Autumn Songとは 意味・読み方・使い方

On the other hand, "Akikaze no kyoku" (a song for the autumn wind), composed by researching the poem 'The Song of Everlasting Sorrow' by Bai Juyi, was a work for koto and song by the compositional style of koto kumiuta (koto suites of songs) and danmono (most important type in shirabemono (the koto solo instrumental music)) during the early Edo period and for this he invented a new method of tuning koto called 'Akikaze-joshi tuning' where he incorporated the mode of Ming and Xing-era Chinese music (as popularized in Japan before the First Sino-Japanese war) that had been popular in those days.発音を聞く 例文帳に追加

一方『秋風の曲』は、白居易の詩「長恨歌」に取材、やはり江戸初期の楽曲形式である箏組歌と段物のスタイルによって作られた箏と歌のための曲で、そのために新たな箏の調弦法「秋風調子」を考案したが、当時流行していた明清楽の旋法が取り入れられているという。 - Wikipedia日英京都関連文書対訳コーパス

There was a story about a little friendship between them in this period: In the autumn of 1004, Michinaga joined the chorus of a poem composed by Korechika -- 'Priest Jakusho who went to Song dynasty finally returned to his old house' -- and requested the Emperor to bestow him a poem composed by the Emperor and received one.発音を聞く 例文帳に追加

この間、寛弘元年秋には、道長が伊周作の「入宋(王朝)僧寂照の旧房に到る」詩に唱和し、奏上して御製の詩を賜ったという、ささやかな交流の話も伝わる。 - Wikipedia日英京都関連文書対訳コーパス

In Tempo era, Mitsuzaki Kengyo in Kyoto found a way of compositional expression in the late-starting instrument, koto, and composed "Akikaze no kyoku" (a song for the autumn wind) and "Godanginuda" for koto alone, as well as the conventional jiuta shamisen music.発音を聞く 例文帳に追加

天保の頃、京都の光崎検校は、そんな後発楽器である箏にあらたな作曲表現の余地を見いだし、従来的な地歌三味線曲の他に、箏だけの曲である『秋風の曲』『五段砧』を作曲した。 - Wikipedia日英京都関連文書対訳コーパス

Hana-gatami,' painted in 1915, was based on the yokyoku (song used in Noh) of the same name, which tells the story of 'Teruhi no mae,' a woman loved by Emperor Keitai when he was a prince, who went to Kyoto, met the Emperor by chance at an autumn leaf viewing party and performed a dance holding a flower basket she had received from him as a gift.発音を聞く 例文帳に追加

1915年の「花がたみ」の題材、謡曲「花筐（はながたみ）」は、継体天皇の皇子時代に寵を受けた「照日の前」が形見の花筐を手に都に上り、紅葉狩りに行き逢った帝の前で舞うという内容である。 - Wikipedia日英京都関連文書対訳コーパス

His disciples included kengyo MITSUZAKI who composed "Godanginuda koto music," "Akikaze no kyoku" (a song for the autumn wind), "Nanakomachi" (Seven Komachi) and so on, kengyo MATSUZAKI who later followed the Kyotoshimo school, koto (the title of the official ranks within the Todo-za) KUZUHARA in Bingo province who was the originator of jiuta and sokyoku of the Chugoku region style, Shunei MATSUZAKA and so on who revised and improved "Kokin gumi" (Kokin group) by kengyo YOSHIZAWA and TSURU who was a female and composed "Obokogiku" (Kiku, a virgin girl) and so on.発音を聞く 例文帳に追加

門人には、『五段砧』、『秋風の曲』、『七小町』などの作曲で知られる光崎検校、後の京都下派（しもは）に続く松崎検校、中国系箏曲、地歌の祖である備後国の葛原勾当、吉沢検校の「古今組」に手事を補作した松坂春栄ら、女性の門人には『おぼこ菊』を作曲した津留らがいる。 - Wikipedia日英京都関連文書対訳コーパス

Such attempts can be seen in the many styles of pieces from the end of the Edo Period, especially those of Kengyo MITSUZAKI in Kyoto, who found a new direction in composition by refocusing on the koto, which had been neglected in favor of the shamisen since Kengyo IKUTA at the Genroku era (the end of the 17th century) and left koto-only masterpieces such as 'Godan-ginuta' (Instrumental in Five Sections) and 'Akikaze no Kyoku' (Song of the Autumn Wind).発音を聞く 例文帳に追加

このような試みは幕末の音楽作品に色々なかたちで垣間見えるが、中でも、元禄の生田検校以来、三味線に対し従属的な立場にあった箏に再注目することによって、作曲に新たな方向性を見いだしたのが京都の光崎検校であり、「五段砧」「秋風の曲」など箏のみの名曲をも残している。 - Wikipedia日英京都関連文書対訳コーパス

It also states that Du Mu praised Jang as a man of humanity and justice comparing Jang and Jeongyeon's relationship with that of Bunyang GWAK and Imhoe YI at the An Lushan War and as a comment of Song Qi who edited the story collection of "Shintojo", he listed the names of people, who thought about the nation first with the mind of righteousness during a difficult time for the country, as Qi Xi of the Jin (Spring and Autumn) Period and Bunyang GWAK and Bogo JANG of the Tang Period, saying 'How can we say that there were no excellent people in the foreign countries of East' (Original: 嗟乎、不以怨毒相槊、而先國家之憂、晉有祁奚、唐有汾陽・保皋、孰謂夷無人哉).発音を聞く 例文帳に追加

さらに続けて、杜牧が張保皐・鄭年の交わりを安禄山の乱における郭汾陽・李臨淮の交わりに見立てて仁義の人であると賞賛したことを伝え、『新唐書』の列伝を編纂した宋祁の評として、国難の時期に義の心を持って国家の憂患を第一に考えた人として晋(春秋)代の祁奚、唐代の郭汾陽・張保皐を挙げ、「どうして東方の蛮国に優れた人物がいないということがあろうか」と称えている（原文：嗟乎、不以怨毒相槊、而先國家之憂、晉有祁奚、唐有汾陽・保皋、孰謂夷無人哉。）。 - Wikipedia日英京都関連文書対訳コーパス

Furthermore, the subjects of the paintings include children's play and seasonal images, such as two girls comparing grasses they have gathered in a game of kusa-awase (the eighth fan of "hokekyo" vol. 7), a boy trying to catch a little bird (the ninth fan of "hokkekyo" vol. 7) and the persimmon harvest (the 11th fan of "hokkekyo" vol. 6), as well as a scene of a court lady admiring the autumn leaves and a serving girl collecting chestnuts (the 10th fan of "hokkekyo" vol. 1), a little girl and a court official reading a letter (the ninth fan of "hokkekyo" vol. 1) and even a scene of a prostitute and a puppet player (or sorcerer) singing Imayo (a popular style of song in the Heian period) as offerings to guardian deity of travelers, Doso-jin, probably to comfort the spirit.発音を聞く 例文帳に追加

さらに、草合わせをする2人の少女（法華経巻七扇8）、小鳥捕りをする少年（法華経巻七扇9）、柿もぎのようす（法華経巻六扇11）など子どもの遊戯や風物詩も画題となっており、紅葉を愛でる女房と栗拾いの婢女を描いた場面（法華経巻一扇10）、文を読む公卿と童女（法華経巻一扇9）、遊女と傀儡子（または男巫）が今様を歌って道祖神に報宴し、神霊を慰めているのではないかと推定される場面などを描いたものもある。 - Wikipedia日英京都関連文書対訳コーパス