李連の英語

当時の李氏朝鮮は、壬午事変（1882年）で興宣大院君が清へ連れ去られており、閔妃をはじめとする閔氏一族は、親日派政策から清への事大主義政策へと方向転換していた。例文帳に追加

In the Joseon Dynasty at that time, Heungseon Daewongun was taken to China after the Imo Incident (1882) and the Min family including Queen Min were changing their policies from pro-Japanese to Sadaejuui (Loving and admiring the great and powerful).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお、韓国併合条約及び関連する詔書により、「韓国皇帝陛下太皇帝陛下皇太子殿下並其ノ后妃及後裔」に該当する者を王族とし、李王家の当主も王というが、皇族の王と王族の王は全く違うものである。例文帳に追加

According to the Japan-Korea Annexation Treaty and the related imperial edict, 'His Majesty the Emperor of Korea, His Majesty the Retired Emperor, His Majesty the Crown Prince and their empresses and descendents' were called the royal family, and the head of the Lee royal family was also called a king, but the king of the imperial family was different from the king of the royal family.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「我朝之覚」とは神功皇后の三韓征伐の際の三韓服従の誓約あるいは天平勝宝2年（752年）に孝謙天皇が新羅の使者に伝えた新羅国王の入朝命令と考えられ、この例に倣って高麗（李氏朝鮮）国王は諸大名と同じように朝廷（秀吉）への出仕義務があると考えて、直後に李氏朝鮮に対してその旨の使者を送っている清水紘一「博多基地化構想をめぐって－天正禁教令との関連を中心として－」（藤野保先生還暦記念会編『近世日本の政治と外交』（1993年、雄山閣）ISBN9784639011954）。例文帳に追加

An ancient example of Imperial Court' is regarded as either the pledge of obligation by three Korean countries at the conquest by Jinguu Empress or the order which Koken Emperor told an emissary of Silla that the King should come to see him in 752; Hideyoshi thought Korean King should serve Japanese Emperor and sent an emissary to Joseon Dynasty to tell this idea (Kouichi SHIMIZU ' About the idea to build a base at Hakata - relate to the forbiddance of Christianity - (Tamotsu Fujino Sexagenarian Memorial Association "Governance and foreign diplomacy of modern Japan" 1993, Yuhikaku Press, ISBN 9784639011954).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

李氏朝鮮においては「」（ペクチョン/ペッチョン）と呼び、七般公賤（官奴婢、妓生、官女、吏族、駅卒、獄卒、犯罪逃亡者）八般私賤（巫女、革履物の職人、使令：宮中音楽の演奏家、僧侶、才人：芸人、社堂：旅をしながら歌や踊りで生計をたてるグループ、挙史：女連れで歌・踊り・芸をする人、白丁）と言われた賤民（非自由民）のなかで最下位に位置する被差別民を指す言葉である。例文帳に追加

In Joseon Dynasty, hakucho was called Pekuchon or Petchon and the term for victim of discrimination placed in the lowest rank of the following people of the lower classes (unfree people): Shichihankosen (the following seven kinds of government-owned humble or lowly people: kannuhi [government-owned slave], kisaeng [female entertainers], court lady, Rizoku [lower ranked local government official], ekisotsu [guards], Gokusotsu ogre, criminal fugitive) and Hachihanshisen (the following eight kinds of privately-owned humble or lowly people: miko [a shrine maiden], a craftsman of leather footwear, shirei [musicians of court music], Buddhist monk, saijin [an entertainer], syado [a group which earned a living by singing or dancing, traveling around], kyoshi [people singing, dancing or performing with girls], hakucho).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス