in the Former Han period and therefore reihen was only presumed on the basis of a very small number of penmanship.  - Wikipedia日英京都関連文書対訳コーパス

篆刻には篆書以外にも隷書・楷書・行書・草書・大和古印体・仮名(文字)・梵字など自由闊達に用い、印材も多様で石印以外に鋳造印・陶印・木印などを製作している。例文帳に追加

For Tenkoku, other than Tensho (the ancient seal style of writing), he freely and vigorously used Reisho (the demotic semi-square style of writing), Kaisho (the block style of writing), Gyosho (the semi-cursive style of writing), Sosho (the fully cursive style of writing), Yamato kointai (the old seal style of writing created in Japan), Kana (Moji) (Japanese syllabary characters), Bonji (Sanskrit characters), etc, and not only stone seal, he created seals with various materials, such as casting seal, ceramic seal, wood seal, etc.  - Wikipedia日英京都関連文書対訳コーパス