「璃夫」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

掾という,浄瑠璃の太夫に与えられる称号例文帳に追加

the title of a performer in Japanese 'joruri' theater, called 'joh'  - EDR日英対訳辞書

人形浄瑠璃で最高の地位の太夫例文帳に追加

in Japanese 'joruri' puppet show, a performer of the highest rank, called 'monshita'  - EDR日英対訳辞書

床浄瑠璃という,歌舞伎の義太夫狂言例文帳に追加

a Japanese traditional recital chant performed as a narrative for 'kabuki' play, called 'yukajyoruri'  - EDR日英対訳辞書

浄瑠璃において,第二位にある太夫例文帳に追加

a supporting actor in a Japanese 'joruri' play  - EDR日英対訳辞書

義太夫節や浄瑠璃などにおいて,一番よい聞かせどころ例文帳に追加

the climax of a 'gidayu', a type of Japanese ballad-drama  - EDR日英対訳辞書

義太夫節に操り人形が加わる芸能が人形浄瑠璃（文楽）である。例文帳に追加

The art that consists of Joruri and puppets is Ningyo Joruri (Bunraku puppets).  - Wikipedia日英京都関連文書対訳コーパス

義太夫節はあくまでも浄瑠璃の一流派であって、同一のものではない。例文帳に追加

Gidayu-bushi is just one Joruri school, but each school is unique.  - Wikipedia日英京都関連文書対訳コーパス

以上のうち義太夫節を除くものを一括して古浄瑠璃と称する。例文帳に追加

Except for Gidayu-bushi, the above are collectively called "old Joruri."  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃では義太夫節本文通りの段組みで演じられる。例文帳に追加

Ningyo joruri is performed exactly according to the format written in gidayu-bushi.  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃では義太夫節本文通りの段組みで演じられる。例文帳に追加

In Ningyo joruri, it is performed following the setting written in the text of Gidayubushi.  - Wikipedia日英京都関連文書対訳コーパス

繁太夫もの（浄瑠璃の繁太夫節から移入され、またそのスタイルで作曲された曲群）例文帳に追加

Shigetayu bushimono (a group of pieces that come from joruri's Shigetayu Bushi, or those composed in that style)  - Wikipedia日英京都関連文書対訳コーパス

「太夫（大夫）」が浄瑠璃語りの芸人の敬称でもあることにひっかけてある例文帳に追加

The tayu (highest-ranking geisha) plays on its Japanese homograph 'tayu,' the honorific title of Joruri-Katari, who would recite the Joruri (dramatic narrative chanted in accompaniment with shamisen [the three-stringed Japanese banjo] music).  - Wikipedia日英京都関連文書対訳コーパス

大阪で発展した義太夫節に対し、これらは江戸で発展したもので江戸浄瑠璃と呼ばれる。例文帳に追加

In contrast to Gidayu-bushi that developed in Osaka, they developed it in Edo, so they are called "Edo Joruri."  - Wikipedia日英京都関連文書対訳コーパス

義太夫節など各派浄瑠璃や長唄も、もともと地歌から派生したとみなすことができる。例文帳に追加

Nagauta and various schools of joruri (dramatic narrative chanted to a shamisen accompaniment), such as Gidayubushi, are considered to have developed originally from jiuta.  - Wikipedia日英京都関連文書対訳コーパス

また元禄の頃から浄瑠璃の半太夫節や永閑節などが地歌に取り入れられた。例文帳に追加

Moreover, beginning in the Genroku era Handayu Bushi (a style of joruri created by Edo Handayu) and Eikan Bushi of joruri were added to jiuta.  - Wikipedia日英京都関連文書対訳コーパス

浄瑠璃は、三味線を伴奏楽器として太夫が詞章を語る音曲である。例文帳に追加

In Joruri, the dayu (narrator) narrates a verse with the accompaniment of the shamisen, a banjo-like, three-string instrument.  - Wikipedia日英京都関連文書対訳コーパス

なお、浄瑠璃は義太夫節のことであるという説明が往々にして見られるが、これは誤りである。例文帳に追加

Although Joruri is often identified with Gidayu-bushi, such an interpretation is incorrect.  - Wikipedia日英京都関連文書対訳コーパス

その結果、義太夫節と人形浄瑠璃は充分に芸術としての鑑賞に耐えうるものとなった。例文帳に追加

Consequently, Gidayu-bushi and Ningyo Joruri became worthy of admiration as art.  - Wikipedia日英京都関連文書対訳コーパス

内容的には文楽（人形浄瑠璃）における義太夫と大差はない。例文帳に追加

There is little difference between the practice of Takemoto and that of the Gidayu that accompanies Bunraku or Ningyo joruri (traditional Japanese puppet theatre).  - Wikipedia日英京都関連文書対訳コーパス

「語りもの」（浄瑠璃）の代表例としては「義太夫節」「常磐津節」「清元節」等がある。例文帳に追加

Gidayu-bushi (musical narrative of puppet theatre), tokiwazu-bushi (theatrical music), and kiyomoto-bushi (theatrical music) are the examples that represent narration-like performance (joruri).  - Wikipedia日英京都関連文書対訳コーパス

浄瑠璃などでは舞を披露する太夫と組み、三味線を演奏する者を合方と称する。例文帳に追加

In the case of joruri (dramatic narrative chanted to a shamisen accompaniment), the aikata means a shamisen player accompanying tayu who perform a dance.  - Wikipedia日英京都関連文書対訳コーパス

浄瑠璃には多くの種別があるが、文楽では義太夫節が用いられる。例文帳に追加

There are many genres of joruri, but Gidayu-bushi (one genre of Joruri created by Gidayu TAKEMOTO) is used for bunraku.  - Wikipedia日英京都関連文書対訳コーパス

また、これを一人で演じ分ける浄瑠璃の太夫も高度な技能が要求される。例文帳に追加

In addition, tayu (leading actor in a Noh play) of joruri (dramatic narrative chanted to a samisen accompaniment) that acted alone required high skills.  - Wikipedia日英京都関連文書対訳コーパス

大夫（たゆう）は2.から転じて江戸時代以降、浄瑠璃の語り部を指す用語。例文帳に追加

Derived from No.2, Tayu refers to the storyteller of Joruri (dramatic narrative chanted to a samisen accompaniment) after the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

お里・沢市の夫婦愛をうたった人形浄瑠璃『壺坂霊験記』の舞台としても有名。例文帳に追加

It is also famous for a setting of a ningyo joruri(traditional Japanese puppet theater) titled "Tsubosaka Reigenki" that describes conjugal affection between Osato and Sawaichi.  - Wikipedia日英京都関連文書対訳コーパス

浄瑠璃：義太夫節、豊後節、常磐津節、清元節、河東節、長唄例文帳に追加

Joruri: Gidayu-bushi music, Bungo-bushi music, Tokiwazu-bushi music, Kiyomoto-bushi music, Kato-bushi music, and nagauta music  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃は、義太夫節（浄瑠璃の一種）の演奏に合わせて劇が進行する構成であり、歌舞伎でも人形浄瑠璃から移入した演目（『義経千本桜』『仮名手本忠臣蔵』など）は同様に義太夫節が演奏される。例文帳に追加

The dramas of Ningyo Joruri progressed in accordance with the performance of Gidayu-bushi (a kind of Joruri), so the programs of Kabuki whose stories came from Ningyo Joruri (for example, "Yoshitsune Senbonzakura" [Yoshitsune and One Thousand Cherry Trees] & "Kanadehon Chushingura" [The Treasury of Loyal Retainers]) are similarly accompanied by Gidayu-bushi.  - Wikipedia日英京都関連文書対訳コーパス

さらに18世紀後半には繁太夫節が地歌に取り込まれ、検校たち自身が浄瑠璃を作曲することにもなった。例文帳に追加

Furthermore, in the latter half of the 18th century Shigetayu Bushi was integrated into jiuta, and even the kengyo began to compose joruri pieces.  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃の発祥については、本稿の「起源」-「義太夫節の完成」の項目を、その上演についての詳細は、文楽を参照のこと。例文帳に追加

As for the origin of Ningyo Joruri (traditional Japanese puppet theater), refer to the items 'Origin' and 'Completion of Gidayu-bushi' mentioned below, and for the details of its performance refer to the item Bunraku.  - Wikipedia日英京都関連文書対訳コーパス

この新しい様式は上方の人士から熱狂的な支持を受け、義太夫節はそれ以前の古浄瑠璃を圧倒することになる。例文帳に追加

This new pattern won the enthusiastic support of the people in the Kamigata region, and Gidayu-bushi overwhelmed the old Joruri.  - Wikipedia日英京都関連文書対訳コーパス

義経千本櫻（よしつねせんぼんざくら）は、義太夫節またそれに合せて演じられる人形浄瑠璃・歌舞伎の演目。例文帳に追加

Yoshitsune Senbonzakura is a program of ningyo joruri (traditional Japanese puppet theater) or Kabuki of Gidayu-bushi (musical narrative of the puppet theatre) or performed along with Gidayu-bushi.  - Wikipedia日英京都関連文書対訳コーパス

浄瑠璃でも、上手と下手に太夫と三味線が別れ、それぞれ大判事と定高を演じるステレオタイプの構成で音楽的にも優れている。例文帳に追加

Also in the Ningyo Joruri version, it has excellent music and the stereotyped structure that Tayu (chanters) and shamisen players are divided into Kamite and Shimote, playing Daihanji and Sadaka respectively.  - Wikipedia日英京都関連文書対訳コーパス

きむ子は東京の柳橋に生まれ、父は狂言浄瑠璃の祖といわれる初代豊竹和園太夫。例文帳に追加

She was born in Yanagibashi, Tokyo and her father was the first generation Toyotake Kazusonotayu who was said to be an originator of Kyogen(farce played during Noh play cycle) Joruri (Ballad drama).  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃では登場人物の台詞と状況説明を全て義太夫節の太夫（語り手）が行うが、歌舞伎での台詞は基本的に役者が担当し、太夫は状況の説明のみを語ることになる。例文帳に追加

In Ningyo Joruri, the lines of the characters & descriptions of situations are all given by "Tayu" (a narrator) of Gidayu-bushi, while in Kabuki, lines are basically given by actors and Tayu only describes the situation.  - Wikipedia日英京都関連文書対訳コーパス

杉山丹後の門下からは江戸半太夫（半太夫節）、十寸見河東（河東節）が、薩摩浄雲の門下からは薩摩外記太夫（外記節）、大薩摩主膳太夫（大薩摩節）、都太夫一中（一中節）、竹本筑後掾（義太夫節）などが輩出し、浄瑠璃の歴史の上で一時期を画することとなった（半太夫節と外記節は河東節に、大薩摩節は長唄に吸収されて残っている）。例文帳に追加

Given the successive appearance of Handayu EDO (Handayu-bushi) and Kato MASUMI (Kato-bushi), who were disciples of Tango SUGIYAMA, Satsuma Geki Dayu (Geki-bushi) and Shuzen Osatsuma Dayu (Osatsuma-bushi), who were in turn disciples of Joun SATSUMA, Miyakodayu Icchu (Icchu-bushi) and Takemoto Chikugo no jo (Gidayu-bushi), this era was epochal in the history of Joruri (Hadayu-bushi and Geki-bushi continued their existence after being integrated into Kato-bushi, and Osatsuma-bushi continued its existence after being integrated into Nagauta (long epic song with shamisen accompaniment).  - Wikipedia日英京都関連文書対訳コーパス

人形浄瑠璃の演目を移植したものは丸本物と呼ばれる（義太夫狂言と呼ぶ場合も多いが、これは義太夫節を用いる歌舞伎の称であり、意味するところは多少異なる）。例文帳に追加

Kabuki Kyogen, with stories that came from Ningyo Joruri are called "Maruhonmono" (doll theater); in many cases, they are also called "Gidayu-kyogen," but "Gidayu-kyogen" is the name of the Kabuki which uses "Gidayu-bushi" (the musical narrative of the puppet shows), so it differs a bit from Maruhonmono.  - Wikipedia日英京都関連文書対訳コーパス

貞享元年（1684年）ごろ、竹本義太夫（後に筑後掾）が道頓堀に竹本座を開設して義太夫節を樹ててよりのちは、浄瑠璃に新たな時代が訪れる。例文帳に追加

A new era emerged in the history of Joruri when Gidayu TAKEMOTO (Chikugo no jo), in 1684, established the Takemotoza theater at Dotonbori and founded Gidayu-bushi.  - Wikipedia日英京都関連文書対訳コーパス

日本は話芸の文化が多彩であり、特に人形浄瑠璃における太夫と三味線、歌舞伎における出語り、写し絵、錦影絵の解説者といったナレーション文化がすでに定着していた。例文帳に追加

Japan has various kinds of storytelling arts, and in those days, there already existed the established culture of narration, which was shouldered by, for example, "tayu" (a storyteller in "ningyo joruri" [traditional Japanese puppet theater]) accompanied with "shamisen" (the three-stringed Japanese banjo), "degatari" (the musicians who appear on stage of Kabuki [the classical Japanese dance-drama]), and a talker in "utsushie" (also called "nishiki-kagee," a magic lantern picture).  - Wikipedia日英京都関連文書対訳コーパス

たとえば、人形浄瑠璃及び歌舞伎の伴奏音楽である義太夫節では、「阿古屋の琴責め」が有名であり、ここでは地歌三味線、箏、胡弓の三曲がすべて演奏される。例文帳に追加

For example, among the gidayu-bushi, accompaniment for ningyo joruri (traditional Japanese puppet theater) and kabuki (traditional Japanese drama), 'Akoya-no-kotozeme' is the most famous, and the sankyoku of jiuta shamisen, so and kokyu are all played in it.  - Wikipedia日英京都関連文書対訳コーパス

俳優部は嵐璃珀を除いて、娘の富栄、息子のマキノ雅弘、マキノ満男、異父妹の京子、その夫の片岡市太郎といった牧野の親族であった。例文帳に追加

His actors division, except for Rihaku ARASHI, consisted of MAKINO's relatives: his daughter Tomie, his sons Masahiro MAKINO and Mitsuo MAKINO, his younger maternal half sister Kyoko, and her husband Ichitaro KATAOKA.  - Wikipedia日英京都関連文書対訳コーパス

客席の上手側に張りだした演奏用の場所を「床」と呼び、回転式の盆に乗って現れた太夫と三味線弾きが、ここで浄瑠璃を演奏する。例文帳に追加

The place for performance which is thrown out toward the right side of the audience is called 'yuka' (musicians' stage), where the tayu and shamisen player perform joruri after appearing on the rotating tray.  - Wikipedia日英京都関連文書対訳コーパス

音楽では生田流箏曲、地歌の野川流が生まれ、また義太夫節や一中節などの新浄瑠璃や長唄が生まれた。例文帳に追加

In music, koto (a long Japanese zither with thirteen strings) music of Ikuta-ryu School, Jiuta (a genre of traditional songs with shamisen accompaniment) of Nogawa School, Shin-joruri (new ballad drama) such as Gidayu-bushi (musical narrative of the puppet theatre) and Icchu-bushi melody, and Nagauta (long epic song with shamisen accompaniment) appeared.  - Wikipedia日英京都関連文書対訳コーパス

『菅原伝授手習鑑』（すがわらでんじゅてならいかがみ、旧字体：傳授）は、義太夫節、またそれに合せて演じられる人形浄瑠璃と歌舞伎の演目。例文帳に追加

"Sugawara Denju Tenarai Kagami" (Sugawara's Secrets of Calligraphy) (classic word: 傳授) was Gidayu-bushi (musical narrative of the puppet theatre) and a program of ningyo joruri (traditional Japanese puppet theater) and Kabuki (traditional drama performed by male actors) played along with it.  - Wikipedia日英京都関連文書対訳コーパス

ここでは余所事浄瑠璃の清元『風狂川辺芽柳』に義太夫の掛け合いが効果的で、華やかな音楽がかえって陰惨な幸兵衛の悲劇を倍増させ、黙阿弥の優れた作劇術が堪能できる。例文帳に追加

In this play, the Gidayu dialogue in "Kaze-ni-Kuruu Kawabe-no-Me-Yanagi," a performance of Kiyomoto which is a kind of Yosogoto Joruri is so effective that the glamorous music can just amplify the grisly tragedy of Kobei and make the audience satisfied with his superior capability in writing the play.  - Wikipedia日英京都関連文書対訳コーパス

ヒロイン板額は「面はさほど見苦しゅうもござれども、関取相撲を見るやうな大丈夫、力の強いばかりが取り得」と原作の浄瑠璃にあるごとく歌舞伎の中でも有数の力の或る女性である。例文帳に追加

The heroin, Hangaku, is one of few foremost powerful women in Kabuki as described in the original joruri that 'she is not so ugly, but looks so strong as a sekitori (sumo wrestler), which is only her redeeming feature.'  - Wikipedia日英京都関連文書対訳コーパス