史州代の英語

「鴎外漁史とは誰ぞ」（文壇時評）、「原田直次郎」（日本の近代西洋絵画）、「潦休録」（近代芸術）、「我をして九州の富人たらしめば」（社会問題）、「義和団の乱の一面の観察」（講演録）、「新社会合評」（矢野竜渓『新社会』の評論で社会主義などを記述）。例文帳に追加

Who is Ogai Gyoshi ?' (criticism on the literary world), 'Naojiro HARADA' (about western painting in the modern period of Japan), 'Ryokyuroku' (about modern art), 'If I were a wealthy man in Kyushu' (about social issues), 'Observations on one aspect of the Boxer Uprising' (lecture records), 'Joint review on new society' (a criticism of "New Society" written by Ryukei YANO, in which mentioned socialism and so on).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、古代天皇の非実在論に基づいている点は津田左右吉の影響を受けており、九州国家の王であった仁徳天皇が畿内を征服して王朝を開いたという説は邪馬台国九州説の発展に他ならず、戦前の抑圧された古代史研究から開放された自由な発想により様々な説を自由に組み合わせてできた学説であるといえる。例文帳に追加

It is said the theory was combined various theories freely by freewheeling thinking released from the studies of ancient history suppressed before the World War II; such as it was influenced by Sokichi TSUDA on the basis of the theory of nonexistence of ancient emperors, and the theory that Emperor Nintoku, the king of Kyushu nation, conquered provinces surrounding Kyoto and Nara to start a dynasty was none other than the development of the theory of the Yamatai-Koku Kingdom in Kyushu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

由緒書きによると、武田家の家宝「楯無」の鎧は神功皇后が三韓征伐の時に住吉大社に武運長久を祈念し得た鎧であり、ゆえあって甲州武田家の所有するところとなった（無論三韓征伐云々の伝記は時代的に合わないので史実ではない）。例文帳に追加

According to its written guarantee of origin, a family treasure of the Takeda family "Tatenashi-no-yoroi" was the one given to Empress Jingu when she prayed at Sumiyoshi-taisha Shrine for long-lasting luck in the battle of Sankan seibatsu (the conquest of three countries in old Korea), and it later came into the possession of the Koshu Takeda family for a certain reason (needless to say, it is not a historical fact because the age of Sankan seibatsu doesn't coincide with the dates)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

画面の景観年代は必ずしも制作年代に直結せず、粉本をもとに描いた可能性があること、画面に捺される「州信」の朱文円廓内壺形印は、永徳所用印のうちもっとも信頼度の高いものであること等により、美術史家たちは本作を永徳の真筆とみなしている。例文帳に追加

Because the age of the scenery in the picture is not necessarily connected directly to the age of completion, and there is a possibility that the picture was painted based on drafts, and the seal 'Kuninobu,' the Shubun Enkaku nai Tsubogata In (pot-shaped seal in a round frame with shunbun style (shunbun means seals carved around the characters, leaving red characters on the paper with white background)), which is put on the picture is of the highest credibility among seals Eitoku held, the art historians now regard it is the genuine Eitoku's.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一方、後期後半期の近畿の高地性集落（大阪府和泉市観音寺山遺跡、同高槻市古曾部遺跡などは環濠を巡らす山城）については、その盛行期が、上述の理由から北部九州・畿内ともおおよそ史書に記載された倭国大乱の年代とほぼ一致することから、これらを倭国大乱と関連させる理解が主流を占めているようである。例文帳に追加

On the other hand, upland settlements in the Kinki region in the latter half of the end period (Kannonjiyama site at Izumi City, Osaka Prefecture and Kosobe site at Takatsuki City, Osaka Prefecture are mountain castle with moat) are considered to hold some relationship to the Wakoku War, as its prospered period in both northern Kyushu and Kinai matches to the period of Wakoku War described in history books, after the correction of the period described earlier.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス