「歌学」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

30歳頃、冷泉為村に入門、武者小路実岳にも学ぶが、独自の歌学に目覚め「ただごと歌」を主張したことから、為村から破門された。例文帳に追加

At around the age of 30, he became Tamemura REIZEI's pupil and then he also studied under Saneoka MUSHANOKOJI, however as he found his own Kagaku (study of waka poems) and advocated 'plain form of waka' (songs of ordinaries of life), he was expelled by Tamemura.  - Wikipedia日英京都関連文書対訳コーパス

著書に「辞格考」「神道本論」「本言考」「神学百歌」「君臣論」「邪教論」「外教秘書」「妖魅論」「葎屋文集」「奈多八幡宮詳細記」「岩崎八幡宮由来記」「歌学新論」etcがある。例文帳に追加

He wrote books including 'Jikakuko,' 'Shinto honron,' 'Hongenko,' 'Shingaku hyakke,' 'Kunshiron' (lords and subjects controversy), 'Jyakyoron' (The theory of bad religion), 'Gaikyo hisho,' 'Yomiron,' 'Muguraya bunshu,' 'Natahachimangu shosaiki' (Precise description of Natahachiman-gu Shrine) and 'Kagaku shinron.'  - Wikipedia日英京都関連文書対訳コーパス

万葉歌人であった父麻呂の血を受け継いで、浜成も歌人であり、現存する日本最古の歌学書である『歌経標式』を光仁天皇に撰上している。例文帳に追加

Hamanari was also a poet like his father who was a Manyo kajin (poet of Manyoshu), and presented the oldest existing book on poetry in Japan, "Kakyo Hyoshiki (A formulary for verse based on the canons of poetry)" to Emperor Konin.  - Wikipedia日英京都関連文書対訳コーパス

東雄は各地で尊王論を遊説していたが、1845年に一旦上洛し妙法院宮の家人となった後､和泉国大鳥郡（現在の堺市）に滞在し歌学を講じた。例文帳に追加

Azumao went around to every place to explain the doctrine of the reverence for the Emperor, but after he went to Kyoto to become the retainer of Myohoin no miya in 1845, he stayed in Otori District in Izumi Province (present-day Sakai City) to lecture on the study of poetry.  - Wikipedia日英京都関連文書対訳コーパス

若いときから学問に長じ、本居大平に国学と歌学、藩の本草家で小野蘭山の高弟であった小原桃洞に本草学を学んだ。例文帳に追加

He excelled academically from an early age and learned Japanese classical literature and Kagaku (Uta Poem Study) from Ohira MOTOORI, and herbalism from Todo OHARA who was a scholar of herbalism in the Domain and a high-caliber disciple of Ranzan ONO.  - Wikipedia日英京都関連文書対訳コーパス

「和歌初学抄」、「五代集歌枕」など多くの歌学書では、「くらぶ山」は山城国の山であるとはしているものの、その具体的な場所を特定していない。例文帳に追加

In many books concerning poetry, such as 'Waka Shogakusho' (basics of Japanese "waka" poetry) and 'Godaishu Utamakura,' it is said that 'Kurabu-yama' (Mt. Kurabu) is located in Yamashiro Province, but its exact location is not identified.  - Wikipedia日英京都関連文書対訳コーパス

中世に入ると、『太平記』などの軍記物、歌学書やその注釈、寺社縁起などにおいて『日本書紀』にもとづきながらその内容に大きな差異が認められる、いわゆる中世神話（中世日本紀）が発達した。例文帳に追加

During the Middle Ages, the so-called Medieval Mythology (Chusei Nihongi) developed, including military epics such as "Taiheiki" (The Record of the Great Peace), Kagakusho (books on the study of waka poems) and commentaries on them, as well as the origins of temples and shrines, which were based on "Nihon Shoki" (Chronicles of Japan) yet differ greatly in content.  - Wikipedia日英京都関連文書対訳コーパス

主に歌学書、軍記物、寺社縁起などにおいて記述されているため、統一的・体系的な文献は存在せず、豊富なバリエーションが残されている。例文帳に追加

There are no integrated and systematized documents about Chusei Nihongi because they are described in many books about the study of waka poems, war chronicles, histories of temples and shrines etc., but the plentiful variety of Chusei Nihongi are preserved.  - Wikipedia日英京都関連文書対訳コーパス

それが、王朝国家体制のもと、次第に密教僧や歌学者、各神社の神人に移り、仏教思想を基盤とした神話の再解釈が行われ出した。例文帳に追加

Under the system of the dynasty state, however, the interpreters of Nihonshoki gradually shifted to Esoteric Buddhist monks, pundits of waka poem studies, and the jinin (associates of Shinto shrines) of each shrine, and initiatives to reinterpret mythologies based on Buddhist philosophy started.  - Wikipedia日英京都関連文書対訳コーパス

国風文化の時代の和歌の隆盛は歌学の発展を促し、『古今和歌集』の紀貫之「仮名序」がその先駆けをなすといわれ、藤原公任の『新撰髄脳』などの自覚的な著作もあらわれるに至った。例文帳に追加

The prosperity of waka in the period of Kokufu Bunka (Japan's original national culture) facilitated the development in the study of poetry; beginning with 'Kanajo' (a preface written in kana) by KI no Tsurayuki of "Kokin Wakashu," subjective pieces such as "Shinsen Zuino" (The Essentials of Poetry, Newly Compiled) of FUJIWARA no Kinto appeared.  - Wikipedia日英京都関連文書対訳コーパス

この時代の歌論はその枠を超えて一つの芸術論、思想体系とも言うべきものになっており能の大成者世阿弥も「能楽師に必要な学問は歌学のみである」と述べるなど他の芸能にも大きな影響を与えた。例文帳に追加

Karon in this period had already moved beyond its original narrow focus on poetry and began to include essays on art in general or essays that outlined an entire ideological system, and thereby came to have a deep influence on other art forms; Zeami, who perfected the art of Noh, commented that "Kagaku is the only type of learning a Noh actor really needs."  - Wikipedia日英京都関連文書対訳コーパス

三条西家による歌学の継承は、三条西実枝のあと、本来は三条西公国が継ぐべきであったが、まだ幼かったため、三条西実枝の高弟細川幽斎が中継ぎとして古今伝授を受け、三条西公国の成人をまって伝えた。例文帳に追加

After Saneki SANJONISHI, the study of waka by the House of Sanjonishi should have been inherited by Kinkuni SANJONISHI, but since he was still young, Yusai HOSOKAWA, a high disciple of Saneki SANJONISHI, received teachings in Kokinshu （Collection of Poems Ancient and Modern) as an intermediary, and Yusai passed it on to Kinkuni once he had reached the age of adulthood.  - Wikipedia日英京都関連文書対訳コーパス

一般にこの説は中世歌学特有の伝説の類として否定されているが、文献学的に言えば内親王に関する資料があまりにも少ないがために、これを積極的に肯定することも、或いは否定することもできないというのが実情である（定家が内親王より十三歳年下であるというのが否定説の唯一の根拠）。例文帳に追加

Generally this theory is denied as typical theory of the Medieval poem association, however, in fact it is hard to agree or not since philologically there were not enough historical records on the Imperial Princess. (The only reason to deny this theory was that Teika was thirteen years younger than the Imperial Princess.)  - Wikipedia日英京都関連文書対訳コーパス