時之介の英語

1960年招かれて東映に移籍、『親鸞』『ちいさこべ』では時代劇ながら立ち回り抜きで萬屋錦之介の魅力を存分に引き出した。例文帳に追加

In 1960, he transferred to Toei at the company's invitation and brought out the charm of Kinnosuke YOROZUYA in "Shinran" and "Chiisakobe" (A Carpenter and Children) which, although period films, did not include any fighting scenes.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

一丈二尺の帯を後ろで片わな（片結び）に結ぶもので、この結び方のまま帯をより長く垂らしたものは元禄時代の女形水木辰之介にちなんで別に「水木結び」と呼ぶこともある。例文帳に追加

It was a way of tying an obi in the length of ichi-jo ni-shaku (about 3.64m) into an one-sided knot; and the style of hanging the obi longer with this knot still in place was called by a different name, 'mizuki musubi', in association with Tatsunosuke MIZUKI who was an actor of female roles during the Genroku era.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、家臣の大仏陸奥守や秋田城之介入道らに「今日は先祖北条義時公の御命日なので無益な殺生はお止しくだされ。」と諌められしぶしぶ助命する。例文帳に追加

His vassals including OSARAGI Mutsunokami and Jonosuke AKITA Nyudo persuaded Takatoki by saying, `Please do not kill someone unnecessarily because today is the anniversary of your ancestor, Yoshitoki HOJO's death,' and Takatoki unwillingly accepted to save ADACHI.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

山中鹿之介、笹野才蔵、大江鬼貫などは、江戸時代の長大な脚本の中では他に出番もあったが、現行の場割りに削られた結果、目立った活躍の場がなくなってしまった。例文帳に追加

Shikanosuke YAMANAKA, Saizo SASANO and Onitsura OE had more appearances in a long script existed in the Edo period, however, as it has been shortened to the current structure of scenes, their major scenes have been lost.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし同日巳の刻（午前10時ごろ）、江戸城本丸御殿松之大廊下（現在の皇居東御苑）において吉良上野介と旗本梶川頼照が儀式の打合せをしていたところへ、突然、浅野内匠頭が吉良上野介に対して脇差による殿中刃傷に及んだ。例文帳に追加

However, when Kira Kozuke no Suke and a bakufu hatamoto (direct retainer of the bakufu) Yoriteru KAJIKAWA were discussing the ceremony at the Great Pine Corridor in Honmaru Palace of Edo-jo Castle at around 10 a.m., Asano Takumi no Kami suddenly attacked Kira Kozuke no Suke with a small sword.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

当初は私的に作成していたものだったが、通詞の語学力向上を目的とした幕府からの要請を受け中山作三郎･吉雄権之助(介?)･山時十郎(西儀十郎?)･石橋助十郎ら長崎通詞11人の協力を得て1816年から本格的な編纂が開始された。例文帳に追加

At first he compiled it privately; however, in response to the request from the bakufu (Japanese feudal government headed by a shogun) aimed at improving language ability of translators, Doeff started the full-scale compilation from 1816 in cooperation with 11 Dutch interpreters in Nagasaki including Sakusaburo Nakayama, Gonnosuke YOSHIO, Juro YAMAJI (or possibly Juro NISHIGI), Sukejuro ISHIBASHI and others.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また『日本書紀』では、『百済本記』（「百濟本記爲文其文云大歳辛亥三月軍進至于安羅營乞乇城是月高麗弑其王安又聞日本天皇及太子皇子倶崩薨由此而言辛亥之歳當廿五年矣」）を引用して、天皇及び太子、皇子が同時に死んだとの説を紹介しており、何らかの政変によって継体自身が殺害された可能性もある（「辛亥の変」説）。例文帳に追加

"Nihonshoki" quotes the lines from "Original records of Paekche" ('the article in the Original records of Paekche says that King Anjang of Goguryeo encountered rebellion from his subjects and was murdered in 531. Around the same time, Japanese Emperor, Crown Prince and Prince were killed altogether by their subjects.') to introduce a theory that the Emperor, Crown Prince and Prince died at the same time, which hints the possibility that Keitai was actually killed in a political turmoil ('Xinhai Incident' theory).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1956年、東映京都撮影所に移籍し、白塗りのスターが活躍するのが主流だった時代に、あえて主要キャストがノーメイクで出演する『風と女と旅鴉』、長谷川伸の名作を甦らせた『瞼の母』、そしてミュージカルやSF、リアルタイムの時代批判などさまざまな要素を詰め込んで「東映時代劇のヌーヴェルヴァーグ」と絶賛された異色作『真田風雲録』など、東映の看板スターだった萬屋錦之介と組んで数々の傑作を監督する。例文帳に追加

In 1956 he moved to Toei Kyoto Movie Studios, directing many masterpieces featuring Toei star Kinnosuke YOROZUYA, such as "Kaze to onna to tabigarasu" (The Wind, a Woman and a Traveling Crow), in which the main characters daringly appeared with no makeup on in an age when stars generally wore white Shironuri makeup; "Mabuta no haha" (Mother of My Dreams), a reworking of Shin HASEGAWA's novel; and the unique "Sanada fuunroku" (Tale of the Sanada Family), a highly regarded example of the 'New Wave of Toei Jidaigeki,' which encompassed musicals, science fiction and social criticism.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス