Ouyangとは 意味・読み方・使い方

His shoho was karayo style which incorporated the line of Ouyang Xun.発音を聞く 例文帳に追加

欧陽詢の流れを汲んだ唐様の書法だったという。 - Wikipedia日英京都関連文書対訳コーパス

This sutra was copied by Buddhists in Shiki, Kawachi Province who were enlightened by Priest Horin, and the calligraphic style resembles that of "the Monument of Daoyin Priest, Ouyang Tong" written by Ouyang Tong, a son of Ouyang Xun, one of the three greatest calligraphers in the early Tang period.発音を聞く 例文帳に追加

河内国志紀郡の仏教信徒が僧宝林の教化によって作ったもので、書風は初唐の三大家の一人である欧陽詢の子、欧陽通の『欧陽通道因法師碑』に似ている。 - Wikipedia日英京都関連文書対訳コーパス

Although the Teibu-bon is generally said to have been written by Ouyang Xun following the model, there is also no ground to guarantee the fact.発音を聞く 例文帳に追加

定武本は一般に欧陽詢が臨摸したと伝えられるが、これも根拠はない。 - Wikipedia日英京都関連文書対訳コーパス

Ko En, Son Puku, and Seki Kai 'considered humanity, justice, courtesy, and music as what needed to be learned' and were later called the three teachers of early Song by Oyo Shu (Ouyang Xiu, Ou-yang Hsiu).発音を聞く 例文帳に追加

胡エン・孫復・石介は「仁義礼楽を以て学と為」し、後に欧陽脩によって宋初三先生と称されている。 - Wikipedia日英京都関連文書対訳コーパス

The Theory of the Sky' by Liu Zongyuan and "The Opinion about the Sky" by Ryu Ushaku (Liu Yuxi) in the mid-Tang period were the pioneers, and in Baisong, it is seen in "Shin To-jo" (New Book of Tang) Gogyoshi by Oyo Shu (Ouyang Xiu, Ou-yang Hsiu), "Kohanden" by Anseki O (Wang Anshi), "Annotation of Spring and Autumn Annals" by Tei I (Cheng Yi), etc.発音を聞く 例文帳に追加

その先鞭をつけたのは中唐の柳宗元の「天説」・劉禹錫の『天論』であり、北宋においては欧陽脩の『新唐書』五行志・王安石の『洪範伝』・程頤の『春秋伝』などに見られる。 - Wikipedia日英京都関連文書対訳コーパス

The Ryoko's fresh and bright calligraphic style based on Ouyang Xun's writing style was accepted as being suited for the new building sense of the Meiji Restoration, and the official character style used in the Meiji government changed to the Ryoko style from the Oie style.発音を聞く 例文帳に追加

欧陽詢の書法を取り入れた新鮮で明るい菱湖の書風が明治維新の新興の感覚に受け入れられ、明治政府の官用文字は御家流から菱湖流に改められた。 - Wikipedia日英京都関連文書対訳コーパス

In works representative of Tang dynasty period China, such as Ouyang Xun's "Jiu Cheng Gong Li Quan Ming," Yu Shinan's "Kong Zi Miao Tang Bei," and Chu Suiliang's "Yan Ta Sheng Jiao Xu," the start and end points of the lines and their position left and right are always aligned and the lines are written straight, in contrast to the uneven 'chirashi-gaki' style described above.発音を聞く 例文帳に追加

中国唐を代表する『欧陽詢九成宮醴泉銘』・『虞世南孔子廟堂碑』・『チョ遂良雁塔聖教序』などの作品は、行頭・行末を揃え、左右の文字の位置を揃え、行をまっすぐに書いており、上述の「散らし書き」といかに対照的な書字法であるかが分かる。 - Wikipedia日英京都関連文書対訳コーパス