ふづゑの英語

明暗を　とりてゑがける　ふりにし絵　珍笑（うづゑ）ましもよ　そのおらんだぶり例文帳に追加

The painting is realistic with its contrast between light and shadow; the value of Dutch style makes me laugh.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし慶長年間に入ると、藤原定家の『下官集』「嫌文字事」で示された定家仮名遣に従って、いろは44文字は「ゐゑお」を含む47文字とする節用集が登場した。例文帳に追加

As the Keicho era began, there appeared new setsuyoshu based on 47 characters of the iroha syllabary including 'ゐ' (wi), 'ゑ' (we) and 'を' (wo) instead of the former 44 iroha characters, following Teika Kanazukai (the distinction of using Kana in the same pronunciation) presented in the section of 'Imi Moji no koto' (嫌文字事, Awful things regarding characters) in "Gekanshu" written by FUJIWARA no Teika (also known as FUJIWARA no Sadaie).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この『フトマニ』は普通名詞の太占（ふとまに）と紛らわしいので吾郷清彦は『カンヲシデモトウラツタヱ』（神璽基兆伝）と名付けた。例文帳に追加

Because this "Futomani" was easily confused with the common noun "futomani," Kiyohiko AGO called it "Kanwoshide motoura tsutae."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

昭和31年（1956年）には歌人の職能的性格を持つ団体として「現代歌人協会」が、生方たつゑ・扇畑忠雄・尾上紫舟・香川進・鹿児島壽蔵・木俣修・窪田空穂・近藤芳美・佐々木信綱・佐藤佐太郎・紫生田稔・土屋文明・坪野哲久・土岐善麿・松村英一・会津八一・宮柊二・山口茂吉・山本友一など62名の発起人により結成された。例文帳に追加

In 1956, Gendai Kajin Kyokai (The Association of Contemporary Tanka Poets) was formed as something similar to a professional association by 62 founding members, including Tatsue UBUKATA, Tadao OOGIHATA, 尾上紫舟, Susumu KAGAWA, Juzo KAGOSHIMA, Osamu KIMATA, Utsubo KUBOTA, Yoshimi KONDO, Nobutsuna SASAKI, Sataro SATO, 紫生田稔, Bunmei TSUCHIYA, Tetsukyu TSUBONO, Zenmaro TOKI, Eiichi MATSUMURA, Yaichi AIZU, Shuji MIYA, Mokichi YAMAGUCHI and Tomoichi YAMAMOTO.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この人、東寺の門に雨宿りせられたりけるに、かたは者どもの集まりゐたるが、手も足もねぢゆがみ、うちかへりて、いづくも不具に異様なるを見て、とりどりにたぐひなき曲者なり、もつとも愛するに足れりと思ひて、まもり給ひけるほどに、やがてその興つきて、見にくく、いぶせく覚えければ、ただすなほに珍しからぬ物にはしかずと思ひて、帰りて後、この間、植木を好みて、異様に曲折あるを求めて目を喜ばしめつるは、かのかたはを愛するなりけりと、興なく覚えければ、鉢に植ゑられける木ども、皆掘り捨てられにけり。例文帳に追加

This is same man (Suketomo Kyo), who was once taking shelter from the rain in the gate of To-ji Temple, where there were gathered together many cripples with twisted arms and distorted legs bent backwards. Noting their various peculiar deformities he thought, 'These are all very strange freaks, and are certainly well worth preserving.' But, when he looked at them more closely, he soon lost all pleasure in them and, regarding them as ugly and vile, thought, 'Surely there can be nothing better than the unusual upright form.' So on his return home, his well-loved little trees, which he had collected and carefully trained into queer shapes to make his eyes glad, from that time forth no longer gave him any pleasure; for he felt that to love them was like loving those cripples. Accordingly, he dug up and threw away all his dwarf trees that he had cultivated in little pots.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

飛ぶ鳥の　明日香の河の　上つ瀬に　石橋渡し　下つ瀬に　打橋渡す　石橋に　生ひ靡ける　玉藻もぞ　絶ゆれば生ふる　打橋に　生ひをれる　川藻もぞ　枯るれば生ゆる　何しかも　わが王の　立たせば　玉藻のもころ　臥せば　川藻のごとく　靡かひし　宜しき君の　朝宮を　忘れたまふや　夕宮を　背きたまふや　うつそみと　念ひし時　春べは　花折りかざし　秋立てば　黄葉かざし　しきたへの　袖たづさはり　鏡なす　見れども飽かず　三五月の　いやめづらしみ　念ほしし　君と時時　幸して　遊びたまひし　御食向ふ　きのえの宮を　常宮と　定めたまひて　あぢさはふ　目言も絶えぬ　しかれかも　あやにかなしみ　ぬえ鳥の　片恋嬬　朝鳥の　往来はす君が　夏草の　念ひ萎えて　夕星の　か往きかく去き　大船の　たゆたふ見れば　なぐさむる　情もあらず　そこゆゑに　せむすべ知れや　音のみも　名もみも絶えず　天地の　いや遠長く　偲び行かむ　み名に懸かせる　明日香河　万世までに　はしきやし　わが王の　形見かここを巻2-196例文帳に追加

Birds are on the wing, Over the Asuka River, Whose upper rapids Were spanned with a stone bridge, Whose lower rapids Were spanned with a wooden bridge; Towards the stone bridge, Fine and green water-weeds grow, And then withering, Soon prosper exuberantly; Toward the wooden bridge River-weeds grow up waving, And then withering, Soon prosper exuberantly; Like those water-weeds As soon as the Prince arose, The Princess rose, too, Waving like the water-weeds; When the Prince lay, The Princess after him lay, Toward him waving; Why could she forget the Prince By whose side she stood, In the Palace where he passed His mornings and evenings? Why did she leave it vacant? When she was alive, when she was well and happy, In the springtide She decked her hair with flowers, And in the autumn Adorned it with yellow leaves; She intermingled Her sleeves with the Prince's sleeves, And she watched the moon Full and clear as a mirror With admiration, With love and deep affection, Standing by his side; On another occasion She went out with him To the Palace of Kinoe, Where delicacies Were graciously offered to them; This part of Kinoe As her everlasting place, The Princess departed; And we can't see nor speak with her; Be that as it may (or Yet, nevertheless,) Swollen with the deep sorrow, Like the fairy bird, Longing for the departed, Line the morning bird, The Prince did come and go, Like the summer grass Pining and withering away, Like the evening star Going and sinking in grief; Like a swaying ship, The Prince's heart kept wavering; As this I know not How to comfort his sorrow; So I know no way And simply wish to retain The tone of her voice, Only to remember her name For ever and ever, As long as heaven and earth, Her beloved name Committing to memory, And love on her name By the Asuka River For generations As the precious memento Of the dear, deceased Princess (Manyoshu, Volume 2 -196).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス