佳見の英語

監督第二作『青空娘』より若尾文子とタッグを組み、『妻は告白する』『清作の妻』『女の小箱・より　夫が見た』『赤い天使』などの佳作にして重要な作品群を残す。例文帳に追加

Since the second film directed by him "A Vivacious Girl," he had worked together with actress Ayako WAKAO, and made a series of notable and significant pieces such as "A Wife Confesses," "Seisaku's Wife," "The Husband Witnessed," and "Red Angel."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『かぼちゃ騒動記』で監督デビュー後、『情熱の浮沈』、『阿里山の侠児』、『かんかん虫は唄う』、『この母を見よ』、『春と娘』など、様々なジャンルの佳作を発表する。例文帳に追加

After making his directorial debut with "Kabocha Sodoki" (literally, pumpkin fuss), he released renowned works in a number of genres including "Jonetsu no Fuchin" (Rise and Fall of Love), "Orishan no kyoji" (The Gallant Child of Orishan), "Kankanmushi wa Utau" (lit. "The Rust Chipper Sings"), "Kono Haha wo Miyo" (Behold This Mother), and "Haru to Musume" (Spring and A Girl).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

そして、佐久間良子を『五番町夕霧楼』『湖の琴』で、三田佳子を中村錦之助とのW主演作『鮫』『冷飯とおさんとちゃん』で見事に演技開眼させる。例文帳に追加

Tasaka skillfully awakened Yoshiko SAKUMA to acting in "Goban-cho Yugiri-ro" (Evening Mist Tower of the Fifth Town) and "Mizuumi no Koto" (The Strings Cleansed at the Lake), and similarly awakened Yoshiko MITA to acting in "Same" (The Shark) and "Hiyameshi to Osan to Chan" (Cold Rice, Osan, Chan) in which she co-starred with Kinnosuke NAKAMURA.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、佳水園庭園は7代目小川治兵衛の長男白楊により、大正14年（1925年）に作庭され、醍醐寺三宝院（京都市伏見区）の庭を模して造られている。例文帳に追加

The Kasui-en garden was built in 1925 by Hakuyo, the eldest son of the seventh Jihe OGAWA, imitating the garden of Sanbo-in of Daigo-ji Temple in Fushimi Ward, Kyoto City.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、リンク先のウェブサイトにフレーム機能を使って他の素材と表示することを明確に禁止しているケースでのフレームリンクにおいて、公衆送信権侵害を認める見解もある（宮下佳之「サイバースペースにおける著作権問題について」コピライト 1997年10月号第 10頁）。例文帳に追加

In addition, in the case of a frame link where the linked website expressly bars misrepresentation by use of a frame, some theories affirm the existence of an infringement of public transmission rights (See p. 10 of October 1997 issue of "Copyright" commented by Yoshiyuki Miyashita on "Copyrights and Cyberspace ("cyberspace ni okeru chosaku-ken mondai ni tsuite" in Japanese)")発音を聞く  - 経済産業省

一書曰素戔嗚尊曰韓郷之嶋是有金銀若使吾兒所御之國不有浮寶者未是佳也乃拔鬚髯散之即成杉又拔散胸毛是成檜尻毛是成柀眉毛是成櫲樟已而定其當用乃稱之曰杉及櫲樟此兩樹者可以爲浮寶檜可以爲瑞宮之材柀可以爲顯見蒼生奥津棄戸將臥之具夫須噉八十木種皆能播生于時素戔嗚尊之子號曰五十猛命妹大屋津姫命次枛津姫命凡此三神亦能分布木種即奉渡於紀伊國也然後素戔嗚尊居熊成峯而遂入於根國者矣棄戸此云須多杯柀此云磨紀例文帳に追加

Susanoo said, "There is gold and silver in the islands of Karakuni (considered to be a part of present-day Korea), so it is not good that the country controlled by my children doesn't have any ships." Then, he pulled out some hairs of his beard and scattered them, and then, they turned into cedars. He continued pulling out some hairs from parts of his body. The hairs he picked from his chest turned into hinoki (Japanese cypresses), the hairs he picked from his buttocks turned into maki (Japanese yew pines), and his plucked eyebrows turned into camphor trees. After that, he decided on the use of each tree and suggested, "Cedars and camphor trees should be used for making ships, Japanese cypresses should be used for constructing palaces, Japanese yew pines should be used for coffins when the body is buried. Everyone should join together to sow seeds of many trees used for these various purposes and grow many more trees." Around this time, he had a son, Isotakeru, and two daughters, Oyatsu-hime and Tsumatsu-hime. These three gods contributed to sowing seeds and growing trees all across the nation, and then they moved to Kii Province (the southern part of present-day Mie and Wakayama Prefectures) where they were enshrined. After that, Susanoo finally entered Ne-no-kuni (underworld) via Kumanarinotake.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス