「 音曲」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

衣装や道具、音曲に比較的頼らず、身振りと語りのみで物語を進めてゆく独特の演芸であり、高度な技芸を要する伝統芸能でもある。例文帳に追加

It is a unique performance using gesture and narration rather than costume, props, or music, and requires a high degree of skill to perform.  - Wikipedia日英京都関連文書対訳コーパス

上方落語では噺の途中にはめものとして下座の音曲が利用されることがふつうであり、この点が東京とは異なる。例文帳に追加

In Kamigata rakugo (from the Kyoto and Osaka area), it is usual to include the music of a geza (background musician) in every genre of rakugo as the hamemono (musical accompaniment for stage effect) during the storytelling, but in Tokyo (Edo rakugo) it is not.  - Wikipedia日英京都関連文書対訳コーパス

ＳＴ１９で録音曲が無くなったと判別したときには、ＳＴ２８で更新されているワークメモリの付加情報を記録媒体に記録する。例文帳に追加

When it is determined that any recording music is absent in an ST19, the updated additional information of a work memory is recorded in the recording medium in an ST28. - 特許庁

ステップＳＫ５〜ＳＫ９では、ノートポインタｍｅで指定される曲データ［ｍｅ］と同じラインであって、かつ発音時刻および音長が共通する和音構成音（曲データ［ｎｅ］）の内、曲データ［ｍｅ］より音高の低い和音構成音（曲データ［ｎｅ］）を探し出す。例文帳に追加

In steps SK5 to SK9, chord composing sounds (music data [ne]) having lower pitches than music data [me] among chord composing sounds (music data [ne]) which are on the same line with music data [me] designated with a note pointer me and have the same sounding time and sound length are searched for. - 特許庁

大津絵の画題を唄い込んだ元唄・音曲・俗曲（大津絵節）、大津絵節を元に踊る日本舞踊の一種（大津絵踊り）にも、「大津絵」の名がついている。例文帳に追加

The name of 'Otsu-e' is also used to refer to the original song, ongyoku (a popular old-style Japanese song accompanied by shamisen music), a folk song (Otsu-e bushi) which shares the subject of Otsu-e, and also a kind of classical Japanese dance based on Otsu-e bushi (Otsu-e dancing).  - Wikipedia日英京都関連文書対訳コーパス

松囃子はその様相から、人家の門前で音曲を奏し金品を貰う「門付け」や、念仏踊りや獅子舞の起源である中世芸能の「風流」の一種とも言える。例文帳に追加

From this aspect, it can be said that Matsubayashi is a kind of 'Kadotsuke' whereby performers play music in front of the gate of a house and are given money, or a kind of 'taste' of medieval performing arts, which is the origin of nenbutsu odori (dance while others say nenbutsu - Buddhist prayer) and shishimai Lion dance.  - Wikipedia日英京都関連文書対訳コーパス

三味線をいち早く音曲に取入れたのは上方の盲人であったが（地歌）、文禄年間（1593－96年）にいたってこれが傀儡子（くぐつしもしくはかいらいし）の伴奏として用いられるようになる。例文帳に追加

Although the shamisen was initially used by the blind in the Kamigata region (Kyoto and Osaka), it became the accompaniment instrument of Kairaishi/Kugutsushi (entertainment groups of puppet players) in the Bunroku era (1593 - 1596).  - Wikipedia日英京都関連文書対訳コーパス

正倉院御物の「弾弓散楽図」などから推測される限りでは、軽業や手品、物真似、曲芸、歌舞音曲など様々な芸能が含まれていたものとされる。例文帳に追加

What we can guess from 'Dankyu Sangaku zu,' one of the Shoso-in gyobutsu (Shoso-in Treasures), is that various arts such as acrobatics, the conjuring of tricks, mimicry, stunts, dance and music, etc., were included in Sangaku.  - Wikipedia日英京都関連文書対訳コーパス

平安時代に成立した初期の猿楽に歌舞音曲が組み合わされ、現在で言うところの能楽の原型が出現したのが鎌倉時代であると考えられている。例文帳に追加

It is believed that the original model of the current Nogaku (Noh music) was created during the Kamakura period after Sarugaku, which was created in the Heian period and was in its early stage at the time, was combined with music and dance.  - Wikipedia日英京都関連文書対訳コーパス

作者については、世阿弥の著書『五音』に世阿弥作の扱いで書かれており、またこの曲に比定される｢ミソギ川｣の名が、同じく世阿弥の『五音曲条々』に見える。例文帳に追加

As for a writer of this Noh play, Zeami's name is written in his "Goon" (Five Sounds) as if he was a writer, and the name of 'Misogi-gawa River' identified as this music is seen also in his "Goongyokujojo" (Various Matters Concerning the Five Modes of Musical Expression).  - Wikipedia日英京都関連文書対訳コーパス

「落とし噺」や「人情噺」が素で上演されるのに対して、芝居のような書割や音曲を利用し、場合によっては演者が立って芝居のごとき見得をしたりする演目を「芝居噺」という。例文帳に追加

Otoshi-banashi and ninjo-banashi are both performed simply by talking, but in contrast shibai-banashi are staged like a shibai (theatrical performance or play), in which a kakiwari (stage setting) and music are used, and occasionally the performer may stands up and pose as part of the performance.  - Wikipedia日英京都関連文書対訳コーパス

前半は世阿弥『五音曲条々』、禅竹『五音之次第』『五音十体』『五音三曲集』の所説とほぼ同内容、後半は『毛端私珍抄』などと関連する禅鳳独自の説。例文帳に追加

The first half of the book presents his idea, which is almost the same as the theories described in Zeami's "Goongyokujojo" (Various Matters Concerning the Five Modes of Musical Expression) and Zenchiku's "Goon no shidai," "Goon Jittei" (Five sounds and ten styles), and "Go’on sankyoku shu" (An account on the five modes and the three styles) and the latter half of the book shows Zenpo's unique theories related to "Motanshichinsho," and so on.  - Wikipedia日英京都関連文書対訳コーパス

ＳＴ２７で録音曲が無くなったと判別したときには、ＳＴ２８で更新されたグループ管理情報を有すると共に更新されたワークメモリの付加情報をワークメモリから記録媒体に記録する。例文帳に追加

When it is determined that any recording music is absent in an ST27, the updated additional information of the work memory equipped with the updated group management information is recorded from the work memory to the recording medium in an ST28. - 特許庁

単独の芸能ではなく、舞楽や散楽、台詞のやりとりのある風流、郷土色の強い歌舞音曲や、猿楽、白拍子、小唄など、貴族的芸能と庶民的芸能が雑多に混じり合ったものの総称である。例文帳に追加

It is not an independent art but is the collective name of various aristocratic and folk arts, including bugaku (traditional Japanese court music accompanied by dancing), sangaku (form of theater popular in Japan during the 11th to 14th century), furyu with lines (form of theater popular in Japan during the 11th to 14th century), local music and dance, sarugaku (form of theater popular in Japan during the 11th to 14th century), shirabyoshi (Japanese traditional dance) and kouta (a ballad sung to samisen accompaniment) etc.  - Wikipedia日英京都関連文書対訳コーパス

観世一座が人気を博した原因は、大和猿楽が得意とした物真似芸に、田楽の優美な舞や、南北朝に流行した曲舞（くせまい）の音曲をとりいれた新演出が、当時の観客の心に強い感興をおよばしたことだといわれている。例文帳に追加

The reason the Kanze company won popularity was because the company added new attractions, such as elegant dengaku and Kusemai (fan dance to the sound of taiko drums) that was popular in the period of the Northern and Southern Courts to Yamato Sarugaku's specialty, the impersonations, which attracted the hearts of the audience.  - Wikipedia日英京都関連文書対訳コーパス

またそれ以外にも、多くの先人の説を伝書にまとめて後代に残したほか（『巻子本宗節筆音曲伝書』など）、細川家に伝来した『元亀慶長能聞書』に宗節の芸談が記されるなど、室町後期を代表する名人としてその名を残した。例文帳に追加

He gained a name for himself as one of the most distinguished artists of the late Muromachi period by compiling many of the theories of his forerunners in works such as "Kansubon Sosetsu Hitsu Onkyoku Densho" (Scrolled book of Noh melodies by Sosetsu) for posterity, appearing in Sosetsu's talk about the secrets of the arts in "Genki Keicho Noh Bunsho" (the Book of Noh during the Genki and Gencho periods), which was traditionally an heirloom of the Hosokawa family, and so on.  - Wikipedia日英京都関連文書対訳コーパス

その際、後白河院に「田舎住まいで音曲など忘れただろう」という問いに対して、「信濃にあんなる木曽路河」という今様を「信濃に有し木曽路河」と謡い替えた逸話は有名（『十訓抄』『平家物語』などに記載）。例文帳に追加

There is a famous anecdote related to this occasion as follows: to the Retired Emperor Goshirakawa, who said to him 'As you were living a country life, you have forgotten music, haven't you?' he replied reciting a verse of imayo (popular style of song in Heian period) that originally reads, 'The river along the Kisoji Road which is supposed to be in deep Shinano,' by changing it slightly as, 'The river along the Kisoji Road which surely exists in deep Shinano,' (recorded in "Jikkinsho" [Miscellany of Ten Maxims], "Heike Monogatari" [The Tale of the Heike], etc.).  - Wikipedia日英京都関連文書対訳コーパス

本発明は音曲の伴奏部分の音響出力とは別に、歌い手のみに手本となる歌声部分を出力して歌い手を支援する手段を備えたカラオケ装置に関して、従来と同等の簡便さで、かつ必要な時だけ歌い手が手本を聞ける手段を提供することを目的とする。例文帳に追加

To provide a karaoke machine, equipped with a means of outputting a singing part as a model to only a singer as well as sound output of an accompaniment part of music to assist the singer, wherein a means of enabling the singer to listen to the model as easily as before only when the model is necessary is provided. - 特許庁

一方で、永長元年（1096年）には貴族・官人から庶民までが風流な格好を纏って田楽を演じながら行進した永長大田楽や久寿元年（1154年）の今宮神社(京都市)御霊会において傘の上に風流な飾りの花を掲げて唄い囃した「風流のあそび」が行われ（『梁塵秘抄』巻14）、後世における音曲や歌で囃す「風流」の原型が記録されている。例文帳に追加

On the other hand, the original form of the "Furyu" which was remembered by future generations as "to keep rhythm with music and songs" is recorded in events such as the 1096 Eicho Daidengaku, in which people from the aristocrats and government bureaucrats down to the common people wore Furyu-style costumes and marched while playing Dengaku (a Japanese traditional performing art), and a festival of souls at Imamiya-jinja Shrine (in Kyoto City) in 1154, where a "Pleasure of Furyu" was held ("Rojinhisho" (poetry book) Vol. 14), in which people held umbrellas decorated with Furyu-style flowers and sang songs.  - Wikipedia日英京都関連文書対訳コーパス