能・狂言の英語

家の芸（いえのげい）とは、能・狂言・浄瑠璃・歌舞伎・歌舞伎舞踊・上方舞などの伝統芸能において、家元とみなされる家に代々相伝する、その家が特に得意としている芸や演目。例文帳に追加

Ie No Gei (literally, performance of a family) means performances or repertories of traditional performing arts such as Noh, Kyogen (farce played during a Noh play cycle), Joruri (Ballad drama), Kabuki, Kabuki Buyo (Kabuki Dance) and Kamigata mai dance, which have been passed down by the family recognized as the iemoto (the head family of a school) for generations, and especially the family has a good skill to perform them.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

江戸時代の武家社会における礼装は、その者の官位により直垂・狩衣・大紋（大名の場合・忠臣蔵などで見られる）、素襖（旗本以下の場合・能、狂言の舞台で見られる）であった。例文帳に追加

Meanwhile, formal clothes of the people of samurai society in the Edo period depended on their official ranks, ranging from hitatare, kariginu, daimon (worn by a feudal lord as seen in the drama "Chushingura") and suo (worn by lower ranks than Hatamoto or direct retainers of the shogun, as seen on the stages of Noh, Kyogen and other plays.)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

現在能楽協会に属する狂言師としては、木村正雄（3世千作門下）・佐々木千吉（同）・網谷正美（4世千作門下）・松本薫（同）・丸石やすし（2世千之丞門下）らがいる。例文帳に追加

Other Kyogen performers who belong to the Noh Association now are Masao KIMURA (follower of the 3rd Sensaku), Senkichi SASAKI (also follower of the 3rd Sensaku), Masami AMITANI (follower of the 4th Sensaku), Kaoru MATSUMOTO (also follower of the 4th Sensaku), and Yasushi MARUISHI (follower of the 2nd Sennojo).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

中世になると、『御伽草子』の「浦島太郎」をはじめ絵巻・能・狂言の題材になり、読者・観客を得て大衆化していき、江戸時代に受け継がれた。例文帳に追加

In the Medieval period, the 'Urashima Taro' from "Otogi zoshi" became a theme for picture scrolls, Noh plays, and Kyogen (a farce played during a Noh play cycle), and the story reached a much wider audience, becoming further popularized during the Edo Period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1869年にはエジンバラ公爵の来日に際して能が演じられたが、1872年（明治5年）には能・狂言の「皇上ヲ模擬シ、上ヲ猥涜」するものが禁止された。例文帳に追加

Although Noh performance was conducted when The Duke of Edinburgh visited Japan in 1869, a government order was issued in 1872 by which Noh/kyogen that 'mocks or insults the Emperor' was prohibited.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また著作や舞台イベントなどで狂言の普及に努める傍ら、日本伝統芸能と現代劇との融合を目指して『藪の中』や『RASHOMON』、『敦-山月記・名人伝-』などを演出し、多大な評価を得ている。例文帳に追加

Along with promotion of Kyogen in his books and stage events, he directed "Yabu no naka" (In the Bush), "RASHOMON" (Rasho-mon Gate), "Atsushi Sangetsuki Meijinden" (The life of a master of the memoirs of the moon over the mountain) and so on, aiming at fusion of Japanese traditional arts and contemporary dramas, and has gained high evaluation for that.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一方で、戦後、野村万蔵(7世)・野村万作や茂山七五三・茂山千之丞の兄弟が狂言以外の分野で活動を行った際には、能楽協会理事として否定的な態度を崩さず、一時千之丞の除名を主張した。例文帳に追加

On the other hand, when Manzo NOMURA, the seventh, Mansaku NOMURA, Shime SHIGEYAMA and his brother Sennojo SHIGEYAMA performed activities different from Kyogen (farce played during a Noh play cycle) in the post war period, Kyuen expressed negative attitude as a chairman of the Nohgaku Performers' Association, and he once insisted the expulsion of Sennojo.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ことに伝統芸能については公卿やその芸道(哲学)の開祖が子々孫々その伝統を継承したことから家業となし、今日でも歌舞伎、能、狂言をはじめ、剣術・武道、弓術、礼法などでは世襲が一般的にみられる。例文帳に追加

Particularly with regard to the traditional performance arts, court nobles and the founders of a particular style of performing art (philosophy) would pass on the knowledge and skills of their tradition to their descendants; this would result in a kind of family business and even today heredity is commonly found in Kabuki, Noh drama, Kyogen (farce played during a Noh play cycle), swordsmanship, martial arts, Japanese archery and manners.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス