弘作太の英語

1928年（昭和3年）の本宅の焼失、スターの大量退社に揺れるマキノプロで逆境に燃えた光雄の兄・弱冠20歳のマキノ雅弘は、山上伊太郎と時代劇の傑作『浪人街』を生むが、翌年の1929年（昭和4年）7月25日、省三が亡くなるとマキノプロの経営は困難になり1930年（昭和5年）に年末給料不払で争議が起こる。例文帳に追加

When Mitsuo's older brother Masahiro MAKINO was as young as twenty to overcome adverse situations such as the loss of his family's house in a fire in 1928 and the loss of many actors and actresses who quit Makino Productions, he produced a masterpiece of period drama "Roningai" with Itaro YAMAGAMI, but upon Shozo's death on July 25, 1929 the next year, it became difficult to continue the operation of Makino Productions and there was a conflict about the non-payment of salaries at the end of 1930.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

（大田南畝「寛政十年戊午江戸人別」『一話一言』巻26(1820年)山下重民「江戸市街統計一班」『江戸会雑誌』1冊（2号）pp.18–26（1889年）勝海舟「江戸人口小記」「正徳ヨリ弘化迄江戸町数人口戸数」『吹塵録』（1890年）小宮山綏介「府内の人口」『江戸旧事考』2巻pp.19–23（1891年）『日本財政経済史料』9巻pp.1210–1243（1922年）柚木重三、堀江保蔵「本邦人口表」『経済史研究』7号pp.188–210（1930年）幸田成友「江戸の町人の人口」『社会経済学会誌』8巻（1号）pp.1–23（1938年）鷹見安二郎江戸の人口の研究」『全国都市問題会議』第7回1（本邦都市発達の動向と其の諸問題上）pp.59–83（1940年）高橋梵仙『日本人口史之研究』三友社（1941年）関山直太郎『近世日本の人口構造』吉川弘文館（1958年）南和男『幕末江戸社会の研究』吉川弘文館（1978年）より作成。例文帳に追加

Sources: Nanbo OTA, 'Kansei 10 nen, Bogo, Edonin betsu' from vol. 26 of "Ichiwa Ichigen" (1820); Shigetami YAMASHITA, 'Edo shigai Tokei Ippan' from vol.1 (pp. 18-26) of "Edokai zasshi" (1889); Kaishu KATSU, 'Edo Jinko Shoki' from "Suijinroku" (1890); Yasusuke KOMIYAMA, 'Funai no Jinko' from vol. 2 (pp. 19–23) of "Edo kyujiko" (1891) and vol. 9 (pp. 1210–1243) of "Nihon Zaise Keizai Shiryo" (1922); Juzo YUZUKI and Yasuzo HORIE, 'Honpo jinko hyo' from vol. 7 (pp. 188–210) of "Keizaishi Kenkyu" (1930); Shigetomo KODA, 'Edo no Chonin no Jinko' from vol. 8 (pp. 1–23) of "Shakai Keizai gakkaishi" (1938); Yasujiro TAKAMI, 'Edo no Jinko no Kenkyu' from the 7th conference (pp. 59–83) of "Zenkoku Toshi Mondai kaigi" (1940); Bonsen TAKAHASHI, "Nihon Jinkoshi no Kenkyu" from Sanyusha publishing (1941), Naotaro SEKIYAMA, "Kinsei Nihon no Jinko Kozo" published by Yoshikawa Kobunkan Inc. (1958); Kazuo MINAMI, "Bakumatsu Edo Shakai no Kenkyu" published by Yoshikawa Kobunkan Inc. (1978).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス