浦潮の英語

ワキ、ワキヅレがアイとの問答の後、上ゲ謌で謡う『高砂や、この浦舟に帆を上げて、この浦舟に帆を上げて、月もろともに出で潮の、波の淡路の島影や、遠く鳴尾の沖過ぎて、はや住吉（すみのえ）に着きにけり、はや住吉に着きにけり』は結婚披露宴の定番の一つである。例文帳に追加

The following ageuta (segment of sung, metered poetry beginning in the upper register) that is sung by the priest and his companion after the dialogue with the ai (role of the Noh kyogen actor) is one of the standards performed at wedding receptions: "Takasagoya (Hallelujah!), hoist the sail on this boat, hoist the sail on this boat, on the rising tide coming with the moon, through surfs on the lee of islands of Awaji, passing by the distant coast of Naruo, already I reach Suminoe, already I reach Suminoe."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

江戸時代を通じて朝鮮通信使一行のための迎賓館として使用された備後国鞆の浦（現在の広島県福山市鞆町）の福禅寺境内の現在の本堂と隣接する客殿（対潮楼）は江戸時代の1690年（元禄3年）に建立され、日本の漢学者や書家らとの交流の場となった。例文帳に追加

The guest hall (called Taichoro) adjacent to the present main hall in the premises of Fukuzen-ji Temple in the Tomonouwa of the Bingo Province was built in 1690 in the Edo period and was used as a state guest hall for Chosen Tsushinshi throughout the Edo period, also becoming a place where Japanese scholars of the Chinese classics and Japanese calligraphers interacted with Tsushinshi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、朝鮮通信使の寄航地にも度々指定され、1711年（正徳元年）の第8回通信使では従事官の李邦彦が宿泊した福禅寺から見た鞆の浦の景色を「日東第一形勝」（朝鮮より東の世界で一番風光明媚な場所の意）と賞賛した（この文を額にしたものが福禅寺対潮楼内に掲げられている）。例文帳に追加

Meanwhile, Tomonoura was repeatedly designated as a port of call for Joseon (Korean) diplomatic missions to Japan, and there remains an episode in which a Korean officer (従事官) named Yi Bang-won (李邦彦), a member of the eighth mission of 1711, praised the landscape of Tomonoura viewed from the Fukuzen-ji Temple where they stayed overnight as 'the most beautiful, picturesque scenery in the world east of Joseon' (the words were written down on the board and hung in on the wall inside the Taichoro Reception Hall of the Fukuzen-ji Temple).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

やすみしし　わが大君の　あり通ふ　難波の宮は　「いさなとり」　海片附きて　玉拾ふ　浜辺を近み　朝羽振る　波の音（と）さわき　夕なぎに　櫂の声（おと）聞ゆ　あかときの　寝覚めに聞けば　海若（わたつみ）の　潮干（しおひ）のむた　浦渚（す）には　千鳥妻呼び　芦辺には　鶴（たづ）が音（ね）響（とよ）む　視る人の　語りにすれば　聞く人の　見まくり欲（ほ）りする　御食（みけ）向かふ　味原の宮は　見れども飽かぬかも例文帳に追加

Yasumi shishi Waga Okimi no arigayo Naniwa no miya wa 'inasa-tori' Umi katazukite Tamairiu Hamae wo chikami asa wa furu namino otosawaku Yunagi ni Kaji no Oto kikoyu Akatoki no Nezame ni kikeba Watatsumi no Shioi no muta Urasu ni wa Chidori zuma yobi Ashibe ni wa Tazugane toyomu Miru hito no Katari ni sureba Kikuhito no Mimakurihorisuru mike mukau Ajiharanomiya ha Miredomo Akanu kamo (Naniwanomiya Palace where Our Okimi often goes is placed at the sea and near the beach to pick the balls; It could be heard the sound of waves in the morning as if birds shake their wings, the sound of oars in the evening; Keeping ears open at the dawn, birds sings to call my wife in a hidden reef appearing at low tide, canes cries in the reedy shore; when people hear about the palace from those who have seen it, they want to see it; it has seen enough of Ajiunomiya [also known as Naniwanomiya Palace])発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

日活がロマンポルノ路線に転換する以前、昭和44年の『夜の牝年上の女』（主演野川由美子）を最後にTV界に籍を移すが、昭和49年の『伊豆の踊子_(1974年の映画)』（主演山口百恵）のリメイクで映画界に復帰、山口百恵・三浦友和の共演で『潮騒_(1975年の映画)』（1975）、『絶唱_(1975年の映画)』（1975）、『エデンの海_(1976年の映画)』（1976）のリメイク作品や『どんぐりっ子』（主演森昌子）、『春琴抄_(1976年の映画)』（主演山口百恵）を監督した。例文帳に追加

Before Nikkatu changed their style of movie to romantic porno, he changed his career into TV activities after he directed "Yoru no mesu Toshiue no onna" (a night mare Older woman) (main actress was Yumiko NOGAWA) in 1969 as his last movie, however he returned to direct movies again when "Dancing Girls of Izu" (movie made in 1974) (main actress was Momoe YAMAGUCHI), then he directed movies such as "Shiosai" (movie made in 1975) (1975), acted together with Momoe YAMAGUCHI and Tomokazu MIURA, "Zessho" (movie made in 1975) (1975), the remake of "Eden no umi" (movie made in 1976) (1976) or "Dongurikko" (main actress was Masako MORI), and "Shunkin Sho" (movie made in 1976) (main actress was Masako MORI).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

TV界に進出した70年代前半を経て東宝映画にて映画界に戻り、ホリプロ（元会長堀威夫氏）に吉永小百合作品を監督した経験から、山口百恵・三浦友和のゴールデンコンビで『伊豆の踊子』をリメイクする事になり、その後、『潮騒』『絶唱』『エデンの海』とリメイク作品の監督をし、その新鮮さと斬新な監督技法は日本映画界の中でも歴史に残る作品であり、代表作にリメイク作品が多いというのも特色である。例文帳に追加

After that, he played an active role in TV in the early 70's and again started producing movies, since he had experience directing Sayuri YOSHINAGA's movie at Horipro, Inc. (former chairman was Takao HORI), he had an opportunity to remake "Dancing Girls of Izu" having a famous actress and actor, Momoe YAMAGUCHI and Tomokazu MIURA, they were called the golden combination, and also directed remakes of "Shiosai," "Zessho," "Eden no umi," and he is well known for remaking movies and has a fresh and original technique for directing so his movies remain in the history of Japanese movies.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

法然房源空(1)→勢観房源智(前2)→法蓮房信空(後2)→正信房湛空(3)→求道房恵尋(4)→素月房恵顗(5)→寿観房任空(6)→示観房範空(7)→我観房運空(8)→僧然定玄(9)→佛立恵照国師（僧任等凞）(10)→良秀僧尋(11)→聖深阿縁(12)→僧海等珍(13)→僧秀良玉(14)→威照良真(15)→称譽秀馨(16)→極譽理聖(17)→栄譽永真(18)→西譽雲栖(19)→弘譽伝心(20)→性譽法山(21)→道残源立(22)→看譽源良(23)→縁譽休岸(24)→長譽源然(25)→琴譽盛林(26)→了的(27)→潮呑(28)→忍譽源授(29)→眼譽呑屋(30)→誓譽厳真(31)→檀譽順応(32)→広譽順長(33)→叶譽酋村(34)→通譽◎林(35)→薫譽寂仙(36)→重譽写悦(37)→到譽順教(38)→香譽春沢(39)→鑑譽万竜(40)→法譽智俊(41)→晃譽念潮(42)→到譽潮音(43)→謙譽霊忠(44)→神譽感霊(45)→覚譽霊長(46)→逾譽俊海(47)→禀譽(48)→浄譽原澄(49)→明譽顕海(50)→祐譽天従(51)→宣譽巨道(52)→貫譽学善(53)→住譽密善(54)→在譽祐倫(55)→黒谷定円〘寥譽〙(56)→獅子吼観定〘梁譽〙(57)→佐藤説門〘開譽〙(58)→獅子吼観定〘梁譽〙(59)→秋浦定玄〘静譽〙(60)→吉水賢融〘仏譽〙(61)→大鹿愍成〘深譽〙(62)→郁芳随円〘相譽〙(63)→望月信亨〘昱譽〙(64)→芳井教岸〘道譽〙(65)→川端信之〘源譽〙(66)→渡辺教善〘闡譽〙(67)→千葉良導〘妙譽〙(68)→福井周道〘鑑譽〙(69)→澤崎梁寿〘定譽〙(70)→藤原弘道〘法譽〙(71)→稲岡覚順〘等譽〙(72)→坪井俊映〘仁譽〙(73)→高橋弘次〘満譽〙(74)例文帳に追加

Honenbo Genku (1)->Seikanbo Genchi (first period of 2)->Horenbo Shinku (latter period of 2)->Shoshinbo Tanku (3)->Gudobo Keito (4)->Sogetsubo Eke (5)->Suganbo Jinku (6)->Jikanbo Hanku (7)->Gaganbo Unku (8)->Sozen Jogen (9)->Butsuryu Eisho Kokushi (Sonin Nadohiro) (10)->Yoshihide Sojin (11)->Seimi Aen (12)->Sokai Rachin(13)->Soshu Ryogyoku (14)->Iteri Ryoshin (15)->Shoyo Shukei (16)->Gokuyo Risei (17)->Eiyo Eishin (18)->Saiyo Unsei (19)->Koyo Denshin (20)->Seiyo Hozan (21)->Dozan Genryu (22)->Kanyo Genryo (23)->Enyo Kyugan (24)->Choyo Genzen (25)->Kinyo Seirin (26)->Ryoteki (27)->Chodon (28)->Ninyo Genju (29)->Ganyo Donya (30)->Seiyo Ganshin (31)->Danyo Juno (32)->Koyo Juncho (33)->Kyoyo Shuson (34)->Tsuyo Chorin (35)->Kunyo Jakusen (36)->Juyo Shaetsu (37)->Toyo Junkyo (38)->Koyo Shuntaku (39)->Kanyo Manryu (40)->Hoyo Chishun (41)->Koyo Nencho (42)->Toyo Choon (43)->Kenyo Reishi (44)->Shinyo Kanrei (45)->Kakuyo Reicho (46)->Yuyo Shunkai (47)->Rinyo (48)->Joyo Gencho (49)->Meiyo Kenkai (50)->Yuyo Tenju (51)->Senyo Kyodo (52)->Kanyo Gakuzen (53)->Juyo Myozen (54)->Zaiyo Yurin (55)->Kurotani Joen [Ryoyo] (56)->Shishiku Kanjo [Ryoyo] (57)->Sato Zeimon [Kaiyo] (58)->Shishiku Kanjo [Ryoyo] (59)->Shuho Jogen [Seiyo] (60)->Kissui Kenyu [Butsuyo] (61)->Oka Binjo [Shinyo] (62)->Ikuho Zuien [Soyo] (63)->Mochizuki Shinko [Ikuyo] (64)->Hoi Kyogan [Doyo] (65)->Kawabata Nobuyuki [Genho] (66)->Watanabe Kyozen [Senyo] (67)->Chiba Ryodo [Myoyo] (68)->Fukui Shudo [Kanyo] (69)->Sawazaki Ryoju [Joyo] (70)->Fujiwara Hiromichi [Hoyo] (71)->Inaoka Kakujun [Toyo] (72)->Tsuboi Shunei [Jinyo] (73)->Takahashi Koji [Manyo] (74)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス