「backstage」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

When the storytellers says, for example, 'I'm going to Shin-machi (a red-light district), a very merry place' (from 'Three Written Vows'), the musicians in the backstage begin to play the shamisen as they sing, expressing the glamour of the district. 例文帳に追加

たとえば、「新町にまいります、その陽気な事」（「三枚起請」）と演者が言うと、楽屋にいるお囃子が三味線を弾き唄を唄って華やかな遊里を表現する。 - Wikipedia日英京都関連文書対訳コーパス

I had imagined that the newbies fresh from university would probably be stuck with all the backstage work - collecting reference material, getting copies and such but I couldn't have been proved more wrong.例文帳に追加

大学出たての新人は資料を作ったり、コピーをとったりと裏方仕事に徹するのだろうと、勝手に想像していたのですが見事に裏切られました。 - Tatoeba例文

In preparation for the scene where Izaemon, a protagonist of "Yugiri," took off his shoes on stage, Tojuro asked his backstage staff to arrange a smaller pair of shoes, saying, "If Izaemon had awkwardly big feet, the audience will be disappointed." 例文帳に追加

「夕霧」の伊左衛門が舞台で履物を脱ぐとき、「もし、伊左衛門の足が不恰好に大きかったら客が失望する。」と言って裏方に小さめのサイズの履物を用意させた。 - Wikipedia日英京都関連文書対訳コーパス

They perform odd jobs both backstage and at the yose everyday, such as doing the drum signalling at the beginning of a performance, musical instruments, carrying mekuri (title board) in and out, preparing and collecting tools for iromono (various entertainment in the storytellers' theater other than story telling), setting up a microphone, serving tea and managing kimono. 例文帳に追加

寄席での、呼び込み太鼓・鳴り物・めくりの出し入れ・色物の道具の用意と回収・マイクのセッティング・茶汲み・着物の管理など楽屋、寄席共に毎日雑用をこなす。 - Wikipedia日英京都関連文書対訳コーパス

When plays on the same program are performed for days, the three days of shonichi (the first day), nakabi (the middle day) and senshuraku (the final day) are considered to be the most important ones, and it is customary that the performers visit each other at their respective backstage rooms and pay their compliments to each other. 例文帳に追加

興行の中で、初日・中日（なかび）・千秋楽の3日が特に重要な日として考えられており、出演者が互いに楽屋を訪れ挨拶するなどの習慣がある。 - Wikipedia日英京都関連文書対訳コーパス

It did not mention the private lives of actors because Kido did not have any private relationship with actors as a play critic, not even visiting their backstage rooms, a fact which did not change after he started to write plays, including with Sadanji the Second. 例文帳に追加

綺堂は劇評家時代から俳優とは私的な付き合いはせず、楽屋へも出入りしないで、劇作に携わって以降も二代目左團次も含めてそれは変わらなかったため、内容には俳優の私生活には及ばないものとなっている。 - Wikipedia日英京都関連文書対訳コーパス

At first, he appears as the strongest villain who controls the backstage of YAGYU, then after going through the fights with the hero, Seiichiro MATSUNAGA, in the latter half of "Kakuresato Kugaiko," the character of his role changes greatly; however, regretfully, the author's sudden death left the series as a whole incomplete. 例文帳に追加

当初は柳生の裏を統べる最強の悪役の役回りで登場、主人公・松永誠一郎との闘いを経て『かくれさと苦界行』の後半にはその役回りは大きく変化してゆくが、惜しくも作者の急逝によりシリーズ全体としては未完に終わった。 - Wikipedia日英京都関連文書対訳コーパス