弁天小僧の英語

通称に『白浪五人男』（しらなみごにんおとこ）、『弁天娘女男白浪』（べんてんむすめめおのしらなみ）、『音菊弁天小僧』（おとにきくべんてんこぞう）などがある。例文帳に追加

It is commonly called "Shiranami Gonin Otoko" (The Five Shiranami Men), "Bentenmusume Meono Shiranami," "Otonikiku Bentenkozo" and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ただし『三人吉三』のお嬢吉三や『青砥稿花紅彩画』（白浪五人男）の弁天小僧のような女装の美少年を演じるのも女形である。例文帳に追加

However, the roles of beautiful boys, who are dressed as a woman such as kichisa of "Sannin kichisa," Benten Kozo (Benten the Thief) of ""Aotozoshi hanano nishikie" (Shiranami Gonin Otoko (The Five Shiranami Men), are also acted by onnagata.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

弁天小僧は、戦前は五代目の実子の六代目尾上菊五郎、十五代目市村羽左衛門、戦後は十七代目中村勘三郎、七代目尾上梅幸が演じた。例文帳に追加

Bentenkozo was performed by Kikugoro ONOE the sixth, a biological child of the fifth, and Uzaemon ICHIMURA the 15th before the war, and by Kanzaburo NAKAMURA the 13th and Baiko ONOE the seventh after the war.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大詰第一場（極楽寺屋根立腹の場）の弁天小僧切腹から第二場（極楽寺山門の場）の駄右衛門登場に至る「強盗返」も目を惹く。例文帳に追加

Another eye-catching scene is 'gando gaeshi' (to pivot one large piece of scenery onto its side so as to reveal a different one) performed from a scene of Bentenkozo Seppuku (suicide by disembowelment) in Scene One (scene of Gokurakuji yane tachibara) to a scene of appearance of Daemon in Scene Two (scene of Gokurakuji sanmon) of Ozume (final act).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、お嬢吉三は「女装の美少年」という設定で、黙阿弥作品では「都鳥廓白波」（『都鳥廓白波』）の花子、「青砥稿花紅彩画」（『青砥稿花紅彩画』）の弁天小僧などでも用いられた重要なモチーフである。例文帳に追加

Also, Ojo Kichisa, who is set to be a 'beautiful young boy dressing like a woman,' is an important motif and used in other works of Mokuami such as Hanako in 'Miyakodori Nagare no Shiranami' ("Miyakodori Nagare no Shiranami") and Bentenkozo in 'Aotozoshi hana no nishikie' (Picture of flower of Aorozoshi) ("Aotozoshi hana no nishikie").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

純歌舞伎では『青砥稿花紅彩画』（白浪五人男）の弁天小僧、『与話情浮名横櫛』（切られ与三）のお富、『新皿屋舗月雨暈』（魚屋宗五郎）の女房おはま、そして無類の貴公子ぶりを見せた『新薄雪物語』（薄雪）の左衛門などの世話物を得意とした。例文帳に追加

In the area of pure kabuki, he was very good at plays dealing with the lives of ordinary people, playing Bentenkozo of "Aoto Zoshi Hana no Nishikie" (The Story of Aoto and the Gorgeous Woodblock Print) or "Shiranami Gonin Otoko" (The Five Shiranami Men), Otomi of "Yohanasake Ukinano Yokogushi"or "Kirare Yosa" (Scarface Yosa), Ohama the wife of "Shinsarayashiki Tsuki no Amagasa" or "Sakanaya Sogoro," and, above all, Saemon of "Shin Usuyuki Monogatari" (The Tale of Usuyuki) or "Usuyuki," which he played with unmatched nobleness.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

菊五郎の自伝によれば、芝居の関係者の直助と言う男が、歌川国貞画の錦絵を見せに来たら、自分自身が弁天小僧の扮装で抜き身の刀を床に突き刺して酒を飲む絵柄だったので、早速河竹新七に脚色を依頼したとある。例文帳に追加

The autobiography of Kikugoro mentioned that a man involved in play whose name was Naosuke visited Kikugoro to show nishiki-e (a color woodblock print) drawn by Kunisada UTAGAWA which showed that Kikugoro himself was disguised as Bentenkozo stick a bare sword into a floor and drank sake, and Kikugoro immediately asked Shinshichi KAWATAKE to adapt it.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

二幕目第一場（雪の下浜松屋の場）での女装の美男子、弁天小僧菊之助の名乗り（男であることを明かして彫り物を見せつける）、二幕目第三場「稲瀬川勢揃いの場」では「志らなみ」の字を染め抜いた番傘を差して男伊達の扮装に身を包んだ五人男の名乗りが名高い。例文帳に追加

Famous scenes are that a beautiful man dressed as a woman, Bentenkozo Kikugoro, made a speech (declaring that he was a man and showing a tattoo) in Scene One (Yukinoshita Hamamatsuya) of Act Two, and that Goninotoko (five men) who put up their bangasa (coarse oilpaper umbrella) with the letters of 'Shi-ra-na-mi' (志らなみ in Japanese) left undyed, and pretended to be otokodate (ones who seek to right wrongs) made a speech in Scene Three (Inasegawa seizoroi) of Act Two.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス