「directorial」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

In 1997, he won directorial prizes from the Japan Academy and the Mainichi Film Contest for his film "Unagi." 例文帳に追加

1997年日本アカデミー賞監督賞・毎日映画コンクール監督賞　『うなぎ』 - Wikipedia日英京都関連文書対訳コーパス

In 1956, Suzuki made his directorial debut with "Toast to the port, Victory to our hands" (with Toshiya FUJITA being the third assistant director). 例文帳に追加

1956年、『港の乾杯勝利をわが手に』で、監督デビュー（サード助監督は藤田敏八）。 - Wikipedia日英京都関連文書対訳コーパス

In 1951, at the age of 39 he fulfilled his longstanding ambition to direct with his directorial debut "Aisai Monogatari" (Story of a Beloved Wife). 例文帳に追加

1951年、『愛妻物語』で39歳にして宿願の監督デビューを果たす。 - Wikipedia日英京都関連文書対訳コーパス

After serving as Shimazu's assistant director, he made his directorial debut in 1925 with "Nanto no Haru" (lit. "Spring in the Southern Islands"), for which he was also writer and screenwriter. 例文帳に追加

島津の助監督を経て、1925年、原作、脚本も手がけた『南島の春』で監督デビューした。 - Wikipedia日英京都関連文書対訳コーパス

In 1943, she became popular for her role as Sayo, the heroine in "Sanshiro Sugata," the directorial debut of Akira KUROSAWA. 例文帳に追加

1943年、黒澤明の監督デビュー作『姿三四郎』のヒロイン小夜役で人気を集める。 - Wikipedia日英京都関連文書対訳コーパス

In 1979, he won three directorial prizes, the Blue Ribbon Prize, the Japan Academy Prize, and the Kinema Junpo Prize for his film "Fukushu suru wa ware ni ari." 例文帳に追加

1979年ブルーリボン賞監督賞・日本アカデミー賞監督賞・キネマ旬報賞監督賞　『復讐するは我にあり』 - Wikipedia日英京都関連文書対訳コーパス

In 1989 he again won three directorial prizes, the Japan Academy Prize, the Kinema Junpo Prize, and the Nikkan Sports Film Prize, for his film "Kuroi ame" (Black Rain). 例文帳に追加

1989年日本アカデミー賞監督賞・キネマ旬報賞監督賞・日刊スポーツ映画大賞監督賞　『黒い雨(映画)』 - Wikipedia日英京都関連文書対訳コーパス

In 1946, being discharged from the military service after World War II, Nomura worked as Assistant Director to Akira KUROSAWA making his directorial debut with "Pigeon" in 1952. 例文帳に追加

第二次世界大戦後の1946年に復員後、黒澤明の助監督を務め、1952年に『鳩』で監督デビューした。 - Wikipedia日英京都関連文書対訳コーパス

The majority of his directorial productions are artistic works with dominant social themes, but as a screen writer he has many works that have strong entertainment aspect. 例文帳に追加

監督としては社会的テーマを強く打ち出した作品が文芸作品が殆どであるが、脚本家としては娯楽色の濃い作品も多い。 - Wikipedia日英京都関連文書対訳コーパス

When the motion film industry began to use both actresses and actors, it became unnecessary to play female roles, so he turned to directing and made his directorial debut with "Imoto no Shi" (The Death of My Sister) in 1920. 例文帳に追加

映画界が女優を起用し始め、女形が不要になってきたこともあり、監督に転向し、1920年、『妹の死』でデビューする。 - Wikipedia日英京都関連文書対訳コーパス

Tomu moved to Makino Kyoiku Eiga Seisakujo (film studio) where he made his directorial debut alongside Teinosuke KINUGASA with the film "Aa, Konishi Junsa" (Oh, Police Officer Konishi). 例文帳に追加

牧野教育映画に移り、『噫小西巡査』を衣笠貞之助と共同監督し監督デビューする。 - Wikipedia日英京都関連文書対訳コーパス

Maizuru Warehouse Co., Ltd. uses three warehouses, and the remaining seven buildings are now warehouses belonging to the Maizuru General Directorial Division of the Maritime Self-Defense Force. 例文帳に追加

また、舞鶴倉庫が3棟を倉庫として再利用し、残りの7棟は海上自衛隊・舞鶴総監部などの倉庫として使用している。 - Wikipedia日英京都関連文書対訳コーパス

It was in Kawashima's "Suzaki paradaisu, aka shingo" that the three established their directorial style, which centered on the vitality of ordinary people, the "rock-bottom of society, who did not see any benefits from the postwar economic boom." 例文帳に追加

川島が監督した『洲崎パラダイス・赤信号』で、彼らは「戦後の好景気から疎外された社会の底辺」に蠢く庶民のヴァイタリティーを基本に据えた作風を確立する。 - Wikipedia日英京都関連文書対訳コーパス

In the foregoing show, Suzuki made a statement that he had been developing his own style of aesthetics which later came to be referred to as the Seijun Aesthetics from the time of his directorial debut contradicting the generally accepted explanation back then that it suddenly blossomed with the film "Youth of the Beast." 例文帳に追加

当時一般的にいわれていた、清順美学は『野獣の青春』で突然開花したという定説を自ら覆し、デビュー作の頃から意識していたと発言した。 - Wikipedia日英京都関連文書対訳コーパス

After making his directorial debut with "Kabocha Sodoki" (literally, pumpkin fuss), he released renowned works in a number of genres including "Jonetsu no Fuchin" (Rise and Fall of Love), "Orishan no kyoji" (The Gallant Child of Orishan), "Kankanmushi wa Utau" (lit. "The Rust Chipper Sings"), "Kono Haha wo Miyo" (Behold This Mother), and "Haru to Musume" (Spring and A Girl). 例文帳に追加

『かぼちゃ騒動記』で監督デビュー後、『情熱の浮沈』、『阿里山の侠児』、『かんかん虫は唄う』、『この母を見よ』、『春と娘』など、様々なジャンルの佳作を発表する。 - Wikipedia日英京都関連文書対訳コーパス

In 1900, he advanced to Lieutenant General in rank, and after serving as General Office Director of Education (later, Director of Educational General Directorial Division), on May 5, 1902 he was appointed as Chief of the 6th Division and took part in Russo-Japanese War under the 2nd Army (Japanese Army). 例文帳に追加

1900年に陸軍中将に進級し教育総監（後の教育総監部本部長）を経て1902年5月5日、第6師団長に親補され、第2軍(日本軍)隷下として日露戦争に従軍する。 - Wikipedia日英京都関連文書対訳コーパス

In 1991, there was a special program on Seijun SUZUKI on "CINEMA Daisuki" (we love movies), a late night TV show on the Yomiuri TV covering the movie-related matters, featuring footages from his films made between his days at Nikkatsu and his directorial come back and a rare interview given by Suzuki in which he candidly discussed various matters including those films. 例文帳に追加

1991年、読売テレビの深夜映画番組（『CINEMAだいすき!』）で鈴木清順特集が組まれ、日活時代から復活後までの作品と、それらの作品などを珍しく積極的に語る監督の貴重なインタビューが放送された。 - Wikipedia日英京都関連文書対訳コーパス

The film caught the attention of the film critic Matsuo KISHI, and the high praised that he gave the production led to it receiving widespread attention, resulting in the picture being ranked among the top ten directorial debuts of the year and Yamanaka taking his place among the masters of Japanese Cinema at the young age of 22. 例文帳に追加

この作品が映画評論家岸松雄の目にとまり大絶賛されたことで注目が集まり、その結果、処女作にしてその年のベストテンに名を連ねるなど、山中は22歳の若さで日本映画界の巨匠の仲間入りをした。 - Wikipedia日英京都関連文書対訳コーパス

That same year, Inagaki made his directorial debut on the film 'Tenka Taiheiki' (Record of the Great Peace Under Heaven), which starred Chiezo and whose screenplay was written by Itami; thereafter, he made a great number of cheerful period dramas showing Chiezo's merrier side, including 'Hoto zanmai' (Drowning in the Three Pleasures), 'Genji kozo' (The Young Priest Genji), 'Ehon musha shugyo' (Picture Book of a Warrior Traveling to Hone His Martial Skills), and 'Genroku Ju-san nen' (Year Thirteen of the Genroku Era (about the year 1700)), leading to Inagaki and Itami being called the 'two supporting pillars' of Chiezo Productions. 例文帳に追加

同年千恵蔵主演、伊丹脚本の「天下太平記」で監督としてデビューし、以後、「放蕩三昧」「源氏小僧」「絵本武者修行」「元禄十三年」といった千恵蔵主演の明朗にして陽気な時代劇を多数手がけ、伊丹と共に千恵蔵プロの二本柱と呼ばれた。 - Wikipedia日英京都関連文書対訳コーパス