太歌世の英語

これは、淡島（和歌山市加太の対岸の友ヶ島）が住吉大社の社領であったことから後世に附会されたものと考えられるが、「淡島神は女神だから女性を守る」という信仰も根強い。例文帳に追加

This interpretation is believed to have been forged in later times because Awashima (Tomogashima Island, on the opposite shore of Kada, Wakayama City) was a sharyo (territory of a shrine) of Sumiyoshi-taisha Shrine, but belief that 'Awashima no kami guards women because she is a goddess' remains strong.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年（1702–03年）の『東山榮華舞台』（江戸山村座）、『曙曽我夜討』（江戸中村座）や、宝永六年（1710年）の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。例文帳に追加

Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include "Higashiyama eiga no butai" (Edo Yamamura-za theater) and "Akemono Soga yauchi" (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, "Taiheiki Sazareishi" and "Onikage Musashiabumi" performed in 1710, and "Goban Taiheiki" written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

息子藤原定家の『小倉百人一首』には皇太后宮大夫俊成として採られるが、彼とともに社会が政治・経済的矛盾が深まる中、武家が政権を奪取する中世へ移行する、時代の激動期を生き抜き、歌の家としての御子左家の名を確立した。例文帳に追加

In his son FUJIWARA no Teika's "Ogura Hyakunin Isshu" (Ogura's Sequence of One Hundred Poems by One Hundred Poets), Toshinari is engaged as Kotaigo gu no daibu, but with him there was an intensification of political/economic contradictions in society, a shift to the middle ages where the warrior families took back political control; the period was marked by upheaval and the Mikohidari family cemented its name as poets.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

本著は先に挙げた先行の作者付を参考にして書かれ、『金春八左衛門書上』、そして『観世太夫書上』・『自家伝抄』の一部を重視し、『能本作者註文』・『歌謡作者考』を参照しつつ、加えて現在知られていない伝書の説も取り入れたと考えられている。例文帳に追加

It is thought that this book was written based on the prior sakushazuke, emphasizes parts of "Konparu Hachizaemon Kakiage," "Kanze Dayu Kakiage" and "Jika Densho," and draws inspiration from "Nohon Sakusha Chumon" and "Kayo Sakusha Ko" in addition to incorporating the views of the texts now unknown.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

私のためにそれは歌い、私の悲しみをあばきだし、慈しみをとかしだし、太陽なき世界に愛をあふれかえらせ、絶えることもなく、そのやさしさを失うも、巧妙に精妙に、このパターンへ、この消耗へ、かの裂け散った統一体へと織りあげていく。例文帳に追加

For me it sings, unseals my sorrow, thaws compassion, floods with love the sunless world, nor, ceasing, abates its tenderness but deftly, subtly, weaves in and out until in this pattern, this consummation, the cleft ones unify;発音を聞く  - Virginia Woolf『弦楽四重奏』

18世紀中期初には初代瀬川菊之丞(初代)、初代中村富十郎(初代)ら名女形が所作事を大成し、初代小川吉太郎は途絶えていた和事芸を再興し、初代並木正三は初代中村歌右衛門(初代)と提携して優れた脚本を作り舞台装置の改良をするなどして歌舞伎は息を吹き返した。例文帳に追加

At the beginning of the mid-18th century, Kabuki was revived with completion of shosagoto (dance in Kabuki) by star actors for female roles such as Kikunojo SEGAWA I (shodai) and Tomijuro NAKAMURA I (shodai), the restoration of forgotten wagoto performances by Kichitaro OGAWA and the creation of excellent scripts and improvement of stage installations by Shozo NAMIKI I in cooperation with Utaemon NAKAMURA I (shodai).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同年秋には新スター阪東妻三郎が登場、二川文太郎、井上金太郎といった20世紀生まれの20代前半の監督が登場するにあたり、次第に脇にシフト、47歳を迎える1924年（大正13年）の沼田紅緑監督の『燃ゆる渦巻』での環歌子との共演あたりが最後の主役となる。例文帳に追加

The fall of 1923 saw the emergence of a new film star, Tsumasaburo BANDO, as well as young new directors Buntaro FUTAGAWA and Kintaro INOUE, both born in the twentieth century and thus still in their early twenties; consequently, Ichitaro was more and more often given roles as supporting actor, and his last leading role, acting alongside Utako TAMAKI, was in "Moyuru Uzumaki" (Burning Spiral), directed by Koroku NUMATA, which was made in 1924 when Ichitaro was forty-seven.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

朝鮮併合がなった際、初代総督寺内正毅は『小早川、加藤、小西が世にあれば、今宵の月をいかにみるらむ（秀吉公の朝鮮征伐に参加された小早川・加藤・小西の諸将が今生きていれば、朝鮮を日本のものとしたこの夜の月をどのような気持ちでみられるだろうか）』と歌を詠み、外務部長だった小松緑はこれに返歌して、『太閤を地下より起こし見せばやな高麗（こま）やま高くのぼる日の丸（太閤殿下を蘇らせ見せ申し上げたいものだ、朝鮮の山々に高く翻る日の丸を）』と歌い、共に太閤の成し得なかった朝鮮の編入が成功したことを喜んだ。例文帳に追加

When annexation of Korea was completed, Masatake TERAUCHI who was the first Governor-General of Korea, composed a waka, "If Kobayakawa, Kato, and Konishi were alive, how would they look the moon of tonight" (If Kobayakawa, Kato, and Konishi, who were commanders took part in the war by Hideyoshi to conquer Korea were still alive, how would they look at the moon of tonight after obtaining Korea for Japan) and Midori KOMATSU who was the secretary of foreign affairs, composed in reply to it "I would like to awake Taiko (Hideyoshi) from the underground and make him look at Hinomaru (national flag of Japan) above the mountains of Korea" (I would like to revive Taiko and show him Hinomaru flaunting above mountains of Korea) and they were delighted at success to annex of Korea which Hideyoshi could not achieve.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス