意味 |
Sharawadgiとは 意味・読み方・使い方
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意味・対訳 シャラワジ(英: Sharawadgi、もしくはsharawaggi)は、有機的で自然にみえる景観をつくるため、直線的造形やシンメトリーを避ける、造園ないし建築の技法である。
Wiktionary英語版での「Sharawadgi」の意味 |
sharawadgi
別の表記
- Sharawadgi, sharawaggi
語源
Possibly from the Japanese shara'aji or share'aji (洒落味、しゃれ味).[1] The word was first published 1690 in a work by English statesman and essayist Sir William Temple, 1st Baronet (1628–1699) (see quotation), who claimed it was of Chinese origin, but scholars agree that this is incorrect.[2] Temple following his own enthusiasm for China, took the literary model of introducing "the Chineses" (sic) as his spokesmen.[3][4]
名詞
sharawadgi (uncountable)
- (historical or obsolete) A style of landscape gardening or architecture in which rigid lines and symmetry are avoided in favour of an organic appearance. [from 1690.]
- 1690, William Temple, “Upon the Gardens of Epicurus; or of Gardening in the Year 1685”, in Miscellanea: In Four Essays. I. Upon Ancient and Modern Learning. II. Upon the Gardens of Epicurus. III. Upon Heroick Virtue. IV. Upon Poetry, London: Printed by T. M. for Ri[chard] and Ra[lph] Simpson, at the sign of the harp in St. Pauls-Church-Yard, OCLC 643613891, page 58; republished as Miscellanea. The Second Part. In Four Essays. I. Upon Antient and Modern Learning. II. Upon the Gardens of Epicurus. III. Upon Heroick Virtue. IV. Upon Poetry, 5th edition, London: Printed for Ri[chard] Simpson at the Three Trouts, and Ra[lph] Simpson at the Harp in St. Paul's Church-Yard, 1705, OCLC 476085354, pages 129–130:
- Among us, the Beauty of Building and Planting is placed chiefly in ſome certain Proportions, Symmetries, or Uniformities; our Walks and our Trees ranged ſo, as to anſwer one another, and at exact Distances. The Chineſes ſcorn this way of Planting, […] their greateſt Reach of Imagination, is employed in contriving Figures, where the Beauty ſhall be great, and ſtrike the Eye, but without any Order or Diſpoſition of Parts, that ſhall be commonly or eaſily obſerv'd. And though we have hardly any Notion of this ſort of Beauty, yet they have a particular Word to expreſs it; and where they find it hit their Eye at firſt Sight, they ſay the Sharawadgi is fine or is admirable, or any ſuch Expreſſion of Eſteem.
- 1975, Peter Thorpe, Eighteenth Century English Poetry, Chicago, Ill.: Nelson-Hall, →OCLC, page 113:
- Long before the close of the seventeenth century, there was a fascination with "Sharawadgi" (a word supposedly derived from Chinese), a type of design that accented the wild, the surprising, the irregular.
- 2008, Sean Riley Silver, “Horace Walpole's Strawberry Hill”, in The Curatorial Imagination in England, 1660–1752 (unpublished Ph.D. in English dissertation), Los Angeles, Calif.: University of California, Los Angeles, →OCLC, page 360:
- Temple's word for this style is "sharawadgi"; it is the deliberate arrangement of form to create particular vistas, which also imply particular sites or points of view from which those vistas perfect themselves. But as [Horace] Walpole adapts Temple's reflections, first in his own treatise on gardening, and later in his thoughts on architecture, sharawadgi is the organization of a series of such views.
- 2010, David Porter, “Horace Walpole and the Gothic Repudiation of Chinoiserie”, in The Chinese Taste in Eighteenth-century England, Cambridge: Cambridge University Press, →ISBN, page 122:
- 1690, William Temple, “Upon the Gardens of Epicurus; or of Gardening in the Year 1685”, in Miscellanea: In Four Essays. I. Upon Ancient and Modern Learning. II. Upon the Gardens of Epicurus. III. Upon Heroick Virtue. IV. Upon Poetry, London: Printed by T. M. for Ri[chard] and Ra[lph] Simpson, at the sign of the harp in St. Pauls-Church-Yard, OCLC 643613891, page 58; republished as Miscellanea. The Second Part. In Four Essays. I. Upon Antient and Modern Learning. II. Upon the Gardens of Epicurus. III. Upon Heroick Virtue. IV. Upon Poetry, 5th edition, London: Printed for Ri[chard] Simpson at the Three Trouts, and Ra[lph] Simpson at the Harp in St. Paul's Church-Yard, 1705, OCLC 476085354, pages 129–130:
参照
- ^ KUITERT, Wybe (2014), “Japanese Art, Aesthetics, and a European Discourse: Unraveling Sharawadgi”, in Japan Review[1], volume 27, , pages 77–101 Online as PDF
- ^ “Sharawaggi, n.”, in OED Online , Oxford, Oxfordshire: Oxford University Press, 1913.
- ^ Kuitert, Wybe. Context & Praxis: Japan and Designing Gardens in the West Gartenkunst 2016, 28/2 278-292 ISSN: 0935-0519
- ^ KUITERT, Wybe (2019), “Japanese Aesthetics and European Gardens: In pursuit of Sharawadgi”, in Japan Research[2], volume 59, , pages 7–35 Online as PDF
Further reading
- sharawadgi on Wikipedia.
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