「音太郎」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

ジェームズ・ケント著・蕃地事務局訳・大音龍太郎校正『堅土氏万国公法』例文帳に追加

"堅土氏万国公法" by James Kent, translated by 蕃地事務局, and proofread by Ryutaro ODO  - Wikipedia日英京都関連文書対訳コーパス

他方で戦後は歴史の大衆化が進み、海音寺潮五郎や司馬遼太郎など歴史小説の流行した。例文帳に追加

On the other hand, history has become increasingly more popular after the war, and historical novels, for example, by Chogoro KAIONJI and by Ryotaro SHIBA, have been read widely.  - Wikipedia日英京都関連文書対訳コーパス

ジェームズ・ケント著・蕃地事務局訳・大音龍太郎校正『堅土氏万国公法』全一冊、蕃地事務局、1876年例文帳に追加

"堅土氏万国公法" one-volume book, by James KENT, translated by Banchi-jimukyoku Secretariat, proofread by Ryutaro ODO published by Banchi-jimukyoku Secretariat in 1876.  - Wikipedia日英京都関連文書対訳コーパス

1937年（昭和12年）に六代目尾上菊五郎が、五変化舞踊のひとつだった藤娘を独立させ、長唄の間に「藤音頭」（岡鬼太郎作）を挿入し、舞台演出を一新して上演したもの。例文帳に追加

It was established by Kikugoro ONOUE the sixth in 1937 who separated Fuji Musume the gohengebuyo, and inserted 'fujiondo' (marching songs of the wisteria, by Onitaro OKA) between parts of the nagauta, transforming the stage effects.  - Wikipedia日英京都関連文書対訳コーパス

亡くなる直前まで、最新作として山田風太郎作の『幻燈辻馬車』の映画化を構想し、配役は仲代達矢、真田広之、緒形拳ら、音楽は山下洋輔と決まり、シナリオを練っていたが、果たせなかった。例文帳に追加

Until the last minute of his death, he had an idea to film "Gento Tsujibasha" (Magic lantern stage carriage) by Futaro YAMADA as his newest film, for which he had already decided to cast Tatsuya NAKADAI, Hiroyuki SANADA, and Ken OGATA among others, with music by Yosuke YAMASHITA, and he was developing the script, but the film was never realized.  - Wikipedia日英京都関連文書対訳コーパス

弟子には二代目桂文之助、三代目桂梅香、三代目桂藤兵衛（元川傳吉）、浮世亭◯◯（うきよていまるまる、後の川上音二郎）、初代桂枝太郎、二代目桂猫丸、桂柳枝らがいる。例文帳に追加

His disciples include Bunnosuke KATSURA the second, Baika KATSURA the third, Tobe KATSURA the third (Denkichi MOTOKAWA), Marumaru UKIYOTEI (later Otojiro KAWAKAMI), Edataro KATSURA the first, Nekomaru KATSURA the second, Ryushi KATSURA and others.  - Wikipedia日英京都関連文書対訳コーパス

作家の司馬遼太郎はエッセイで沙也可が日本名「サエモン」の音訳、あるいは「サイカ（雑賀）」のことではないかと推測しており、神坂次郎も同様の根拠で沙也可を雑賀とした小説を記している。例文帳に追加

An author, Ryotaro SHIBA, guessed that Sayaka was a transliteration of a Japanese name 'Saemon' that means 'Saika' in his essay, and Jiro KOSAKA wrote a novel stating that Sayaka was Saika on the same grounds.  - Wikipedia日英京都関連文書対訳コーパス

またその後の子規と秋山の交遊を司馬遼太郎が描いたのが小説『坂の上の雲』で、子規没後の正岡家が描かれる後日談的な作品に『ひとびとの跫音』がある。例文帳に追加

A novel written by Ryotaro SHIBA, "Saka no Ue no Kumo" (Clouds over the slope), touches on the story of the subsequent friendship of Shiki and AKIYAMA, while the continuing story of the MASAOKA family after Shiki's death is written about in the novel "Hitobito no Ashioto."  - Wikipedia日英京都関連文書対訳コーパス

この様な見方は海音寺潮五郎の史伝や司馬遼太郎の小説『義経(小説)』、永井路子の短編小説『黒雪賦』（直木賞受賞作『炎環』収録）が代表的である。例文帳に追加

Such viewpoints are seen in historical novels by Shogoro KAIONJI, a novel "Yoshitsune" by Ryotaro SHIBA and a short novel "Kuroseppu" (contained in her Naoki Award winning novel "Enkan") by Michiko NAGAI.  - Wikipedia日英京都関連文書対訳コーパス

1875年（明治8年）中村芝翫(4代目)の養子となり、初代中村児太郎として二年後の1877年（明治10年）甲府三井座で『伊勢音頭』の油屋息子役で初舞台。例文帳に追加

He was adopted by Shikan NAKAMURA (the forth) in 1875, and two years later, as Kotaro NAKAMURA (the first) he made his stage debut at Mitsui-za Theater of Kofu in 1877, playing the role of Aburaya-Musuko (son of the oil seller) in "Ise Ondo."  - Wikipedia日英京都関連文書対訳コーパス

-千貫松島、菜種島、菜種五島、千貫松島、竜神洞、観音浦、西蓬莱島、太郎兵衛島、鴨ヶ磯海岸、黒島、白粉の断崖、水尻洞門、駱駝島、石垣島、岩燕洞門例文帳に追加

Sengan-matsushima Rock, Natanejima Island, Natanegoto Islands, Sengan-matsushima Rock, Ryujin Cave, Kannon-ura Inlet, Nishihoraijima Island, Tarobejima Island, Kamogaiso Rocky Shore, Kurojima Island (黒島), Oshiroi-no-dangai Cliff, Mizushiri Sea Cave, Rakudajima Island, Ishigakijima Island, Iwatsubame Sea Cave  - Wikipedia日英京都関連文書対訳コーパス

「男持つなら熊太郎弥五郎、十人殺して名を残す」と河内音頭に歌われ、この演目はヒットして「浪曲」にも残り現代まで伝わる。例文帳に追加

Sung in Kawachi ondo as 'if you have a man, he should be Kumataro and Yagoro, they left their names by killing ten people,' the program became a major hit and was adapted to 'rokyoku' (also known as naniwa-bushi, storytelling with samisen accompaniment) and handed down to the present day.  - Wikipedia日英京都関連文書対訳コーパス

京都に戻った阪東の新興キネマ合流第1作は、「阪東妻三郎プロダクション」の名はひっこめて、白井信太郎総指揮、伊藤大輔(映画監督)監督、録音マキノ雅弘（京都音映）による阪東初のトーキー作品『新納鶴千代』であった。例文帳に追加

The first movie in which Bando appeared after he returned to Kyoto and joined Shinko Kinema, hiding his production name, "Bando Tsumasaburo Productions," was "Niiro Tsuruchiyo" (Tsuruchiyo NIIRO), created by the executive producer Shintaro SHIRAI, directed by Daisuke ITO, and recorded by Masahiro MAKINO (the founder of the Kyoto branch office of Onei).  - Wikipedia日英京都関連文書対訳コーパス

その他、映画では嵐寛寿郎、大河内伝次郎、阪東妻三郎といった時代劇スターが現れ、音楽では服部良一、古賀政男や中山晋平と言った作曲家や淡谷のり子、藤山一郎、東海林太郎などの歌手が活躍した。例文帳に追加

Included among those actively involved in other cultural fields in this period are film actors in historical plays such as Kanjuro ARASHI, Denjiro OKOCHI and Tsumasaburo BANDO, composers such as Ryoichi HATTORI, Masao KOGA and Shinpei NAKAYAMA and singers including Noriko AWAYA, Ichiro FUJIYAMA and Taro SHOJI.  - Wikipedia日英京都関連文書対訳コーパス

その他には作曲家の山本直純と山本純ノ介、脚本家の八住利雄と白坂依志夫らが親子、詩人で多くの脚本を書いた谷川俊太郎、その子で晩年作品のほとんどで音楽監督をつとめたジャズピアニストの谷川賢作らでスタッフとなっている。例文帳に追加

As for other examples of Ichikawa's staffs, there are the father and the son of Naozumi YAMAMOTO and Junnosuke YAMAMOTO who are both composers and Toshio YASUMI and Yoshio SHIRASAKA who are both playwrights, and Shuntaro TANIKAWA who is a poet and wrote many scripts and Kensaku TANIKAWA who is a jazz pianist serving as a musical director in almost all of Ichikawa's works in his late life.  - Wikipedia日英京都関連文書対訳コーパス

もとは八坂神社の境内で現在の園地計画は武田五一がまとめ、園内にある回遊式の日本庭園は小川治兵衛が作庭、野外音楽堂や坂本龍馬と中岡慎太郎の銅像などもあり、「祇園枝垂桜」に代表される桜の名所である。例文帳に追加

It was originally part of the precincts of Yasaka-jinja Shrine, with the plan of the park made by Goichi TAKEDA, and it has a circuit style garden built by Jibe OGAWA, an outdoor music hall, statues of Ryoma SAKAMOTO and Shintaro NAKAOKA, and a scenic spot famous for its cherry trees called 'Gion weeping cherry trees.'  - Wikipedia日英京都関連文書対訳コーパス

ベテランの東野英治郎、小沢栄太郎らも含め、台詞を明快に発音できる新劇出身の俳優を多く起用した点は、同世代の石井輝男（新劇俳優嫌いを公言し、娯楽作品でもしばしば確信犯的に破綻させた）と対照的であり、洗練とダンディ、ウェルメイドを至上とする職人監督であった。例文帳に追加

In contrast to Teruo ISHII of the same generation (he publicly declared that he hated actors from the new school of drama, and he often assuredly destroyed the flow of the film even if it was an entertaining movie), Okamoto was a director with the spirit of a true artisan and always sought refinement, dandy-ism, and well-made jobs, by using experienced actors like Eijiro TONO and Eitaro OZAWA, and other actors from Shingeki (the new school of drama), who were trained to pronounce the lines clearly.  - Wikipedia日英京都関連文書対訳コーパス