林五郎の英語

実力がありながら小柄な身体と甲高い声が欠点だったが、所作事にかけては名人と呼ばれ、「西の林又一郎、東の坂東三津五郎」と並び称された。例文帳に追加

His small frame and high-pitched voice were weaknesses, but due to his great talent he is considered to have been a master of all that he undertook; in fact, he is referred to as 'Mataichiro HAYASHI II of the west and Mitsugoro BANDO of the east.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

直輝がこの北浜銀行の危機に深く関わったのは、破綻が関西経済に容易ならざる悪影響を与えることもあったが、大阪電気軌道の経営破綻と、その先にある友人の大林芳五郎が社長を勤めた大林組の破綻があったからである。例文帳に追加

The reason for Naoteru's deep involvement in the crisis was not only out of his concern that such failure would affect the economy of the Kansai region but also a subsequent failure of Osaka Electric Tramway Co., Ltd. and Obayashi Gumi whose president was his friend Yoshigoro OBAYASHI.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

半七ものは綺堂脚色によって1926年に尾上菊五郎(6代目)が演じたのを始め、これらの昔話の巷談は、戦後の話芸においても落語の林屋正蔵、三遊亭圓生(6代目)、講談の悟道軒園玉、物語の高橋博、倉田金昇などの高座で使われた。例文帳に追加

The Hanshichi series was adapted into a play by Kido and performed in 1926 starring Kikugoro ONOE the Sixth, and the old gossip stories which appeared in it were also used for the stages of narrative artists in the post-war period, such as Shozo HAYASHIYA and Ensho SANYUTEI the Sixth for Rakugo (comic story telling), Engyoku GODOKEN for Kodan (dramatic story telling), and Hiroshi TAKAHASHI and Kinsho KURATA for Monogatari (story telling).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

日露戦争時の策源地（兵站のための後方基地）であった広島市において支店を開設した際、広島の人々と交友を深めた関係で、大林芳五郎の要請により広島ガスの設立に協力、設立後の同社社長を務め、同社の基礎を築き上げた。例文帳に追加

He contributed to the founding of Hiroshima Gas Company and was later appointed as president upon request of Yoshigoro OBAYASHI whom he had befriended and other locals during his time in Hiroshima where he opened a branch office, the location of which there was a rear logistic base during the Russo -Japanese War.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この二人とほぼ同時期に入門した露の五郎兵衛2代目、笑福亭松之助、桂文我(3代目)、戦前入門ながら彼らとは同世代の3代目林家染丸のほか、林家染語楼(3代目)、昭和30年代前半入門組の桂文紅(4代目)、桂米紫、月亭可朝などの中堅も力をつけてくるなど、落語家の人数も着実に増え始めた。例文帳に追加

The number of the tellers of rakugo stories steadily increased: TSUYU no Gorobe II, Matsunosuke SHOFUKUTEI and Bunga KATSURA (III) who all joined the rakugo world almost simultaneously with those new household names, Somemaru HAYASHIYA III who was their age though starting rakugo before the War, Somegoro HAYASHIYA (III), Bunko KATSURA (IV), Beishi KATSURA, and Kacho TSUKITEI, all of whom started in the late 1950s and were improving their skills as mid-level storytellers.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この時点で残された関西歌舞伎の後継者は、二代目中村鴈治郎(2代目)・四代目片岡我當（のち十三代目片岡仁左衛門(13代目)）・三代目市川壽海(3代目)・三代目阪東寿三郎(3代目)・四代目中村富十郎(4代目)・六代目坂東蓑助（のち八代目坂東三津五郎(8代目)）・二代目林又一郎・五代目片岡芦燕（のち十二代目片岡我童、死後十四代目仁左衛門追贈）・五代目中村福助（高砂屋）・二代目実川延二郎（のちの三代目實川延若(3代目)）・二代目中村成太郎。例文帳に追加

The remaining successors to Kansai Kabuki at this time were Ganjiro NAKAMURA II (nidaime), Gato KATAOKA IV (later, Nizaemon KATAOKA XIII (jusandaime)), Jukai ICHIKAWA III (sandaime), Jusaburo BANDO III (sandaime), Tomijuro NAKAMURA IV (yondaime), Minosuke BANDO VI (rokudaime) (later, Mitsugoro BANDO VIII (hachidaime)), Mataichiro HAYASHI II, Roen KATAOKA V (later, Gado KATAOKA XII; after his death, posthumously conferred Nizaemon XIV), Fukusuke NAKAMURA V (Takasagoya), Enjiro JITSUKAWA II (later, Enjaku JITSUKAWA III (sandaime)) and Naritaro NAKAMURA II.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス