こすゑの英語

④のほります　とよひるめかみたまほす　もとはかなほこ　すゑはきほこ例文帳に追加

4. Noborimasu Toyohirumekami Tamahosu Motohakanahoko Suehakihoko発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大山咋神（おほやまくひ）-別名山末之大主神（やますゑのおほぬし）。例文帳に追加

Ohoyamakuhi no kami - also known as Yamasue no ohonushi no kami.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

と山なるならの葉までははげしくて尾花がすゑによわる秋風（続古今集）例文帳に追加

The autumn wind blows hard till it reaches the oak's leaves, but when it arrives at the tips of the Japanese plume grass, it blows gently (Shoku Kokinshu).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「はゝき木（陽明文庫本）」箒木、「すゑつむ花（陽明文庫本）」末摘花、「もみちの賀（源氏釈）」紅葉賀、「花のゑん（源氏釈）」花宴、「絵あはせ（源氏釈）」絵合、「とこ夏（奥入）」常夏、「うき舟（奥入）」浮舟、「あつま屋（源氏釈）」東屋例文帳に追加

はゝき木（Yomei paperback）' Hahakigi, 'すゑつむ花（Yomei paperback）' Suetsumuhana, 'もみちの賀（Genji-shaku Commentary）'Momichinoga, '花のゑん（Genji-shaku Commentary）' Hananoen, '絵あはせ（Genji-shaku Commentary）' Eawase, 'とこ夏（Okuiri Interpretation）' Tokonatsu, 'うき舟（Okuiri Interpretation）' Ukifune, 'あつま屋（Genji-shaku Commentary）'Atsumaya'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この作品（特に丑松が生徒に素性を打ち明ける場面）は、住井すゑの『橋のない川』でも取り上げられ、誠太郎をはじめとする登場人物の間で話題に上っている。例文帳に追加

This novel (especially the scene of Ushimatsu revealing his background to his students) appeared in Sue SUMII's "Hashi no nai kawa" (The River with No Bridge), and became the topic of conversation among Seitaro and other characters.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

菅原孝標女の作であるとする説は、藤原定家筆御物本更級日記の奥書に「ひたちのかみすかはらのたかすゑ／のむすめの日記也　母倫寧朝臣女／傅のとののははうへのめひ也／よはのねさめ　みつのはままつ／みつからくゆる　あさくら　なとは／この日記の人のつくられたるとそ」という記述が見られるところから起ったものである。例文帳に追加

The theory that says that it was a work by SUGAWARA no Takasue's daughter originates from a comment found in the postscript of Sarashina Nikki, a book of Imperial collection written by FUJIWARA no Sadaie, 'The diary of the daughter of SUGAWARA no Takasue, Governor of Hitachi Province, her mother was a daughter of Tomoyasu Ason (a high-ranking hereditary title), she was a daughter of Crown Prince's tutor's mother, Yowa no Nezame and Mitsu no Hamamatsu みつからくゆる あさくら なとは were written by the author of this diary.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「貞丈雑記」には、「輿にめしたる人に行あひ、又は人の犬追物、笠懸、やぶさめ、大的、小的など射らるる場所近き辺を通るとき、又は野山にて幕などうち遊興せらるるあたりを通るとき、または神社仏寺の前を通るとき、また三職などの門前を通るとき、または川狩鷹狩など人のするところを通るとき、また鷹すゑたる人鵜つかひに行あひたるとき、いづれも我知らぬ人なりとも、必ず下馬して通る也」とあり、武家時代を通じて、礼儀として厳存した。例文帳に追加

However, this custom of dismounting a horse had surely existed as a courtesy during Buke-jidai (the feudal period), as described in "Teijo-zakki" (a book on ancient courtly traditions and etiquettes, written by Sadatake Ise in the Edo Period) that a person had to dismount his horse without fail when he encountered any person on a palanquin, or when he passed by a place where inuoimono (dog-hunting event, a skill of an archery), kasagake (archery competition on horseback), yabusame (the art of arrow shooting on horseback), and other arrow shooing competitions with omato and komato (big and small sized shooing targets) were being played, or when he went around a shrouded place for pleasure in hills and fields, or when he passed in front of shrines and temples, or when he passed in front of the gates of Sanshoku (three important offices), or when he passed through a place where people were enjoying river fishing or falconry or when an astringer bumped into a cormorant fisher, in each case no matter whom he met with were strangers or not.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス