「Hyoshi」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

The structure and practice of Utai (the chanting of a Noh text) rhythm, ji hyoshi (Noh chorus rhythm) and techniques, Hinoki shoten Co., Ltd., 2002 例文帳に追加

謡リズムの構造と実技能...地拍子と技法檜書店,2002 - Wikipedia日英京都関連文書対訳コーパス

Hari-ogi is used in pairs, and is used to slap the Hyoshi-ita (board to keep rhythm by slapping it) which is made of zelkova tree or the like. 例文帳に追加

二本一対で用い、欅製などの拍子板を打つ。 - Wikipedia日英京都関連文書対訳コーパス

He also made great accomplishments in terms of theory, such as discovering the law of Ji hyoshi (Noh chorus rhythm). 例文帳に追加

また、理論面においても地拍子の法則性を発見するなどの功績を残した。 - Wikipedia日英京都関連文書対訳コーパス

The chanting of a Noh text with a rhythm other than the eight-beat rhythm is called "Hyoshi-awazu, (unmatched or noncongruent rhythm) ". 例文帳に追加

八拍子から外れているリズムの謡は「拍子不合」（ひょうしあわず）と呼ばれる。 - Wikipedia日英京都関連文書対訳コーパス

Akagami no Hyoshi Tezureshi Kokkin no Fumi wo Kori no Soko ni Sagasu Hi' (lit. The day I searched the bottom of my trunk for the state-banned book with the well-worn red cover) (Takuboku ISHIKAWA) 例文帳に追加

「赤紙の表紙手擦れし国禁の書（ふみ）を行李（かうり）の底にさがす日」（石川啄木）。 - Wikipedia日英京都関連文書対訳コーパス

"I heard Murasame is there, but this morning I can find only Matsukaze (also means wind in pines), I can find only Matsukaze" (tome-hyoshi [closing stamps] by Waki)." 例文帳に追加

『村雨と聞きしもけさ見れば、松風ばかりや残るらん、松風ばかりや残るらん』（ワキのトメ拍子）。 - Wikipedia日英京都関連文書対訳コーパス

『それぞと知られ白雪の、扇のつまの形見こそ、妹背の中の情なれ、妹背の中の情なれ。』(Tome-hyoshi [closing stamps]). 例文帳に追加

『それぞと知られ白雪の、扇のつまの形見こそ、妹背の中の情なれ、妹背の中の情なれ。』（トメ拍子）。 - Wikipedia日英京都関連文書対訳コーパス

A dance group consists of six or four dancers, and songs are performed with a pair of hyoshi (wooden clappers), a wagon (Japanese harp) accompanied by kotomochi (harp holders), an Azuma-asobi bue (Japanese flute with six holes, which is also called chukan), and a hichiriki (oboe), accompanied with a backing chorus. 例文帳に追加

舞人6人あるいは4人、歌方は拍子、和琴、琴持、東遊笛（中管）、篳篥、付歌で奏する。 - Wikipedia日英京都関連文書対訳コーパス

"The music of a thousand autumns soothes the people, the music of ten thousand years extends life; the breeze of the Aioi pines, how joyous the sound of the breeze, how joyous the sound of the breeze" (tome-hyoshi [closing stamps]). 例文帳に追加

『千秋楽は民を撫で、萬歳楽には命を延ぶ、相生の松風、颯々の聲ぞ楽しむ、颯々の聲ぞ楽しむ』（トメ拍子）。 - Wikipedia日英京都関連文書対訳コーパス

The portion chanted with the eight-beat rhythm is called "Hyoshi-ai (congruent rhythm)" and the standard tempo is called "Hiranori," the fast tempo is called "Chunori," and the slow tempo is called "Onori". 例文帳に追加

八拍子で謡われる部分を「拍子合」（ひょうしあい）と呼び、標準的なテンポを平ノリ（ひらのり）、速めのテンポを中ノリ、遅めのテンポを大ノリと呼ぶ。 - Wikipedia日英京都関連文書対訳コーパス

In addition to the mai-goto described above, there are the Setto no hyoshi (a rhythm of treading on snow) in "Yuki" and Banshiki Jo no mai (the slow-tempo dance played in a key called Banshiki, which is close to the western key of B) used for a kogaki for "Hagoromo" or "Kakitsubata". 例文帳に追加

以上のほか、特殊な舞事として、「雪(能)」の雪踏之拍子や「羽衣」や「杜若」の小書に用いられる盤渉序之舞などがあり、 - Wikipedia日英京都関連文書対訳コーパス

Good timing of kakegoe: It is different for each performance; usually, the audience practices kakegoe while the actors are crossing 'hana-michi' (elevated runway), walking in or out of 'age-maku' (the end of a hana-michi; hana-michi is stretched from age-maku to the stage, actors use it for performing important scenes and entrances and exits), doing 'hikkomi' (exit), performing 'mie' poses and during 'hyoshi-gi' (wooden clappers) are beaten at 'maku-gire' (the end of an act). 例文帳に追加

タイミング狂言によってさまざまなポイントがあるが、「面張り（とくに揚幕）」「引っ込み」「見得（ツケが入る）」「幕切れの拍子木」にかけるのが一般的である。 - Wikipedia日英京都関連文書対訳コーパス

Otoshi-banashi have various kinds of sage or ochi, such as niwaka-ochi (punchlines using a pun), hyoshi-ochi (forming part of a rhythmical story), sakasa-ochi (which have been hinted at to the audience early on), kangae-ochi (which might make the audience think or may be difficult to understand), mawari-ochi (which link to the beginning of the story), mitate-ochi (which liken something to a different thing), manuke-ochi (ending in nonsense or absurdity), totan-ochi (which add plausibility to the story as a whole), buttsuke-ochi (where characters' words are at odds with each other), and shigusa-ochi (using gestures) (see the article Ochi for details). 例文帳に追加

にわか落ち、ひょうし落ち、逆さ落ち、考え落ち、まわり落ち、見立て落ち、まぬけ落ち、とたん落ち、ぶっつけ落ち、しぐさ落ちなどがある（落ちの項参照）。 - Wikipedia日英京都関連文書対訳コーパス

During the Heian period, Azuma-asobi was performed by six or ten dancers who followed the style of the Imperial Guard's soldiers and wore Saiei no Kanmuri (crown with two rounded strings on the top) with a spray of cherry blossoms on the right top of the crown, Omigoromo (ceremonial jacket used for the Shinto rites at the Imperial Court), and swords and four music players (one performer each of shaku-hyoshi [wood clappers], a flute, a hichiriki, and a wagon). 例文帳に追加

平安時代には、舞曲は近衛の官人が仕えるのを例として、細纓冠緌にサクラを冠の右側に挿し、袍は小忌衣、太刀を帯びた舞人6人ないし10人、歌人4人（笏拍子、狛笛・篳篥・和琴それそれ1人）で奏した。 - Wikipedia日英京都関連文書対訳コーパス