「伎来」に関連した英語例文の一覧と使い方(2ページ目) - Weblio英語例文検索

演出は浄瑠璃や下座、鳴物などを多用する旧来の歌舞伎狂言の形態であるが、内容はシェークスピアの影響の濃いスケールの大きな悲劇である。例文帳に追加

It is performed in the traditional kabuki kyogen play with Joruri (a dramatic narrative chanted to a samisen accompaniment), Shimoza (background music player), and narimono (musical instruments) frequently used for stage effect, but the contents of the play is a large scale tragedy greatly influenced by Shakespeare.  - Wikipedia日英京都関連文書対訳コーパス

演出こそ、新内や竹本を用いるなど旧来の歌舞伎狂言そのものであるが、人物の性格や心理描写などに近代的な点が見られる。例文帳に追加

Although it is performed in the traditional Kabuki kyogen style, such as using shinnai and takemoto, one can also observe some modern tastes in it such as in the personalities of the characters and the depiction of their psychology.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎はその歴史的経緯から庶民的娯楽の側面が強く、常識の範疇でマナーを守れば本来、あまり緊張し肩肘はって観劇する必要はない。例文帳に追加

Kabuki has been developed as popular entertainment, therefore, the audience doesn't need to get tensed up as long as they have good manners using common sense.  - Wikipedia日英京都関連文書対訳コーパス

金綱井で敗兵を集めた吹負は、まず西に出撃して壱伎韓国の軍と葦池のほとりで戦い、来目を先頭にした騎兵の突撃で勝利を得た。例文帳に追加

At Kanazunanoi, Fukei gathered the retreated soldiers again and went west to fight with the army of IKI no Karakuni at Ashi-ike Lake; since a strong soldier Kume and his cavalry fought well, Fukei's army finally defeated the enemy.  - Wikipedia日英京都関連文書対訳コーパス

なきがらは、『古事記』によれば出雲国と伯伎（伯耆国）の境の比婆山（現在の島根県安来市伯太町）に、『日本書紀』の一書によれば紀伊国の熊野の有馬村（三重県熊野市有馬の花窟神社）に葬られたという。例文帳に追加

The "Kojiki" (Records of Ancient Matters) says that her body was buried in Hibanoyama Mountain (currently, Hakuta-cho, Yasugi City, Shimane Prefecture), located on the border between Izumo Province and Hahaki (Hoki Province), while an addendum to the "Nihonshoki" (Chronicles of Japan) says that her body was buried in Arima-mura, Kumano, Kii Province (Hananoiwaya-jinja Shrine in Arima, Kumano City, Mie Prefecture).  - Wikipedia日英京都関連文書対訳コーパス

現在では歌舞伎や時代劇の「勧進帳」で富樫泰家が、「忠臣蔵」’松の廊下’のシーンで浅野長矩が着用している姿を見ることが出来る。例文帳に追加

At present, we can see Yasuie TOGASHI wearing Daimon in 'Kanjincho' (Kabuki (traditional performing art)) and Naganori ASANO wearing one during the scene of 'matsu no roka' (literally, a corridor of pine trees) in 'Chushingura' (period drama).  - Wikipedia日英京都関連文書対訳コーパス

もともとは絵から出て来た娘が踊ると言う趣向の五変化舞踊のひとつだったが、六代目尾上菊五郎が藤の精が娘姿で踊るという内容に変えて舞台演出を一新して以来、そのスタイルが一般的になり、現在では人気の歌舞伎舞踊の一つである。例文帳に追加

Originally, it was a gohengebuyo (five-transformation variety of dance) in which a girl coming out of a picture dances, but since the time of Kikugoro ONOUE the sixth the stage effects were altered to that of a wisteria spirit dancing as a girl, and this style became common and is now a popular Kabuki Buyo (Kabuki Dance).  - Wikipedia日英京都関連文書対訳コーパス

（奈良国立博物館寄託）木造釈迦如来坐像（旧所在指図堂）木造弥勒仏坐像（旧所在法華堂）木造阿弥陀如来坐像（旧所在勧進所）木造十二神将立像（旧所在天皇殿）木造地蔵菩薩立像・快慶作（旧所在公慶堂）銅造舟形光背（二月堂本尊光背）銅造如意輪観音半跏像（菩薩半跏像）木造持国天立像木造多聞天立像木造伎楽面29面・乾漆伎楽面1面木造舞楽面9面木造獅子頭木造閻魔王坐像・木造泰山府君坐像例文帳に追加

(Deposited at the Nara National Museum) Wooden sitting statue of Shaka Nyorai (previously from Sashizu-do Hall), wooden sitting statue of Miroku Butsu (previously from Hokke-do Hall), wooden sitting statue of Amida Nyorai (previously from Kanjinsho Office), wooden standing statue of Jini Shinsho (previously from Tennoden [The Guatdian Kings Hall]), wooden standing statue of Jizo Bosatsu by Kaikei (previously from Kokei-do Hall), bronze boat-shaped halo (from the back of the principal image in Nigatsu-do Hall), bronze statue of Cintamari-cakra (manifestation of Avalokitesvara) in semi-lotus position (Bosatsu in semi-lotus position), wooden standing statue of Jikokuten (Dhrtarāstra), wooden standing statue of Tamonten (Deity who hears much), 29 wooden Gigaku-men masks, 1 dry-lacquer Gigaku-men mask, 9 wooden Bugaku-men masks, wooden lion head, wooden sitting statue of Enmao (the lord of death) and wooden sitting statue of Taizanfukun (Chinese deity of Mt. Taizan)  - Wikipedia日英京都関連文書対訳コーパス

生来の美貌に加え、初代延若、九代目市川團十郎(9代目)などの東西の役者の芸を学ぶなどの旺盛な研究心、そして華やかなサービス満点の演技などが鴈治郎をして関西歌舞伎の王者たらしめたのである。例文帳に追加

In addition to innate good looks, a strong desire to learn as seen in his effort to learn performances of various actors both in the east and west including Enjaku I and Danjuro ICHIKAWA IX (kudaime) and gorgeous performances full of efforts to please the audience, made Ganjiro the king of Kansai Kabuki.  - Wikipedia日英京都関連文書対訳コーパス

このような運動の中で創作された歌舞伎演目は、最初、河竹黙阿弥らの旧来の作者や福地桜痴ら文化人によって、歴史的事実をありのままに演じる活歴物や、西洋風の新しい風俗を描いた散切物などが作られたが成功しなかった。例文帳に追加

In such a campaign, some Kabuki programs were created anew, and their first ones were "Katsureki-mono" (a historical drama), which faithfully performed the historical facts, & "Zangiri-mono" (the plays the cropped hair people appeared), which portrayed new western-style customs, both made by experienced writers, including Mokuami KAWATAKE, or by intellectuals, including Ochi FUKUCHI, but they failed.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎作品の中でも、当時（大まかな時代として江戸時代）の出来事を扱う世話物であるこの作品は、『東海道四谷怪談』の後日譚、並木五瓶の『五大力恋緘（ごだいりきこいのふうじめ）』の書き換え、『仮名手本忠臣蔵』の外伝としての性格を持つ物語が展開される。例文帳に追加

Among the kabuki programs, this 'sewamono' deals with the then current affairs (of roughly the Edo period) and contains various characteristic stories including a sequel to "Tokaido Yotsuya Kaidan" (a sewamono dealing with a ghost story in Yotsuya), a rewrite of "Godairiki Koi no Fujime" (a sewamono based on a real-life serial murderer) originally written by Gohei NAMIKI and a side story of "Kanadehon Chushingura" (a famous story of loyal retainers).  - Wikipedia日英京都関連文書対訳コーパス

大向う（大向こう、おおむこう）とは、芝居小屋の三階正面席、またそこに坐る客を指す隠語・通言（現在の歌舞伎座では、構造上三階Ｂ席から幕見席あたりを指すものとして理解されている。）、つまり大向うとは、舞台上から見た客席の位置に由来する。例文帳に追加

O-muko (written as '大向う' or '大向こう'; literally, 'the welcome other side') comes originally from seats seen from the stage, and at present, it is used as a term referring to the front seats of the third floor of theatres and to the audience at those seats (in present Kabuki-za Theatre of Tokyo, it refers to the seats for b-class tickets and the seats on the highest balcony for a single act).  - Wikipedia日英京都関連文書対訳コーパス

日本の飛鳥時代の木彫仏、伎楽面などの木造彫刻はほとんど例外なく日本特産のクスノキ材であるのに対し、広隆寺像は日本では他に例のないアカマツ材製である点も、本像を朝鮮半島からの渡来像であるとする説の根拠となってきた。例文帳に追加

Japan's Asuka period wooden Buddhas and giraku masks were almost without exception made from the wood of Japan's indigenous camphor tree and the fact that the Koryu-ji Temple statue is the only example in Japan of a piece made from red pine became the basis of the theory that it came from the Korean Peninsula.  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.  - Wikipedia日英京都関連文書対訳コーパス

通常は、各種の武芸である日本武術、江戸期の公家家職に由来する有職故実・礼式、そのほか能楽、歌舞伎、人形浄瑠璃などの芸能、邦楽、茶道、華道、香道、書道、盆庭などをはじめとして、伝統工芸的な手工業、古典園芸など、ひろく技術を伝承する分野においてこうした観念が見られる。例文帳に追加

This concept can normally be seen in the various Nihon bujutsu (Japanese martial arts) and the Yusoku kojitsu (traditional protocol of the imperial court and samurai families) or reishiki (etiquette) that are derived from the practices and manners observed by court nobles in the Edo period; it can also be seen in fields where skills are passed down from one generation to the next, ranging from performing arts such as Nohgaku, Kabuki, and Ningyo Joruri (traditional Japanese puppet theater), Hogaku (traditional Japanese music), Sado (tea ceremony), Kado (flower arrangement), Kodo (traditional incense-smelling ceremony), Shodo (calligraphy), Bontei (tray garden) to traditional handicrafts and classic gardening.  - Wikipedia日英京都関連文書対訳コーパス

市松人形の名前の由来としては、顔立ちが江戸時代中期の歌舞伎役者、佐野川市松に似ていたため市松人形と名付けられたと言う説、当時「市松」と言う子供が多かったので、子供の人形と言う意味合いで市松人形と呼ばれたと言う説、市松模様の衣装を着せて売られていたため、市松人形と名付けられたと言う説がある。例文帳に追加

There are three widely held explanations regarding the origin of the name of Ichimatsu ningyo; the name came from Ichimatsu SANOGAWA, a kabuki actor in the mid- Edo period, who resembles the doll in its face, the name carries the connotation of the doll for kids whose prevailing name at that time was 'Ichimatsu,' and it was named so because it was sold with a checkered pattern costume.  - Wikipedia日英京都関連文書対訳コーパス