意味 | 例文 (13件) |
八歌子の英語
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和歌山・金剛峯寺 八大童子立像(国宝)-建久8年(1197年)例文帳に追加
Standing Statues of Hachidai-doji (Eight Great Youths) at Kongobu-ji Temple in Wakayama Prefecture (1197).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
多くの歌が七五調四句や、八五調四句、あるいはそのバリエーションの調子を持つ。例文帳に追加
Many songs had four phrases of seven-and-five syllable meter and eight-and five syllable meter, or other tunes of those variations.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
相模が出詠した歌合の一部を挙げるだけでも、長元八年(1035年)の「賀陽院水閣歌合」(関白左大臣藤原頼通の主催)長暦二年(1038年)の「一品宮歌合」・「源大納言師房家歌合」長久二年(1041年)の「弘徽殿女御生子歌合」永承三年(1048年)の「六条斎院(禖子内親王)歌合」永承四年・同六年の内裏歌合永承五年の「前麗景殿女御延子歌絵合」「祐子内親王歌合」天喜四年(1056年)の「皇后宮寛子春秋歌合」などがある。例文帳に追加
Some of the uta awase that Sagami joined were'Kayanoin Suikaku Uta Awase' in 1035 (held by Kampaku Sadaijin (Minister of the Left) FUJIWARA no Yorimichi);'Ippon no Miya Uta Awase' and 'Dainagon (chief councilor of state) MINAMOTO no Morofusa Family Uta Awase' in 1038;'Kokiden no Nyogo Uta Awase' in 1041;'Rokujosanin (Empress Baishi) Uta Awase' in 1048;Dairi Uta Awase in 1049 and 1051;'Mae Reikeiden Nyogo Enshi Uta Awase (Poetry and picture matching held by Enshi, ex-Reikeiden Nyogo)' and 'Empress Ushi Uta Awase' in 1050; and'Empress Hiroko's Spring and Autumn Uta-awase' in 1056.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
1866年(慶応2年)には兄弟弟子歌川芳年との競作「英名二十八衆句」が発行されて人気を呼んだ。例文帳に追加
In 1866, he vied with fellow disciple Yoshitoshi UTAGAWA and published 'Eimeinijuhatishuku' which gained popularity.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
また伴蒿蹊は慶長期の関白・近衛信尹自筆の近江八景和歌巻子を知人のもとで観覧した。例文帳に追加
Moreover, Kokei BAN saw a scroll of Omihakkei waka written by a chief adviser to the Emperor, Nobutada KONOE, himself during the Keicho era in his acquaintance's home.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
(※「大王」の使用例伊予風土記逸文(「釈日本紀」)「法興六年十月歳在丙辰我法王大王与慧慈法師及葛城臣」万葉集雑歌柿本朝臣人麻呂「八隅知之吾大王高光吾日乃皇子乃馬並而」)例文帳に追加
(The usage examples of 'okimi' (大王) : '法興六年十月歳在丙辰我法王大王与慧慈法師及葛城臣' in Itsubun [unknown or lost writings] of Iyo Fudoki [The Topographical Records of Iyo Province] from 'Shaku Nihongi' [Annotated Text of the Nihon Shoki]; '八隅知之 吾大王 高光 吾日乃皇子乃 馬並而' from Zouka [Other Poetry] by KAKINOMOTO no Ason Hitomaro in Manyoshu [Collection of Ten Thousand Leaves]).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
原装は巻子本で、本来『古今和歌集』の巻一~巻二十と「序」を備えていたものと思われるが、現存する巻は巻十、十一、十二、十三、十四、十六、十七、十八のみである。例文帳に追加
It was originally in the shape of Kansubon (book in scroll style), and seems to have contained the first to the twentieth volumes of "Kokin Wakashu" including the 'Preface,' but now only the tenth, eleventh, twelfth, thirteenth, fourteenth, sixteenth, seventeenth, and eighteenth volumes are exist.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
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「八歌子」の部分一致の例文検索結果
該当件数 : 13件
Cを基準音とする八本調子唄用篠笛の歌口から第一孔までの長さと、C管リコーダーの発音部エッジから管端までの長さがほぼ等しい(28-29cm)。例文帳に追加
The length from the mouthpiece to the first hole of the shinobue for happon-joshi scale songs which have a reference tone is C is almost equal to the length from the edge of the sound generator to the end of C tube recorder (28-29 cm).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
幽斎の歌道の弟子である八条宮智仁親王は7月、8月の二度にわたって講和を働きかけたが、幽斎はこれを謝絶して籠城戦を継続。例文帳に追加
One of his students in poetry, Prince Hachijonomiya Toshihito, tried twice to make peace proposals (in July and August), but Yusai declined them and kept his army locked up in the castle.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
度重なる要請に折れた静は鶴岡八幡宮で白拍子の舞いを披露し、頼朝の目の前で「吉野山峯の白雪ふみ分て 入りにし人の跡ぞ恋しき」「しづやしづしずのをたまきをくり返し 昔を今になすよしもがな」と義経を慕う歌を詠った。例文帳に追加
Giving in to persistent requests, Shizuka performed the Shirabyoushi dance at Tsurugaoka Hachiman-gu Shrine, and recited a poem that spoke of her love for Yoshitsune: 'Missing the one so loved who went into the deep snows of Mt. Yoshino' and 'Hoping to exchange the present for the past when my loved one ruled.'発音を聞く - Wikipedia日英京都関連文書対訳コーパス
「吾妹子(わぎもこ)が見し鞆の浦のむろの木は常世にあれど見し人ぞなき(大伴旅人)」や「鞆の浦の礒のむろの木見むごとに相見し妹は忘らえめやも(大伴旅人)」等、万葉集には鞆の浦を詠んだ歌が八首残されている。例文帳に追加
Eight poems about Tomonoura can be found in the Manyoshu, including: 'My beloved wife saw this needle juniper at Tomonoura as we travelled down from Kyoto together./ Now that I am on the way back, the tree still remains alive though she departed this world.' (by Tabito OTOMO) and 'Whenever I see that juniper on the rocky beach of Tomonoura,/ I will remember my wife who used to see the tree with me./ How can I forget her?' (by Tabito OTOMO).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
とくに1927(昭和2)年歌舞伎座での八代目澤村訥子襲名披露狂言では、七代目中車の光秀、十五代目市村羽左衛門の十次郎、七代目澤村宗十郎の初菊、六代目尾上梅幸の操、二代目市川左團次の久吉、四代目澤村源之助の皐月、訥子の正清という最高の配役で、訥子が感激して泣いたという。例文帳に追加
Especially in 1972, in the name taking ceremony Kyogen theater for Tosshi SAWAMURA the eighth at the Kabukiza theater, it provided the best casting such as, Chusya the seventh as Mitsuhide, Uzaemon ICHIMURA the fifteenth as Jujiro,Sojuro SAWAMURA the seventh as Hatsugiku,Baiko ONOE the sixth as Misao,Sadanji ICHIKAWA the second as Hisayoshi, Gennosuke SAWAMURA the sixth as Satsuki, and Tosshi as Masakiyo that moved Tosshi to tears.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒(籠釣瓶)』の八つ橋、『祗園祭礼信仰記(金閣寺)』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓(妹背山)』の定高、お三輪、『沓手鳥孤城落月(孤城落月)』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉(関の扉)』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵(鏡山)』の尾上、『隅田川続俤(隅田川)』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加
Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
意味 | 例文 (13件) |
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