「Hataraki」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

It is one of hataraki-goto in which the shite makes a circuit of the stage silently before kuse (strongly rhythmic dance from medieval Japan, kuse had an influence on the development of Noh, masked dance-drama form). 例文帳に追加

クセなどの前にシテが静かに舞台を一めぐりする働事。 - Wikipedia日英京都関連文書対訳コーパス

There are "maibataraki" and "seme" (a play of Enma, a devil or Oni, an ogre accusing a sinner to the hell) in Daishomono and "kakeri" in Taikomono in Hataraki-goto for Kyogen. 例文帳に追加

狂言の働事には、大小物の「舞働」と「責メ」、太鼓物の「カケリ」がある。 - Wikipedia日英京都関連文書対訳コーパス

Though mai-goto is mostly performed by single performer such as the Noh shite (main role) or the tsure, hataraki-goto contains performances by many performers around the shite such as in 'kirikumi' (many samurai killing each other using a blade) and 'tachimawari' (a type of action piece, hataraki in Noh, in which the dancer circles the stage to the left to noncongruent instrumental music, the stick drum may be used in the accompaniment). 例文帳に追加

また舞事は大半が能シテまたは能シテなどによって一人で行われるが、働事には「斬組」や「立廻り」のようにシテを中心とする多人数によって行われるものが含まれる。 - Wikipedia日英京都関連文書対訳コーパス

Unlike other mai-goto and hataraki-goto, there is no fixed pattern of movement but each music has its different movement and, virtually, for classification of hataraki-goto, those that do not fall other categories are gathered together and called collectively tachimawari. 例文帳に追加

他の舞事・働事とちがって、固定した型があるのではなく、曲ごとに異なった型がついており、事実上、働事の分類のうえでほかの項目に入らないものをまとめて立廻りといっている。 - Wikipedia日英京都関連文書対訳コーパス

Similar to mai-goto (instrumental dances), hayashi (musical accompaniment played on traditional Japanese instruments) for hataraki-goto consists of four kinds of musical instruments: nohkan (Japanese Noh flute), kotsuzumi (small hand drum), otsuzumi (big drum), and taiko (stick drum). 例文帳に追加

舞事と同じく、能管、小鼓、大鼓、太鼓（太鼓は入るものと入らないものがある）の四種の楽器が囃子に用いられる。 - Wikipedia日英京都関連文書対訳コーパス

In a broad sense, it indicates performances that include Shimai and Maibayashi (an abbreviated style of Noh); however, in contrast with Maibayashi, Shimai generally indicates a short dance without being accompanied by music, in which mai-goto (instrumental dances) and hataraki-goto (descriptive pieces) are abbreviated. 例文帳に追加

広義にはいわゆる仕舞と舞囃子を含めたものを指すが、一般的には舞囃子とは異り、囃子を伴わず、舞事・働事などの部分を略した短い素舞を指す。 - Wikipedia日英京都関連文書対訳コーパス

Hataraki-goto refers to shosa (conduct) that has certain ideographical and representational elements in the parts that consist of performers' shosa and Noh-hayashi (percussion ensemble) in Noh plays. 例文帳に追加

働事（はたらき-ごと）は、能において、演者の所作と、能囃子によって構成される部分のうち、その所作が一定の表意的・具象的な要素を持つものを指す。 - Wikipedia日英京都関連文書対訳コーパス

In this hataraki-goto, the shite who plays a spirit of busho (Japanese military commander) or a monogurui (mad people) moves round wildly in a state of high emotion and expresses the suffering of Shurado (World of Fighting and Slaughter) ("Yashima" or "Sakuragawa" [Sakura river] in which a heroine wonders about in a frenzy of grief). 例文帳に追加

武将の霊や物狂いなどのシテが精神の昂揚によってはげしく動きまわるもので、修羅道の苦患様子をうつしている（『屋島』や、狂乱のあまりにさすらい歩く『桜川』）。 - Wikipedia日英京都関連文書対訳コーパス

In hataraki-goto played with nohkan, kotsuzumi, otsuzumi, and taiko, there are 'maibataraki,' 'uchiai-bataraki' (one scene in which the shite, a main role fighting with the tsure or the waki, a supporting role of maibataraki, dance with hayashi), 'inori' (in scenes in which a monk or Yamabushi, the waki uses magic to fend off an crazed witch, shite, inori, or prayer, refers to the movement in which the witch submits to the prayers of the monk or Yamabushi, a movement of the hayashi), and 'tachimawari' (see above). 例文帳に追加

能管、小鼓、大鼓、太鼓によって奏される働事には「舞働」、「打合働」、「イノリ」（祈）、「立廻り」（上記参照）がある。 - Wikipedia日英京都関連文書対訳コーパス

Seme is a Kyogen-specific hataraki-goto in which an oni in the hell tortures severely the dead people and it is also used as a lesson for act at festival scene in "Uri nusubito" (The Melon Thief) in addition to Oni-Kyogen such as "Asahina" (A Worthy Man). 例文帳に追加

責メは地獄の鬼が亡者を責めたてる狂言独自の働事で、『朝比奈』のような鬼狂言のほかに、『瓜盗人』などで祭の出し物の稽古として用いられる。 - Wikipedia日英京都関連文書対訳コーパス

It is one of hataraki-goto in which many Hitamen (face without mask) samurais are killing each other using a blade around the Noh shite and the Noh waki and the shite-kata who appear as the Noh shite and the Noh waki play roles of many other enemies and are got slashed to death by the shite and the Noh waki (On Noh stage, performers express getting slashed to death by performing anza [sitting quietly] or Hotokedaore [performance that represents death or falling unconscious] and fades from the stage). 例文帳に追加

シテやワキなどを中心として、直面の武士などが多人数で斬りあう働事で、能シテ、能シテなどとして登場するシテ方は、その他大勢の敵役として、シテや能ワキなどに斬られる役回りである（舞台上では、安座や仏倒れなどを行って斬られたことを示したのち、能能舞台から退く）。 - Wikipedia日英京都関連文書対訳コーパス