以佐世の英語

18世紀以降には、大坂高麗橋付近に住む氏名不詳の商人による元文3年（1738年）の『熊野めぐり』（以下、『めぐり』と略記）、伊丹の酒造家、八尾八佐衛門の家人による延享4年（1747年）の『三熊野参詣道中日記』（以下、『道中日記』と略記）などが見られる。例文帳に追加

As for the diaries about visiting Kumano written after the 18the century, there remain "Kumano Meguri" (hereinafter quote it as "Meguri") written in 1738 by a merchant with an unknown name who lived near Korai-bashi Bridge of Osaka and "San-Kumano Sankei Dochu Nikki" (hereinafter quote it as "Dochu Nikki") written in 1747 by a retainer of Yazaemon YAO, a brewer of Itami.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

薩長は、土佐藩、佐賀藩をも巻き込み、開国以来の違勅条約に対する反対論と外国人排撃を主張、実行に移そうとする「攘夷」を、国学の進展などにより江戸時代後期から広がっていた国家元首問題としての尊王論とを結びつけ、「尊皇攘夷」を旗頭に「倒幕」の世論を形成していった。例文帳に追加

Satsuma and Choshu domains, together with Tosa and Saga domains, advocated the 'anti-shogunate movement' based on the 'antiforeign imperialism' insisting that the treaties with the Western powers, which were concluded against the imperial order, should not be accepted in the first place and that foreigners should be expelled out of Japan, and placating those who were about to resort to force for the cause of exclusionism, these domains tried to unite exclusionism with the imperialism on the supremacy of the emperor.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、12世紀末-13世紀初頭にかけて、この地域（三須・三輪・恒富地区＝宇佐宮領縣荘および島津領寄郡新名荘）を領有していたのは、門川伊東氏（＝縣荘）および源頼朝側近にして鎮西奉行・豊後守護の中原親能（＝新名荘）であり、延岡（当時は縣延岡）地域における土持氏領は五ヶ瀬川以北の宇佐宮領岡富荘に限られている（『建久図田帳』）ことから、12-13世紀、敵対勢力地のこの城を縣土持氏が領有しているとは考え難い。例文帳に追加

However, it is difficult to believe that Tsuchimochi clan occupied this castle in this region of warring factions around the 12th to 13th centuries as between the end of the 12th century and the beginning of the 13th century this area (Misu, Miwa, Tsunetomi districts; these were formerly known as Agata no sho (manor) occupied by Usamiya and Niina no sho (manor) of Yose Gori occupied by Shimazu) was occupied by Kadokawa Ito clan (in Agata no sho) and Chikayoshi NAKAHARA (in Niina no sho) who held the position of Chinzei Bugyo (Defense Commissioner of the West) and Bungo Shugo (the Governor of Bungo Province) as well as a close retainer of MINAMOTO no Yoritomo; and the area in Nobeoka (then Agata-Nobeoka) occupied by Tsuchimochi clan was limited to Okatomi no sho (manor) in Usamiya, north of the Gokase-gawa River ("Kenkyuzudencho" (cadaster of domains, established by the order of Kamakura bakufu (Japanese feudal government headed by a shogun)).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後は、藤原純友の乱を平定した藤原忠文や、阿衡事件に関与した藤原佐世等を輩出したものの、平安時代中期以降は儒学によって立身する家系として数家がしばらく血統を保つのみとなり、鎌倉時代まで続いた家はほとんどなかった。例文帳に追加

Thereafter, Fujiwara Shikike produced FUJIWARA no Tadabumi, who put down FUJIWARA no Sumitomo's War, and FUJIWARA no Sukeyo, who was involved with the Ako Incident, but from the middle of the Heian period, only a couple of families managed to keep their lines known as those that rose on the basis of Confucianism, and few could remain until the Kamakura period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

戦後の歴史学において、悪党は封建領主のなかで位置づけられていたが、網野善彦、佐藤進一らが社会的基盤を農業以外に置く手工業民や芸能民などに着目した中世史像を提示すると、悪党の存在もそれらと関連付けて論じられるようになり、20世紀末からは海津一朗らによって元寇や徳政令等の社会変動における悪党の位置づけが試みられている。例文帳に追加

In historical science after the war, akuto was positioned among feudal lords, but when Yoshihiko AMINO, Shinichi SATO, etc. introduced a picture of medieval history focused on craftsmen and entertainers whose social foundations were not agricultural, akuto was discussed in connection with them, and from the end of the 20th century, Ichiro KAIZU and others were attempting to position akuto in the context of social change such as genko and Tokuseirei (ordering return of land sold and dissolution of debts).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。例文帳に追加

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス