丈春の英語

庭園造りの名手でもある丈山自身により設計された庭は四季折々に楽しむことができ、特に春(5月下旬)のサツキと秋(11月下旬)の紅葉が有名で観光客で賑わう。例文帳に追加

Designed by Jozan, who was also a master of landscape gardening, its garden is enjoyable in every season, and the azalea blossoms in spring (late May) and the colored leaves in autumn (late November) are especially famous, attracting many tourists.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「春霞」や、黄砂の古名である「霾」（つちふる）のほかに、「霾曇」（よなぐもり）、「霾晦」（よなぐもり）、「霾風」（ばいふう）、「霾天」（ばいてん）、「黄塵万丈」、「蒙古風」、「つちかぜ」、「つちぐもり」、「よなぼこり」、「胡沙」（こさ）など、黄砂に関する言葉は多数ある。例文帳に追加

In addition to 'harugasumi' and 'tsuchifuru' (being cloudy due to flung-up dust) that is an old term for kosa, there are many other terms indicating kosa, such as 'yonagumori' (霾曇 or 霾晦, cloudy with kosa), 'baifu' (kosa wind), 'baiten' (kosa sky), 'kojinbanjo' (with "kojin" meaning "yellow dust"), 'mokokaze' (Mongolian wind), 'tsuchikaze' (dust wind), 'tsuchigumori' (cloudy due to dust), 'yonabokori' (kosa dust), and 'kosa' (with "sa" meaning "sand").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

吉川元春の使者・佐々木定経が謙信と対面したとき、「音に聞こえし大峰の五鬼、葛城高天の大天狗（謙信）にや」と謙信のことを大天狗扱いするなど、「六尺近い偉丈夫」が有力説とされてきたが、「小柄」と表記されている文献もいくつか存在し、謙信の身長については諸説があり定かではないのが実情であった。例文帳に追加

Sadatsune SASAKI, an enemy of Motoharu KIKKAWA on meeting Kenshin considered him to be an Otengu (big tengu (a mountain spirit, portrayed as winged and having a long nose)), and is said to have said 'I hear you are an Otengu of Katsuragi TAKAMA, Goki (five oni demons) of Omine,' other leading theories are ' a great man of about 1.818 m height,' but in fact his height was uncertain as several literature describes Kenshin as a 'small' person.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

代表的な人物としては、千宗旦・金森宗和・小堀遠州の茶道、後水尾天皇・池坊専好の生け花、安楽庵策伝・三浦為春・松永貞徳・烏丸光広などの文学、石川丈山・林羅山・堀正意の儒学、沢庵宗彭・一糸文守・鈴木正三の禅、近衛信尹・松花堂昭乗・本阿弥光悦の寛永の三筆、角倉素庵・近衛信尋の書、俵屋宗達・狩野探幽の絵画、野々村仁清の陶芸などが挙げられる。例文帳に追加

Famous persons are SEN no Sotan/Sowa KANAMORI/Enshu KOBOI of tea ceremony, the Emperor Gomizunoo/Senko IKENOBO of flower arrangement, Sakuden ANRAKUAN/Tameharu MIURA/Teitoku MATSUNAGA/Mitsuhiro KARASUMARU of literature, Jozan ISHIKAWA/Razan HAYASHI/Seii HORI of Confucianism study, Soho TAKUAN/Monju ISSHI/Shosan SUZUKI of Zen, Nobutada KONOE/Shojo SHOKADO/Koetsu HONNAMI of Kanei no sanpitsu (the three masters of calligraphy in Kanei era), Soan SUMINOKURA/Nobuhiro KONOE of calligraphy, Sotatsu TAWARAYA/Tanyu KANO of paintings and Ninsei NONOMURA of ceramic art.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

彼が奉行として参画したと思われる遺構は、建築としては妙心寺麟祥院の春日のつぼね霊屋（慶長年間、うち溜りを移建）、氷室神社拝殿（慶長年間、内裏池亭を移建）、大覚寺宸殿（慶長年間の内裏の元和期増造の際に中宮宸殿となる）、金地院東照宮、同茶室、同方丈南庭（鶴亀庭）、南禅寺本坊方丈南庭、大徳寺竜光院密庵席（みったんせき）、孤篷庵表門前の石橋、同前庭、同忘筌席露地（建築は寛政年間に焼失後、旧様式を踏襲して復元された）、仙洞御所南池庭のいで島およびその東護岸の石積み部分などである。例文帳に追加

Work to which he is believed to have contributed include: the tamaya (mausoleum) for Kasuga no Tsubone (during the Keicho era (1596 - 1615), relocation of the waiting room); the haiden (hall of worship) of the Himuro-jinja Shrine (Keicho era (1596 - 1615), relocation of Dairi Chitei (an arbor by a pond of the Imperial Palace)); Shinden of the Daikaku-ji Temple (became Chugu Shinden in the Genna era (1615 - 1617) upon the expansion of the dairi (Imperial Palace) first constructed in the Keicho era); Toshogu (Priest house), tea house and south garden (Tsuru-Kame garden (literally, crane-turtle garden)) of hojo (abbot's chamber) of Konchi-in; south garden of hojo of the honbo (priests main living quarters) of the Nanzen-ji Temple; Mittanseki (tea house) of Ryukoin of Daitoku-ji Temple; stone bridge in front of the front gate of Kohoan, a front garden and Bosenseki Roji of the same (building was lost to fire in the Kansei era (1789 - 1800) and restored in the original style); and the islands and stone-lined eastern shore of the south garden of Sento Gosho.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス