「ghost-dance」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

When Rensho is chanting sutra at night, the ghost of Atsumori appears to tell about the ups and downs of the Taira clan, performs a chu-no-mai dance with nostalgia for the final feast of the Taira clan, and reproduces the scene of his own death in the Battle of Ichinotani. 例文帳に追加

夜、蓮生が読経していると敦盛の霊が現れて平家一門の栄枯盛衰を語り、平家最後の宴を懐かしんで中之舞を舞い、一ノ谷合戦での討ち死にの模様を再現して見せる。 - Wikipedia日英京都関連文書対訳コーパス

Black and navy was used for the make-up of 'Kugeare' (wild kuge (noble)), who was the villain (FUJIWARA no Sihei of "Sugawara Denju Tenarai Kagami") that schemed to overthrow the government, female that turned into ogre with jealousy ('hannya-guma' (makeup like hannya, female demon) (Shirabyoshi (a women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Musume Dojoji" (Young Woman) whose real name was Kiyohime (Princess Kiyo)), female monster 'kijo-kuma' (makeup like a female ogre) (female ogre that gathered autumn leaves or ogre that disguised itself as the female of Modori-bashi bridge, 'borei-guma' (ghost make-up) that expressed the grudge of crazed evil spirit (TAIRA no Tomomori of Funa Benkei) that roughness equaled that of crimson colored Kumadori, but used on villains who were cruel or used spiritual power. 例文帳に追加

黒・藍色系統では、「公家荒」と呼ばれる国家転覆を狙う大悪人（菅原伝授手習鑑の藤原時平）の隈や、嫉妬の鬼と化した女性の「般若隈」（道成寺の白拍子花子、その本性は清姫）、女妖怪に使う「鬼女隈」（紅葉狩の鬼女紅葉や戻橋の女に化けた鬼など）、荒れ狂う悪霊の怨念を表した「亡霊隈」（船弁慶の平知盛）など猛々しさは紅色の隈取に匹敵するが、冷酷であったり妖力を使う悪役のものである。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy). 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス