「imayo」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

Various tunes of imayo, including Etenraku Imayo (syllabic-style tunes) mentioned below, were also composed, and there existed two categories of tunes : melisma-style tunes, such as Choseiden, and syllabic-style tunes, such as the melancholy music used from 1964 to 1993 in the self-introduction announcement of Chubu-Nippon Broadcasting Co., Ltd., which was originally the music of koto (a long Japanese zither with 13 strings). 例文帳に追加

曲の方も、後述の越天楽今様（音節型）の他に各種作られ、長生殿のようなメリスマ型の曲や、中部日本放送の局名告知（1964-1993）に使われたような暗い曲調のもの（原曲は箏曲、シラブル型）もあった。 - Wikipedia日英京都関連文書対訳コーパス

It was a collection of poems modeled after "Kokinshu," and was compiled to complete the seven collections, attempting to restore waka poetry to its former elegant status because it was being invaded by the newly rising genres of poetry, renga (linked verse) and imayo (an ancient verse form consisting of four lines, each divided into two parts of seven and five syllables). 例文帳に追加

『古今集』を範として七代集を集大成する目的で編まれ、新興文学である連歌・今様に侵蝕されつつあった短歌の世界を典雅な空間に復帰させようとした歌集。 - Wikipedia日英京都関連文書対訳コーパス

Naishi was the female priest (shrine maiden) of Itsukushimajinja shrine, being in charge of not only the religious services but also do some performances including singing Imayo song and showing a bugaku dance to relieve a nobleman who was confining himself in the shrine for prayer from the tedium of a journey. 例文帳に追加

厳島神社の女性神職（巫女）で、神事のほかに、同神社に参籠する貴人の旅情を慰めるために今様を朗詠したり舞楽などを行った。 - Wikipedia日英京都関連文書対訳コーパス

During this period, various artistic performances like Dengaku (ritual music and dancing performed in association with rice planting) and Sarugaku (form of theater becoming the basis for Noh) were spread among the upper class court nobles, Emperor Goshirakawa liked Imayo (Popular songs) and he studied eagerly. 例文帳に追加

この頃、田楽・猿楽といった庶民の雑芸が上流貴族の生活にも入り込んでいて、後白河も今様（俗謡）を好み熱心に研究していた。 - Wikipedia日英京都関連文書対訳コーパス

According to "Heiji Monogatari" (The Tale of Heiji), Goshirakawa was crazy about singing 'Imayo songs' and his half older brother, the Retired Emperor Suko made a critical comment about Goshirakawa by saying, 'He has no talent in literature, sword fighting, no special skills and no artistic skills' 例文帳に追加

『平治物語』によれば「今様狂い」と称されるほどの遊び人であり、「文にあらず、武にもあらず、能もなく、芸もなし」と同母兄・崇徳上皇に酷評されていたという。 - Wikipedia日英京都関連文書対訳コーパス

Yoritomo held a banquet to comfort Shigehira. Suketsune KUDO used the hand drum and sang Imayo, and Senju no mae played the Biwa (Japanese lute), while Shigehira played the Yokobue (flute). 例文帳に追加

頼朝は重衡を慰めるために宴をもうけ、工藤祐経に鼓を打たせ今様を謡わせ、千手の前は琵琶を弾き、重衡が横笛を吹いて楽しませている。 - Wikipedia日英京都関連文書対訳コーパス

Chapter 2 of "Ryojinhi-sho" (Songs to Make the Dust Dance on the Beams) edited by Emperor Goshirakawa, who loved the Imayo style of poems, reflected on such a tale, 'Should all birds live on the deep mountain where the eagle lives? Even if it's the same Minamoto clan, Hachimantaro is somebody to be feared.' 例文帳に追加

今様狂いの後白河天皇が編纂した『梁塵秘抄』巻第二にある「鷲の棲む深山には、概ての鳥は棲むものか、同じき源氏と申せども、八幡太郎は恐ろしや」はそのような言い伝えを反映しているものと思われる。 - Wikipedia日英京都関連文書対訳コーパス

He was known as an expert in koto (Chinese zither) and biwa (Japanese lute), and well versed in a variety of music at the time from kagura (ancient Shinto music and dancing), shomyo (ancient Indian linguistic and grammar studies), roei (recitation of Japanese or Chinese poem), imayo (Heian poetry style), and saibara (genre of Heian era Japanese court music primarily consisting of gaku-styled folk melodies). 例文帳に追加

特に筝や琵琶の名手として知られ、更に神楽・声明・朗詠・今様・催馬楽など当時の音楽のあらゆる分野に精通していたと言われている。 - Wikipedia日英京都関連文書対訳コーパス

It stored numerous collections of the Cloistered Emperor Goshirakawa, who stood in the center of entertainment such as production of various emakimono (illustrated scroll) and collection of imayo (a popular style of song during the Heian period). 例文帳に追加

ここには、多くの絵巻物の制作や今様の蒐集など芸能の中心に立ち続けた後白河法皇の膨大なコレクションも納められていた。 - Wikipedia日英京都関連文書対訳コーパス

The imayo (popular style of song during the Heian period), a popular music among common people, which was based on the seven-and-five syllable meter and four phrases and sung by shirabyoshi, female entertainer (who was often a yujo [a prostitute]), was loved by the noble society. 例文帳に追加

当時の民間の流行歌謡であり、白拍子という女性芸人（しばしば遊女を兼ねた）のうたう七五調四句を基調とする今様も貴族社会でもてはやされた。 - Wikipedia日英京都関連文書対訳コーパス

The Cloistered Emperor Goshirakawa had interactions with entertainers such as shirabyoshi who were women dressed up in clothing of a man and danced while singing imayo, and kugutsu (kugutsushi [puppet player]) who manipulated puppets in time with a song. 例文帳に追加

法皇は、男装した女性が今様を歌いながら舞う白拍子や、歌に合わせて操り人形を躍らせる芸などを演ずる傀儡（傀儡子）などの芸人とも交流をもった。 - Wikipedia日英京都関連文書対訳コーパス

The most important works of Shin Kabuki are "Kiri Hitoha" (A Single Paulownia Leaf) & "Hototogisu Kojo no Rakugetsu" (The Sinking Moon Over the Lonely Castle Where the Cuckoo Cries) both by "Shoyo TSUBOUCHI," "Musuko" (Son) by "Kaoru OSANAI," "Shuzenji Monogatari" (The Tale of Shuzen-ji Temple) & "Toribeyama Shinju" (Love Suicides on Mt. Toribe) both by "Kido OKAMOTO," "Imayo Satsuma Uta" (Modern Style Satsuma Songs) by Onitaro OKA, "Genroku Chusingura" (The 47 Ronin) by Seika MAYAMA, "Saigo to Buta Hime" (Saigo and His Favorite Fat Woman) by Daigo IKEDA. 例文帳に追加

代表作には坪内逍遥の『桐一葉』『沓手鳥孤城落月』、小山内薫の『息子』、岡本綺堂の『修善寺物語』『鳥辺山心中』、岡鬼太郎の『今様薩摩歌』、真山青果の『元禄忠臣蔵』、池田大伍の『西郷と豚姫』などがある。 - Wikipedia日英京都関連文書対訳コーパス

There is a famous anecdote related to this occasion as follows: to the Retired Emperor Goshirakawa, who said to him 'As you were living a country life, you have forgotten music, haven't you?' he replied reciting a verse of imayo (popular style of song in Heian period) that originally reads, 'The river along the Kisoji Road which is supposed to be in deep Shinano,' by changing it slightly as, 'The river along the Kisoji Road which surely exists in deep Shinano,' (recorded in "Jikkinsho" [Miscellany of Ten Maxims], "Heike Monogatari" [The Tale of the Heike], etc.). 例文帳に追加

その際、後白河院に「田舎住まいで音曲など忘れただろう」という問いに対して、「信濃にあんなる木曽路河」という今様を「信濃に有し木曽路河」と謡い替えた逸話は有名（『十訓抄』『平家物語』などに記載）。 - Wikipedia日英京都関連文書対訳コーパス

Furthermore, the subjects of the paintings include children's play and seasonal images, such as two girls comparing grasses they have gathered in a game of kusa-awase (the eighth fan of "hokekyo" vol. 7), a boy trying to catch a little bird (the ninth fan of "hokkekyo" vol. 7) and the persimmon harvest (the 11th fan of "hokkekyo" vol. 6), as well as a scene of a court lady admiring the autumn leaves and a serving girl collecting chestnuts (the 10th fan of "hokkekyo" vol. 1), a little girl and a court official reading a letter (the ninth fan of "hokkekyo" vol. 1) and even a scene of a prostitute and a puppet player (or sorcerer) singing Imayo (a popular style of song in the Heian period) as offerings to guardian deity of travelers, Doso-jin, probably to comfort the spirit. 例文帳に追加

さらに、草合わせをする2人の少女（法華経巻七扇8）、小鳥捕りをする少年（法華経巻七扇9）、柿もぎのようす（法華経巻六扇11）など子どもの遊戯や風物詩も画題となっており、紅葉を愛でる女房と栗拾いの婢女を描いた場面（法華経巻一扇10）、文を読む公卿と童女（法華経巻一扇9）、遊女と傀儡子（または男巫）が今様を歌って道祖神に報宴し、神霊を慰めているのではないかと推定される場面などを描いたものもある。 - Wikipedia日英京都関連文書対訳コーパス