「元歌」に関連した英語例文の一覧と使い方(11ページ目) - Weblio英語例文検索

第三種と同筆または同系統の筆跡としては、粘葉本（でっちょうぼん）和漢朗詠集（三の丸尚蔵館蔵）、元暦校本万葉集巻一（東京国立博物館蔵）、伊予切（和漢朗詠集の断簡、諸家分蔵）、蓬莱切（未詳歌集の断簡、諸家分蔵）、法輪寺切（和漢朗詠集写本の断簡、諸家分蔵）などがある。例文帳に追加

Examples of brushwork in the same or closely related hand as that of the calligrapher of the third style include the Deccho manuscript of the Wakan roeishu (owned by the Sannomaru Shozokan), the first scroll of the Genryaku kobon manuscript of the Manyoshu (owned by Tokyo National Museum), the Iyo-gire (dankan from the Wakan roeishu, owned by various families), the Horei-gire (dankan from the Misho kashu or "collection of anonymous poems," owned by various families), and the Horinji-gire (dankan from the written copy of the Wakan roeishu, owned by various families).  - Wikipedia日英京都関連文書対訳コーパス

だが、天暦5年（951年）10月、宮中の昭陽舎（梨壺）に撰和歌所が置かれ、その寄人に任命された源順・大中臣能宣・清原元輔・坂上望城・紀時文（以上、梨壺の五人）が中心となって『万葉集』の訓詁と新たな勅撰集の編纂に当たり、藤原伊尹が別当となってそれを統括した旨、史書に見えるので、遅くとも天暦末年には奏覧されたと見られる。例文帳に追加

However, it seems to have been presented by 957, because a chronicle shows that the poetry bureau was established at Shoyosha (Nashitsubo, Ladies' Quarters) in the court in November 951 and that the five officers in Nashitsubo, MINAMOTO Shitago, ONAKATOMI no Yoshinobu, KIYOHARA no Motosuke, SAKANOUE no Mochiki, and KI no Tokibumi, carried out works deciphering the text of the "Manyoshu" (Collection of Ten Thousand Leaves) and compiling a new imperial collection of waka, and that, as the head of the poetry bureau, FUJIWARA no Koretada directed the compilation.  - Wikipedia日英京都関連文書対訳コーパス

その和歌は「さしとむるむぐらやしげき東屋のあまりほどふる雨そそきかな」（東屋に葎が生い茂って戸口を塞いでしまったのか、あまりに長い間雨だれの落ちる中で待たされるものだ）である（元来「東屋」とは東国の簡素な造りの住まいを指す言葉だが、近年では転じて庭園や公園に設けられた休憩用の小さな建物を指す）。例文帳に追加

This poem implies that because trailing plants grow so thickly that they obstruct the entrance to Azumaya (small arbor), I have to wait too long outside in the rain ('Azumaya' originally refers to a simple house in Azuma no kuni, but recently it refers to a small arbor built in a garden or a park).  - Wikipedia日英京都関連文書対訳コーパス

現代人は遊女というと江戸時代の零落した女性が行き着く暗くマイナスなイメージを強く持つが、室町時代以前の遊女はむしろ知識人であり歌舞などの技芸を厳しく長者と言われる元締めのような存在の女性から躾けられ、時には教養も身につけた女性たちで、神聖な存在として巫女の代わりをするようなこともあった。例文帳に追加

People today have a dark and negative image on courtesans who lived during in the Edo Period as ruined women, but in days prior to the Muromachi Period, courtesans were rather intelligent women who were strictly trained in singing and dancing by a female controller called Choja, and some of them acquired some culture, so they were sometimes regarded as sacred women and played the role of miko (shrine maiden).  - Wikipedia日英京都関連文書対訳コーパス

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。例文帳に追加

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).  - Wikipedia日英京都関連文書対訳コーパス