蘇軾の英語

蘇軾と同時代の劉摯は「文人と称されたのでは士人として失格である」という趣旨の教訓を子孫に遺している。例文帳に追加

Ryushi who lived in the same age as SU Shi left a teaching that 'If called Bunjin, you should think you are not good enough as a Shijin.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

集書（集部）では『古文真宝』、『三体詩』、『長恨歌』、蘇軾・黄庭堅など北宋詩などに盛んに抄物が行われ、現存する量も多い。例文帳に追加

Among literary works, such as the poetry of Northern Sung "Kobun Shinpo," "Santaishi," "The Song of Everlasting Sorrow," Su Shi (Chinese poet), and Huang Tingjian (Chinese calligrapher, painter, and poet) were enthusiastically annotated, and many of them still exist today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

だが、北宋時代に改良が加えられてより丈夫になり、また王安石や蘇軾がその光沢や墨の発色ぶりと保色性を高く評価してこれを寵愛した。例文帳に追加

However, with improvement made in the Northern Song Dynasty Period, chikushi paper became stronger, which Wang Anshi and Su Shi (Chinese poet) favored because of its gloss, color development of sumi ink and color retention.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

始原と考えられているのは、中国の宋代において、文同、蘇軾等が竹を水墨画の主題として描き始め、後、梅・ラン科・キク・松と画題の広がりを見せていく。例文帳に追加

As for the beginning, it is considered that in the Sung period in China, Chinese authors Wen Tong, Su Shih and others painted bamboos as the subject of ink-wash paintings and expanded the subjects to plum trees, orchards, chrysanthemums and pine trees afterwards.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

謝良佐の弟子である朱震は邵雍の『皇極経世書』、周敦頤の『通書』といった象数易と『程氏易伝』や張載の『正蒙』といった義理易を総合して『漢上易伝』を著し、王安石や蘇軾の易学に対抗した。例文帳に追加

Shusin, a disciple of Sha Ryosa, brought together Shosu-eki (graphic and mathematical divination) such as "Kokyokukeiseisho" (Kogyoku future occurrence book) by ShoYo (Shao Yong) and "Tsusho" (almanac) by Shu Ton-i (Zhou Dunyi), and Giri-eki (ethics and philosophy divination) such as "Tei's annotation of I Ching" and Cho Sai's (Zhang Zai) "Seimo," and wrote "Kanjoekiden," to counter the art of divination led by Anseki O (Wang Anshi) and Su Shi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

禅様とは宋代の書風で、中国の禅僧の間に流行した蘇軾、黄庭堅、米フツ、張即之などの書を指し、晋唐の規範や伝統から解放された自由剛健なもので、奈良朝以来行われた線の軟らかい王羲之風のものとは全く趣きを異にするものである。例文帳に追加

Zen style calligraphy, the calligraphic style in Song, indicates the calligraphic works of Su Shi, Huang Tingjian, Mi Fu, and Sokushi CHO that became popular among Zen priests in China, and with free and strong natures freed from codes and traditions in the Jin and Tang eras, the style was totally different from that of Wang Xizhi, employed during the Nara period and later, which used soft lines.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

南禅寺の南禅寺伽藍の屋上、天下をねらう大盗賊石川五右衛門は煙管を吹かして、「絶景かな、絶景かな、春の宵は値千両とは、小せえ、小せえ、この五右衛門の目からは、値万両、万々両」という名台詞を吐き、夕暮れ時の満開の桜を悠然と眺めている。例文帳に追加

On a spring evening, on the rooftop of Nanzen-ji Temple, Goemon ISHIKAWA, a legendary bandit with designs on all the treasure of Japan, is composedly smoking with a pipe and viewing the cherry trees which are in full bloom, and says his famous line: "What a superb view, what a superb view; that man, saying that a moment of a spring evening is worth one thousand ryo (monetary unit), was a person of really small, small caliber; for this moment, I would spend ten thousand ryo, hundred million ryo" ('a moment of a spring evening' refers to the famous phrase of a Chinese poem "春夜Chunye" by 蘇軾Su Shi; in the original, it is 'one thousand gold' 春宵一刻値千金).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス