River Danceとは 意味・読み方・使い方

Kofu was surprised, went to the river and put a saka-tsubo (pot of sake) on the river bank; he waited late into the night, then the Shojo appeared in front of Kofu; the Shojo drank with Kofu praising the effects of alcohol, got drunk, performed his mai (dance) of chu-no-mai (a moderate style of mai), and went back into the water.発音を聞く 例文帳に追加

おどろいた高風が川のほとりに酒壷を供えて夜すがら待っていると、猩々があらわれ（後シテ）、酒の徳をたたえ、高風と酒を酌交して、酔態のまま舞を舞って（中之舞）ふたたび海中に帰ってゆくのであった。 - Wikipedia日英京都関連文書対訳コーパス

She puts on eboshi (formal headwear for court nobles) offered by the man and begins to dance to the tune 'I'll meet my sweetheart at this place where the River Kamo joins.'発音を聞く 例文帳に追加

女は男のさしだした烏帽子をかぶり、｢加茂川の後瀬静かに後も逢わん（加茂川が合流する地点であるこの地で恋する人と出会おう）｣と舞いはじめる。 - Wikipedia日英京都関連文書対訳コーパス

Though the style of Shimotsuki kagura varies from one region or shrine to another, it is basically conducted in the following order: prior to the ceremony, water drawn from a specific river or waterfall is boiled in a large pot and offered before the gods; after the yudate prayer, participants are splashed with hot water purify them; the kagura then begins with the reading of a list of invited deities; before midnight, the unmasked Torimonomai (dance of symbolic offerings) is performed; prayers are offered in praise of the deities; the invited gods are seen off at midnight; a naorai (feast) is held; after midnight is the Kamiasobi (kagura), with the dancers wearing Oni (demon) or Okina (old man) masks; a blessing ceremony is held.発音を聞く 例文帳に追加

霜月神楽の方法はそれぞれの地域・神社によって差異はあるものの基本的には儀式に先立って特定の川や滝から汲んだ水を釜で沸かした湯を神前に供えて、祈祷の湯立を行った後に参加者に振り掛けることで祓禊となし、招待神の名前が書かれた神名帳を読上げるところから始まり、前夜の素面による採物舞の神招き、神讃めの願上、夜半の招待神の神送り、直会（なおらい）、後夜の鬼や翁などの面形舞の神遊び、祝福の式の順序で行われる。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス