民雅の英語

「篠笛」は日本で独自に考案されたものではなく、雅楽の横笛として中国大陸から伝わった「龍笛」が庶民の間にも広まって簡素化したものであろうと考えられている。例文帳に追加

The shinobue is not thought to have been created in Japan but is rather thought to have developed from the ryuteki flute imported from China as a yokobue (transverse flute) for gagaku (ancient Japanese court dance and music) and simplified as it spread throughout the common people.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお、ここに示す順序・内訳は12万5千石の石高を有する大名、前橋藩酒井氏雅楽頭酒井家が持つ九つの備の内、本多民部左衛門備の行軍中におけるそれを示す（高木昭作1990）。例文帳に追加

The order and the breakdown shown here are those of Minbusaemon HONDA's sonae during a military march, which was one of the nine sonae that belonged to the Maebashi Domain Sakai clan Uta no Kami (director of bureau of music) Sakai family, who was a daimyo with a kokudaka of 125,000 koku (Shosaku TAKAGI 1990).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

六朝および唐においては華麗にして典雅な貴族趣味が好まれたが、宋代になると庶民的な質素さを基調とする趣致が好まれるようになる。例文帳に追加

While a gorgeous and elegant taste of nobility had been favored in the Six Dynasties and the Tang, a folksy and simple taste came to be favored in the Sung period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また三味線音楽が遊里との結びつきも持っていて、どちらかといえば三味線が庶民の楽器として普及したのに対し、箏曲は王朝文学に取材したものが多いなど高雅な精神性を持ち、このため武家では「高尚な音楽」として、箏は武家の娘のたしなみ（アマチュア）としてもてはやされた。例文帳に追加

While shamisen developed as a kind of ordinary people's musical instrument because shamisen music linked with the red-light district, Soh music was regarded as 'music of high spirituality' by samurai families because many pieces were created based on dynastic style literature, and it was praised as an essential achievement for the daughters of samurai families (amateur).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

元々一般庶民で歌われていたものであることから、特に旋律は定まっていなかったが、大歌として宮廷に取り入れられ、雅楽に組み込まれてから何度か符の選定が行われ、平安時代中期には律・呂という2種類の旋法が定まった。例文帳に追加

There was no fixed melody since it was originally sung by ordinary people, but fu (musical notes, note symbols) were chosen several times after it was introduced to the court as Outa (song), and incorporated into gagaku (ancient Japanese court dance and music), and two kinds of senpo, Japanese seven-tone gagaku scale (corresponding to: so, la, ti. do, re, mi, fa) ritsu and ryo were established in the mid Heian period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「もとまち寄席恋雅亭」（神戸市、世話人は桂春駒）、「桂米朝落語研究会」（京都市東山区、桂米朝一門主宰）「尼崎落語研究会」（尼崎市、桂米朝一門主宰）、「京都市民寄席」（京都市）をはじめ数多く行われる。例文帳に追加

There are many other programs, including 'Motomachi Yose Rengatei' (held by Harukoma KATSURA in Kobe City), 'Beicho KATSURA Rakugo Workshop' (held by the Beicho KATSURA family in Higashiyama Ward, Kyoto City), 'Amagasaki Rakugo Workshop' (organized by the Beicho KATSURA family in Amagasaki City) and 'Kyoto Citizen's Yose' (in Kyoto City).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

在京の頃の歌風と比べ、東下後の歌風は、「雅」がまるで感じられず、まるで別人に取って代わったと言ってもいいような変化（それも、素人あるいは、一般庶民のような野臭い歌風に急変したとする）であるため、それをもって、替え玉であると言うことを唱える人もいる。例文帳に追加

Some people said some of Kazunomiya's poems after she moved to Edo, compared with the ones she wrote while she was in Kyoto, were not elegant at all, it was almost like someone else wrote the poems for her (it is said the poems were not even professionally written, her style changed into an unprofessional, dull style all of a sudden), there was a theory that someone was acting as a double in place of Kazunomiya.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス