「Tale--he」に関連した英語例文の一覧と使い方(6ページ目) - Weblio英語例文検索

In 1827, Hozen EIRAKU the 11th was invited to the opening ceremony of oniwa-yaki (which literally means "ware of honorable park", representing a lord's private kiln or ware made at a lord's private factory) held at the Nishihama Goten Palace, which was the second house of Harutomi TOKUGAWA, who was the 10th lord of the Kishu Domain, and he was presented with a gold seal of '河濱支流' (pronounced as kahinshiryu, which literally means "a riverside of the Yellow River and a tributary of the river", and this term was derived from the old Chinese tale that the ancient Chinese leader named Shun made durable ware at a riverside of the Yellow River) and a silver seal of '永樂' (Eiraku) in praise of his great works. 例文帳に追加

十一代永樂保全は1827年に、紀州藩十代藩主徳川治寶の別邸西浜御殿の御庭焼開窯に招かれ、作品を賞して「河濱支流（かひんしりゅう）」の金印「永樂」の銀印を拝領した。 - Wikipedia日英京都関連文書対訳コーパス

According to "Heiji Monogatari" (The tale of the Heiji), in the Heiji Disturbance, 'Tada kurodo dayu Yorinori (maybe a misunderstanding of Yorimori)' supported the Nobuyori FUJIWARA and Yoshitomo MINAMOTO side to attack Sanjo Palace together, so that he was appointed as governor of Settsu Province as a reward after the war, while it is unclear about the clan at that time as other historical materials do not mention Tada-Genji. 例文帳に追加

続く平治の乱では、「多田蔵人大夫頼範」（頼盛の誤伝か）なる人物が藤原信頼・源義朝方として三条殿襲撃に加わり、戦後恩賞として摂津守に任官されたことが『平治物語』にみえているが、その他の史料における所見はなく、多田源氏の動向は詳らかではない。 - Wikipedia日英京都関連文書対訳コーパス

Then, he changed his plan again into one for making a variorum which could be used for academic study as a first step of his work because there was no full-scale variorum of The Tale of Genji in those days and also because he thought that 'it is nonsense to simply compare old annotations which were made for the different texts, so I need to make it clear the differences among the annotated texts first in order to make a collection of old annotations.' 例文帳に追加

そして、「それぞれ異なった本文に対して注釈を加えているそれぞれの古注のそれだけをただ集め並べても比較することは出来ない。古注集成を作るためには先に注釈の対象となっている本文の異同を明らかにする必要がある。」として、当時まだ源氏物語の本格的な校本がなかったこともあり、再度計画を変更し、第1段階の作業として源氏物語の学術研究に耐えうる校本を作ることになった。 - Wikipedia日英京都関連文書対訳コーパス

He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin). 例文帳に追加

丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』（野崎村）のお光、『攝州合邦辻』（合邦庵室）の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス

After the death of Kikan IKEDA in December, 1956, various materials concerning Heian literature such as the manuscripts for The Tale of Genji, "Ise monogatari" (The Tales of Ise), "Tosa Nikki" (Tosa Diary), and so on which he purchased in the process of making this book were preserved and looked after in almost the same condition as he used in his lifetime by Kikan's second son, Kenji IKEDA and others at Kikan's private residence for a while (it is said that there was a two-story concrete library adjoined his residence, and the books were preserved in order). 例文帳に追加

本書を作る過程で池田亀鑑が購入した源氏物語の写本をはじめとする『伊勢物語』、『土佐日記』等の王朝文学に関する様々な資料は、1956年（昭和31年）12月の同人の没後もしばらくの間同人の私邸において亀鑑の次男である池田研二らによって生前に利用されていたほぼそのままの状態で保存管理されていた（同人の住居に付随してコンクリート二階建の書庫があり、そこで整然と保存されていたとされている）。 - Wikipedia日英京都関連文書対訳コーパス

In the "Heiji monogatari" (The tale of the Heiji), which recorded the above story, described that Muneko (Ike no Zenni) desperately beg for Yoritomo's life because he was the living image of her son Iemori, who had died young; but in fact, it was assumed that it was caused by the approaches of the Imperial Princess Muneko (a daughter of Taikenmonin, a maternal older half-sister of Goshirakawa) and the Atsuta-guji family (the family of Yoritomo's mother), which was the family of a trusted vassal of the Taikenmonin (Yasuo MOTOKI, "Hogen Heiji no ran o yominaosu"(Rereading the Hogen and Heiji Disturbances)). 例文帳に追加

上記内容を記している『平治物語』では、頼朝が早世した我が子家盛に生き写しだったことから宗子が助命に奔走したとするが、実際には頼朝が仕えていた統子内親王（待賢門院の娘、後白河の同母姉）や同じ待賢門院近臣家の熱田宮司家（頼朝の母方の親族）の働きかけによるものと推測される(元木泰雄『保元・平治の乱を読み直す』)。 - Wikipedia日英京都関連文書対訳コーパス

In 1956 he moved to Toei Kyoto Movie Studios, directing many masterpieces featuring Toei star Kinnosuke YOROZUYA, such as "Kaze to onna to tabigarasu" (The Wind, a Woman and a Traveling Crow), in which the main characters daringly appeared with no makeup on in an age when stars generally wore white Shironuri makeup; "Mabuta no haha" (Mother of My Dreams), a reworking of Shin HASEGAWA's novel; and the unique "Sanada fuunroku" (Tale of the Sanada Family), a highly regarded example of the 'New Wave of Toei Jidaigeki,' which encompassed musicals, science fiction and social criticism. 例文帳に追加

1956年、東映京都撮影所に移籍し、白塗りのスターが活躍するのが主流だった時代に、あえて主要キャストがノーメイクで出演する『風と女と旅鴉』、長谷川伸の名作を甦らせた『瞼の母』、そしてミュージカルやSF、リアルタイムの時代批判などさまざまな要素を詰め込んで「東映時代劇のヌーヴェルヴァーグ」と絶賛された異色作『真田風雲録』など、東映の看板スターだった萬屋錦之介と組んで数々の傑作を監督する。 - Wikipedia日英京都関連文書対訳コーパス

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy). 例文帳に追加

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。 - Wikipedia日英京都関連文書対訳コーパス