「Noh player」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

In a sheet music of a Noh song (Utai-bon), ioriten is used at the beginning of a word when a part of each Noh player including Shite (a main actor of a Noh play), Waki (a supporting actor) and Jiutai (Noh chorus) starts. 例文帳に追加

謡曲本（謡本）においては、能職掌であるシテ、ワキ、地謡などの役割がかわるところで、語句の頭に使われる。 - Wikipedia日英京都関連文書対訳コーパス

in a 'Noh' play, role performed by a 'kyogen' player 例文帳に追加

能楽において,狂言師が演じる部分 - EDR日英対訳辞書

of a chief player of a Noh play, an act of walking around with a musical band 例文帳に追加

能において,シテがはやしに合わせて歩き回ること - EDR日英対訳辞書

The role of Yoshitsune is played by a ko-kata (a child player in a Noh dance). 例文帳に追加

なお義経役は子方（子供の能役者）が演じる。 - Wikipedia日英京都関連文書対訳コーパス

Tomotaka FUKUO (Noh actor) and Tadayo FUKUO (soccer player) are his younger brothers. 例文帳に追加

弟に福王知登（能楽師）、福王忠世（サッカー選手）。 - Wikipedia日英京都関連文書対訳コーパス

all of the roles performed by a player of "Kyogen", in a "Noh" play 例文帳に追加

一曲の能の中で,狂言方の役者が演じる演技の総称 - EDR日英対訳辞書

an old man in a Noh play who has a black mask, called customary prelude player 例文帳に追加

能で三番叟という,黒い面をかぶった老人の役名 - EDR日英対訳辞書

He made his debut as a player of a child's part in "Ama" (The Fisher-girl), the torchlight Noh performance at the Kofuku-ji Temple in 1959. 例文帳に追加

1959年、興福寺薪能『海人』子方で初舞台。 - Wikipedia日英京都関連文書対訳コーパス

Tatsushi NARITA (1964-) is a Noh actor who plays kotsuzumi-kata (small hand drum player) in the Ko school. 例文帳に追加

成田達志（なりたたつし、1964年-）は小鼓方幸流の能楽師。 - Wikipedia日英京都関連文書対訳コーパス

Usually, it is made up of one act or segment and two melody parts and the tsuzumi player plays noribyoshi (one of three types of Nori, the overall tempo and rhythm of a Noh or Kyogen when referring to in-rhythm chants, onori) and the fue player plays Ashirai (relatively subtle accompaniment). 例文帳に追加

通常は一段二節で、鼓はノリ拍子、笛はアシライを吹く。 - Wikipedia日英京都関連文書対訳コーパス

In 1988, he formed a Noh group "Hibiki" (- 2002) together with Noh-hayashikata players (instrumentalist for Noh plays) of his generation who lived in Osaka, such as Kosuke SHIMIZU (Kotsuzumi-kata [a small hand drum player] of the Okura school), Tatsushi NARITA (a small hand-drum player of the Ko school), Yoshinori MORIYA (a knee-drum player of the Kanze school) and Hiromi NAKATA (Taiko-kata [a stick-drum player] of the Konparu school). 例文帳に追加

1988年より清水晧祐（小鼓方大倉流）・成田達志（小鼓方幸流）・守家由訓（大鼓方観世流）・中田弘美（太鼓方金春流）ら、大阪の能楽師囃子方の同世代と共に能楽グループ『響』を結成（-2002年）。 - Wikipedia日英京都関連文書対訳コーパス

Tetsuya YAMAMOTO (March 21, 1966 -) is a Noh actor of Okura ryu Otsuzumi kata (a knee-drum player of the Okura school). 例文帳に追加

山本哲也（やまもとてつや、1966年3月21日-）は、大鼓方大倉流の能楽師。 - Wikipedia日英京都関連文書対訳コーパス

The mai of this type is limited to that in the waki Noh (noh sequence corresponding to shin that is performed first after the Okina (a performance art patterned after an ancient ritualistic ceremony)) played by an elderly noh player, as in "Oimatsu" (literally, an old pine), and it is said that, although the tempo is slow, such mai should be danced very smoothly without becoming stagnant. 例文帳に追加

これは「老松」のような老体の脇能に限り、位は重いが運びが停滞しないようにさらさらと演じることを旨とする。 - Wikipedia日英京都関連文書対訳コーパス

Since 1988 to 2002, he established "Hibiki," a group of Noh actors with Nohgaku hayashikata (the accompanists of Noh play) of the same generation in Osaka, including Kosuke SHIMIZU (the Okura school of kotsuzumi-kata), Tetsuya YAMAMOTO (Noh actor) (the Okura school of otsuzumi-kata [large hand drum player]), Yoshinori MORIYA (the Kanze school of otsuzumi-kata), and Hiromi NAKATA (the Konparu school of taiko-kata [stick drum player]). 例文帳に追加

1988年より清水晧祐（小鼓方大倉流）・山本哲也(能楽師)（大鼓方大倉流）・守家由訓（大鼓方観世流）・中田弘美（太鼓方金春流）ら、大阪の能楽師囃子方の同世代と共に能楽グループ『響』を結成（～2002年）。 - Wikipedia日英京都関連文書対訳コーパス

He studied under his father Takashi YAMAMOTO (a Noh actor and Otsuzumi-kata [a knee-drum player] of the Okura school) and Tadao KAMEI (a Noh actor, a knee-drum player of a deputy head of Kadono school, and a living national treasure). 例文帳に追加

父である山本孝（能楽師・大鼓方大倉流）および亀井忠雄（能楽師・大鼓方葛野流宗家代理・人間国宝）に師事。 - Wikipedia日英京都関連文書対訳コーパス

The record shows that Nobutada KONOE thought, while appreciating the Noh sponsored by Hideyoshi in 1593 with the Emperor in attendance, that Joshin was an unrivalled Noh player, and that he was exceptionally skilled at handling his fans. 例文帳に追加

文禄2年（1593年）に秀吉が主宰した天覧能を観た近衛信尹は「常真御能比類無し、扇あつかひ殊勝ゝ」との感想を残している。 - Wikipedia日英京都関連文書対訳コーパス

Furthermore, Hisamasa, who was well known as a man of culture, proactively promoted culture including Noh (he had an exclusive Noh player, Tsurutayu MORIMOTO), and enjoyed falconry and renga (linked verses), which led to a bad reputation in later generations. 例文帳に追加

この他に、後世の悪評にもつながるが、積極的に能などの文化を推進し（久政には森本鶴太夫というお抱えの舞楽師がいた）、鷹狩や連歌を嗜み、文化人としても名を馳せた。 - Wikipedia日英京都関連文書対訳コーパス

Motomasa was such an excellent Noh player that Zeami wrote in his book "Museki isshi" (A Page on the Remnant of a Dream) as "I must admit that he is an unparalleled master although he is my son." 例文帳に追加

元雅は世阿弥が『夢跡一紙』で「子ながらもたぐひなき達人」と評したほどの名手であった。 - Wikipedia日英京都関連文書対訳コーパス

In the Azuchi-Momoyama period, the first head Shozaemon Shigenaga ISHII who was a te-sarugaku (amateur Noh) player established the school in Kyoto under the guidance of master Kyuzaemon HINOKUCHI. 例文帳に追加

安土桃山時代に、京の手猿楽役者初世石井庄左衛門滋長が名人樋口久左衛門に師事して一流を興した。 - Wikipedia日英京都関連文書対訳コーパス

Icchu (year of birth and death unknown) was a Dengaku (refer to the descriptions below) and Noh player who was active in the period of the Northern and Southern Courts (in Japan). 例文帳に追加

一忠（いっちゅう、生没年不詳）は、南北朝時代(日本)に活躍した田楽能役者。 - Wikipedia日英京都関連文書対訳コーパス

Shiki Sanban requires the total of eight or nine actors who play the role of Okina (Shite-kata, which means the protagonist) which is performed by Tayu (the head of each school of Noh), the role of Senzai (Shite-kata in Kamigakari composed of the Kanze and Hosho schools of Noh sharing the same roots in Kyoto and Kyogen-kata, or Kyogen-shi, in Shimogakari comprising the Konparu, Kongo, and Kita schools of Noh sharing the same roots in Nara), the role of Sanbaso (Kyogen-kata), the role of Menbako-mochi (who makes an appearance as Kyogen-kata only in Kamigakari to play opposite in the dialogue of the Sanbaso section), Fue-kata (a flute player), three Kotsuzumi-kata (small hand-drum players), and Otsuzumi-kata (a large hand-drum player). 例文帳に追加

式三番に要する役者は、翁役の大夫（シテ方）、千歳役（上掛りではシテ方、下掛りでは狂言方）、三番叟役（狂言方）、面箱持役（上掛りに限って出る。狂言方。三番叟の段で問答の相手役を勤める）、笛方、小鼓方3名、大鼓方の計8ないし9名。 - Wikipedia日英京都関連文書対訳コーパス

As Juko was acquainted with other artists, his remark saying 'I love the moonlight peeping through the cloud. It is interesting' was introduced in "Zenpo Zodan" (Miscellaneous conversations with Zenpo), a book written by Noh player Zenpo KONPARU, as a famous anecdote concerning Juko. 例文帳に追加

珠光は他の芸能者達との交流もあり、能楽者である金春禅鳳が記した『禅鳳雑談』に有名な珠光の物語とて　「月も雲間のなきは嫌にて候　これ面白く候」　という一節が遺されている。 - Wikipedia日英京都関連文書対訳コーパス

Many Noh plays have some supernatural creatures such as ghosts, fairies or demons, etc. as the protagonist (Shite), and the play structure is mostly the supporting player (Nohwaki), who is often a flesh-and-blood character, who discovers their stories by questioning. 例文帳に追加

すなわち、能においては多くの場合、亡霊や神仙、鬼といった超自然的な存在が主役（シテ）であり、常に生身の人間である脇役（ワキ）が彼らの話を聞き出すという構造を持っているのである。 - Wikipedia日英京都関連文書対訳コーパス

Yudate, a rite that miko and others boil water in a caldron and splash the hot water on themselves or people around to purify them, is joined by kagura dance played either by a miko with torimono or by a masked Noh player. 例文帳に追加

釜を据えて湯を沸かし、巫女などが自ら、あるいは周囲の人にその湯を降りかけて清める湯立に、採物あるいは着面の神楽が加わる。 - Wikipedia日英京都関連文書対訳コーパス

Motoya's first daughter Ayame IZUMI (real name Ayame YAMAWAI, born in 2002) debuted, along with Junko's first daughter Keiko IZUMI (born in 2002), at National Noh Theater on February 26, 2006, and is actively engaged in kyogen performance as a kokata (a child player) of Izumi Soke Co. 例文帳に追加

元彌の長女・和泉采明（本名・山脇采明　2002年生）は、淳子の長女・和泉慶子（2002年生）と共に2006.02.26.国立能楽堂で初舞台を踏み、株式会社和泉宗家の子方として活動を行っている。 - Wikipedia日英京都関連文書対訳コーパス

After the Noh style of Kabuki Buyo dance, that excluded romance and respected historical facts, was produced by the movement of improving the theater, Jusuke used his experience in collaborating on the Noh style of "Kanjincho," produced the masterpieces of Matsubamemono (Pine-backdrop Dance) one after another such as "Funa Benkei" with a playwright, Mokuami KAWATAKE, and a nagauta (long epic song with shamisen accompaniment) player, Shojiro OKEYA the second. 例文帳に追加

演劇改良運動によって、歌舞伎の荒唐無稽を廃し史実を尊重した、能形式の歌舞伎舞踊が生み出されると、壽輔はかつて同じく能形式の『勧進帳』制作に携わった経験を活かし、脚本家の河竹黙阿弥、長唄の杵屋正次郎(2代目)と組んで『船弁慶』などの松羽目物作品を次々と世に送り出す。 - Wikipedia日英京都関連文書対訳コーパス

For the Shinsaku-Noh in modern days, experimental stage-management that cannot be considered for the traditional songs is often tried and, for example, music by a pipe organ is used as the background music in addition to the hayashi-kata (a traditional music player group) in a work 'Garasha' and two melodies are simultaneously sung in a portion of jiutai (background chorus) in a work 'ABE no Seimei.' 例文帳に追加

現代の新作能では伝統的な曲目においては考えられないような実験的な演出が試みられることも多く、例えば「伽羅沙」では囃子方の他にパイプオルガンを背景音楽として使用しているし、「安倍晴明」では地謡の一部で同時に二つの旋律が謡われている。 - Wikipedia日英京都関連文書対訳コーパス