「狂言座」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

文化五年閏六月(1808年7月)には市村座『彩入御伽草』で怪談物の狂言を完成。例文帳に追加

In July 1808, he completed a ghost story by "Iroeiri Otogizoshi" at the Ichimura-za theater.  - Wikipedia日英京都関連文書対訳コーパス

本来的に歌舞伎狂言として創作されたものは、基本的に下座の音楽が演劇を演出する。例文帳に追加

"Geza" (sound effects in Kabuki) basically produces the atmosphere of the original Kabuki Kyogen.  - Wikipedia日英京都関連文書対訳コーパス

観世流以外の諸座の狂言のほとんどは大蔵流が勤めていた。例文帳に追加

Members belonging to the Okura school performed Kyogen in almost all troupes except those belonging to the Kanze school.  - Wikipedia日英京都関連文書対訳コーパス

浪人となった善次郎は父の知り合いのつてで、市村座の歌舞伎・狂言作者であった初代篠田金治（後の並木五瓶〈なみきごへい〉）に狂言作者見習いとして師事することとなった。例文帳に追加

Zenjiro became a Ronin (masterless samurai) and, by the help of his father's connection, ended up studying as an apprentice for Kabuki playwright under kinji SHINODA the First (Later, Gohei NAMIKI), a Kabuki (traditional performing art) playwright of the Ichimura-za Theater.  - Wikipedia日英京都関連文書対訳コーパス

演者(狂言含む)は座頭級のものを楽頭、太夫、一般の座員を猿楽師、または単に猿楽とよんだ。例文帳に追加

Leading players (including those of Kyogen (a farce played during a Noh play cycle)) were called gakuto (masters of performance) or tayu (leading players), and other players were called sarugakushi or sarugaku.  - Wikipedia日英京都関連文書対訳コーパス

竹本座に属する浄瑠璃作者で、中途で歌舞伎狂言作者に転向したが、再度浄瑠璃に戻った。例文帳に追加

Monzaemon was first an in-house joruri playwright at Takemoto-za theater, later becoming a kabuki and kyogen (a generic term for a Kabuki drama) playwright midway through his career, before returning to write joruri again.  - Wikipedia日英京都関連文書対訳コーパス

江戸の芝居小屋市村座では新狂言「公平法問諍」が大評判で多くの人が詰めかけている。例文帳に追加

Kinpirahomon arasoi' performed at a playhouse in Edo, Ichimura-za, gains enormous popularity, so a lot of people come to see it.  - Wikipedia日英京都関連文書対訳コーパス

伊達騒動を扱った最初の歌舞伎狂言は、正徳(日本)3年（1713年）正月江戸市村座で上演された「泰平女今川」である。例文帳に追加

The first Kabuki play based on Date Sodo was 'Taihei Onna Imagawa' first performed in the new year of 1713 at Ichimura-za Theater in Edo.  - Wikipedia日英京都関連文書対訳コーパス

はじめ呉服屋を営んでいたが、天保10年(1839)絞吉平の名で河原崎座に入り、歌舞伎狂言の創作活動を始める。例文帳に追加

At first he ran a kimono shop, but in 1839, he joined a Kabuki theater company called Kawarazaki-za with a pen name Kichihei SHIBORI (絞吉平), and started creative activities, writing Kabuki plays.  - Wikipedia日英京都関連文書対訳コーパス

「夜明け前になると霊がかりがウヨウヨ、勝手放題にまぜくり返すなれど、それもしばらくの狂言。」（星座之巻第十八帖）例文帳に追加

Before the dawn, possessed people throw the world into confusion without control, but it is just a play for a little while.' (chapter 18 of volume constellation)  - Wikipedia日英京都関連文書対訳コーパス

もともと延宝4年（1676年）正月、江戸中村座で初演されたものであるが、享保期に江戸歌舞伎の正月興行に曽我狂言を行うしきたりができてから、最後の幕の「切狂言」に必ず演じられるようになった。例文帳に追加

Although it was originally premiered at the Nakamura-za theater in Edo in February 1676, ever since a tradition to perform the Soga Kyogen series for the new year's program was established during Kyoho era, it became the play to be performed as Kiri Kyogen (a single-act afterpiece), which was performed at the end of the multi-act historical play.  - Wikipedia日英京都関連文書対訳コーパス

演出は浄瑠璃や下座、鳴物などを多用する旧来の歌舞伎狂言の形態であるが、内容はシェークスピアの影響の濃いスケールの大きな悲劇である。例文帳に追加

It is performed in the traditional kabuki kyogen play with Joruri (a dramatic narrative chanted to a samisen accompaniment), Shimoza (background music player), and narimono (musical instruments) frequently used for stage effect, but the contents of the play is a large scale tragedy greatly influenced by Shakespeare.  - Wikipedia日英京都関連文書対訳コーパス

それまで、座付の狂言作者の脚本しか上演されなかった（明治32年に松井松翁作の『悪源太』が上演されたのを例外として）閉鎖的な歌舞伎界に近代の風を通す大きな穴を開けたのである。例文帳に追加

He opened a large hole to let modern air into the closed world of Kabuki where only scripts written by Kabuki playwrights working in the theater had been performed so far (except for the performance in 1899 of "Akugenta" written by Shoo MATSUI).  - Wikipedia日英京都関連文書対訳コーパス

1995年6月22日、父・和泉元秀が公演中に倒れると、親子で出演を予定していた27～29日の狂言ライブを、即座に宗家襲名披露公演とし、21歳の元彌が「和泉流二十世宗家」を名乗る。例文帳に追加

When his father Motohide IZUMI fell while performing on June 22, 1995, Motoya immediately converted the kyogen live show, which was scheduled to be held from 27th through 29th and in which he was expected to perform together with his father, to the soke shumei hiro koen (performance commemorating the change of head of family), and called himself "the 20th Izumiryu soke" at the age of 21.  - Wikipedia日英京都関連文書対訳コーパス

翌享和4年七月(1804年6月)には江戸河原崎座で尾上松助(初代)のために書き下ろした『天竺徳兵衛韓噺』（天竺徳兵衛）が大当たりとなり、翌年正月には河原崎座で『四天王楓江戸粧』を成功させて、名実共に次世代の狂言作者であることを証明した。例文帳に追加

In June 1804, "Tenjiku Tokubei Kokubanashi" (modeled after an adventurer Tenjiku Tokubei) that he wrote specifically for Matsusuke ONOE I at the Kawarazaki-za theater in Edo made a great hit, and in the New Year of the next year, "Shitenno Momiji no Edoguma" made a hit at the Kawarazaki-za theater, which proved that he was a playwright who will lead the next generation both nominally and virtually.  - Wikipedia日英京都関連文書対訳コーパス

とくに1927（昭和2）年歌舞伎座での八代目澤村訥子襲名披露狂言では、七代目中車の光秀、十五代目市村羽左衛門の十次郎、七代目澤村宗十郎の初菊、六代目尾上梅幸の操、二代目市川左團次の久吉、四代目澤村源之助の皐月、訥子の正清という最高の配役で、訥子が感激して泣いたという。例文帳に追加

Especially in 1972, in the name taking ceremony Kyogen theater for Tosshi SAWAMURA the eighth at the Kabukiza theater, it provided the best casting such as, Chusya the seventh as Mitsuhide, Uzaemon ICHIMURA the fifteenth as Jujiro,Sojuro SAWAMURA the seventh as Hatsugiku,Baiko ONOE the sixth as Misao,Sadanji ICHIKAWA the second as Hisayoshi, Gennosuke SAWAMURA the sixth as Satsuki, and Tosshi as Masakiyo that moved Tosshi to tears.  - Wikipedia日英京都関連文書対訳コーパス