大絶賛の英語

1599年（慶長4年）に京都の大雲院(京都市)で催した百瓶華会（ひゃくへいかかい）は絶賛された。例文帳に追加

The Hyakuheika-kai, a flower display which was held at the Daiun-in Temple in Kyoto in 1599 was highly praised.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

南蘋派の精緻な画風は大名の余技とは思えぬほど優れており、田能村竹田などは気韻生動があるとして絶賛している。例文帳に追加

His sophisticated painting style of the Nanbin school was unbelievably excellent for a daimyo's avocation, and Chikuden TANOMURA praised his paintings for having grace and elegance.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

滋子の美貌は『建礼門院右京大夫集』でも、「言ふ方なくめでたく、若くもおはします（言葉にできぬほど美しく、若々しい）」と絶賛しているので事実と思われる。例文帳に追加

It must have been true that Shigeko was exceptionally beautiful as she was praised highly and it was said in the "Kenreimonin ukyo no Daibu shu" (The poetic Memories of Lady Daibu), 'It is hard to describe how beautiful and young she is.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この作品が映画評論家岸松雄の目にとまり大絶賛されたことで注目が集まり、その結果、処女作にしてその年のベストテンに名を連ねるなど、山中は22歳の若さで日本映画界の巨匠の仲間入りをした。例文帳に追加

The film caught the attention of the film critic Matsuo KISHI, and the high praised that he gave the production led to it receiving widespread attention, resulting in the picture being ranked among the top ten directorial debuts of the year and Yamanaka taking his place among the masters of Japanese Cinema at the young age of 22.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

続いて小泉八雲の原作をオムニバス方式で映画化した初のカラー作品「怪談」は3時間の大作で、この世のものとは思えぬ幻想的な世界を作り上げ、二度目のカンヌ国際映画祭審査員特別賞を受けた他、アカデミー賞外国語映画賞にノミネートされ、日本映画史上屈指の名作と絶賛された。例文帳に追加

Next, his first color motion picture, 'Kaidan,' which was based on Yakumo KOIZUMI's novel and adapted to film in an omnibus style, was a huge film of three hours that created an unearthly fantasy world, received another Jury Special Prize from the Cannes International Film Festival, and was then nominated for the Academy Awards, Best Foreign Film, and highly praised as one of the best Japanese films ever.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「刃中の働きは元から切っ先までむらなく”匂い口が締まってサーッと消え入りそうに刃先に向かう”のが最大の特徴であり、匂い口を締て刃中を働かせていいることなど古刀期ならではの技量であり、地鉄の良さが平安・鎌倉（”二流工”の意味）をも凌ぐと武家目利の興趣は絶賛しており、兼定に始まって兼定に終わるとさえ云われている、孫六兼元のような”変化の激しさ”とは対照的に”静寂”な作風である、之定銘の作は素人受けする派手な刃紋が多い、銘は自身銘であり、銘切師には一切切らせておらず”奥義”のある銘振りである。例文帳に追加

The effect of the blade is even from the base to the tip, and "Nioi-kuchi (small particles of Martensite) is tight and turns into the blade tip like it's disappearing quickly" as the greatest characteristic, and tightening Nioi-kuchi and having an effect of the blade feature are typical techniques of the Koto (Old Swords) period, and Kyoshu, a samurai connoisseur highly praised its fine steel for surpassing Heian and Kamakura (they are supposed to be second-class craftsmen), and it is even said that it all comes down to Kanesada; Contrary to the "wide change" seen in Magoroku Kanemoto, it has a "serene" work style; most of the works with the inscription of Nosada have fancy blade patterns which amateurs like; the inscription is done by himself, without an inscriber, which makes the inscription "deep."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス