鹿雪の英語

映画やテレビドラマ、演劇では、雪の降りしきる夜、赤穂浪士は袖先に山形模様のそろいの羽織を着込み、内蔵助が「一打三流」の山鹿流陣太鼓を打ち鳴らす。例文帳に追加

In movies, TV series, and theatrical performances, Ako Roshi wears a matching haori (Japanese half-coat) with Yamaga design on underneath, and Kuranosuke bangs the Yamaga style jin-daiko (a battle drum used to order troop movements) in heavy snow.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

構造が簡易で雨、雪等の過酷な環境に対しても充分な耐久性を有し、安全で威圧感の無い、鹿の捕獲に好適な動物捕獲檻を提供することを目的とする。例文帳に追加

To provide an animal trapping cage suitable for capturing deer with simple structure and having a sufficient durability to a severe environment such as rain, snow, etc., safety and free from threatening feeling. - 特許庁

明治12年（1879年）に来鹿した頭山満の回想では、「西郷家には、当時七十歳ぐらいの川口雪篷という詩書をよくする老人が家令をつとめていた」（実際には、雪篷は当時62歳）とあり、頭山は、開口一番「南州翁に会いたい」と言ったが、雪篷は「西郷が城山で斃れたことも知らないのか」と呆れたように一喝した。例文帳に追加

According to the reminiscences by Mitsuru TOYAMA who visited Kagoshima in 1879, "in Saigo's house, there was a butler around the age of 70, called Seppo KAWAGUCHI who wrote calligraphy and poems well" (in fact Seppo was aged 62 at that time), and when Toyama asked first "I would like to see Mr. Nanshu," Seppo was appalled and yelled in anger "Don't you know Saigo died in Shiroyama?"発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、西南戦争中に成人男子が出征して西郷家は完全に女所帯となり、武村の屋敷が焼亡した後は鹿児島各地を転々としたが、雪篷は常に一家と苦患をともにし、その精神的支柱となった。例文帳に追加

During the Seinan War, all the adult males went to the front, and the women had to protect the Saigo family; and after the residence of Takemura had been burnt down, they drifted from one place to another in Kagoshima; during such days Seppo kept following them sharing the pains and sorrows, and gave them emotional support.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

雪蓬、悵然之に謂て曰く『十年役前の鹿児島は、有用の人材輩出せしも、今や、禿山と一般、人才一空、復言ふに忍びざるなり。樹を植ゆるは、百年の計なり。想ふに西郷の如き巨人は、百年又は千年にして一たび出づるもの。而して、斯人再び見る可からず』と。例文帳に追加

Seppo ruefully said "although Kagoshima had many talented people before the war, such people and talents all vanished like those trees disappeared and only bald hills remain here, I cannot stand even saying this; it takes a hundred years to raise a tree, and I think a titan like Saigo would appear only once in a hundred years or once in a thousand years, so, we can never see anyone like him."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『京鹿子娘道成寺』の白拍子花子、『本朝廿四孝・十種香』の濡衣・八重垣姫、『一條大蔵譚』の常盤御前、『鎌倉三代記・絹川村閑居』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫、『刺青奇遇』のお仲、『一本刀土俵入』のお蔦などが評価が高い。例文帳に追加

He is highly rated in the plays of Shirabyoshi dancer, Hanako in "Kyoganoko Musume Dojoji" (Maiden at Dojo-ji Temple), Nureginu and Princess Yaegaki in "Jusshuko, Honcho Nijushi Ko" (Incense Burning, from 24 Episodes of Great Children in the Country), Tokiwa Gozen in "Ichijo Okura Monogatari" (The Mad Aristocrat), Princess Toki in "Kamakura Sandaiki, Kinugawa-mura Kankyo" (Living in seclusion in Kinugawa Village, Three Generations of the Kamakura Shogunate), Princess Yuki of "Gion Sairei Shinkoki" (Kinkaku-ji Temple, The Gion Festival Chronicle of Faith), Onaka in "Irezumi Chohan" (Tattooed Hantaro) and Otsuta in "Ippongatana Dohyoiri" (Into the Sumo Ring with a Sword).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

主な会員は、東京朝日新聞の右田寅彦、栗島狭衣、二六新聞の岡鬼太郎、岡村柿紅、時事新報の伊坂梅雪、報知新聞の鹿島桜巷、演芸通信の小出緑水、東京毎日の杉贋阿弥、人民新聞の松本当四郎などであり、毎日新聞の岡本綺堂が作者として参加している。例文帳に追加

Its leading members were as follows: Nobuhiko MIGITA, Kigoromo KURISHIMA in the Tokyo Asahi Shimbun, Onitaro OKA, Shiko OKAMURA in the Niroku Shimbun, Baisetsu ISAKA in the Jiji Shimpo, Oko KASHIMA in the Hocchi Shimbun, Ryokusui KOIDE in the Jiji Tsushin, Ganami SUGI in the Tokyo Mainich, Toshiro MATSUMOTO in the Jinmin Shimbun and so on, and Kido OKAMOTO in the Mainichi Shimbun as a writer.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス