「buncho」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

It is inferred that the name of Buncho was connected with Bunrei. 例文帳に追加

文晁の名は文麗に因んだものと推察されている。 - Wikipedia日英京都関連文書対訳コーパス

(Also called Buncho BATTERFLY) Masterpieces from 1811 to 1840 例文帳に追加

蝶々文晁ともいう）文化(元号)中期-天保期（1811年-1840年）の作品。 - Wikipedia日英京都関連文書対訳コーパス

Buncho (June 1908, "Osaka asahi"/1910, included in "Shihen" published by Shunyodo) 例文帳に追加

文鳥(小説)（1908年6月、『大阪朝日』/1910年、春陽堂刊『四篇』収録） - Wikipedia日英京都関連文書対訳コーパス

Since Bunrei died when Buncho was 20 years old, he studied under Kangan KITAYAMA and pursued Hokuso painting. 例文帳に追加

20歳のとき文麗が歿したので北山寒巌につき北宗画を修めた。 - Wikipedia日英京都関連文書対訳コーパス

Daruma of Shirakawa Daruma Market is said to be derived from a picture painted by Buncho. 例文帳に追加

白河だるま市のだるまは文晁が描いた図案をモデルにしたとされている。 - Wikipedia日英京都関連文書対訳コーパス

Actually, Buncho described himself as disciple of Bunrei in the introduction document in 1821. 例文帳に追加

事実、文晁は文政4年（1821年）の伝来書に自ら文麗門下と称している。 - Wikipedia日英京都関連文書対訳コーパス

Ishiyama-dera Engi (a scroll painting of the history of Ishiyama-dera Temple) (the pictures of Volume six and Volume seven were supplemented by Buncho TANI) Volume seven in color on paper. 例文帳に追加

紙本著色石山寺縁起（巻第六・七絵谷文晁補写）7巻 - Wikipedia日英京都関連文書対訳コーパス

Following the example of Buncho, Kazan acquired the technique of nanga (a school of painting originating in China) and also learned about various schools of painting. 例文帳に追加

師の文晁に倣って南画のみならず様々な系統の画派を広く吸収した。 - Wikipedia日英京都関連文書対訳コーパス

Aizan who had been fond of paintings from his childhood started studying under Buncho TANI soon after coming to Edo at the age of 18, and was given the name Bunsai. 例文帳に追加

幼少より絵を好み、18歳で江戸に出るとすぐ、谷文晁に就き文齋と号した。 - Wikipedia日英京都関連文書対訳コーパス

Prominent painters of Bunjinga who lived during the Edo period include IKE no Taiga, Buson YOSA, Buncho TANI, and Kazan WATANABE. 例文帳に追加

江戸時代の文人画の代表者には、池大雅、与謝蕪村、谷文晁、渡辺崋山など。 - Wikipedia日英京都関連文書対訳コーパス

Buncho knew that Kazan had great potential; not only did he teach him the painting techniques but his works also served as the role models of literati painting for Kazan. 例文帳に追加

文晁は華山の才能を見抜き、画技のみならず文人画としての手本となった。 - Wikipedia日英京都関連文書対訳コーパス

Buncho, who was raised in such a literary family, had literary talent and liked waka (Japanese poetry), Chinese poetry, and comic waka. 例文帳に追加

このような文雅の家系に育った文晁は文才を持ち合わせ、和歌や漢詩、狂歌などもよくした。 - Wikipedia日英京都関連文書対訳コーパス

Sadanobu died in 1829, and Buncho, who was 67 years old then, appointed as Goeshi (a painter for Shogun) and shaved his head. 例文帳に追加

文政12年（1829年）この年定信が歿し、67歳になった文晁は御絵師の待遇を得て剃髪した。 - Wikipedia日英京都関連文書対訳コーパス

Buncho was a generous person, and when his disciple asked for his seal, he approved the use of his signature and seal even if it was not his painting. 例文帳に追加

文晁は鷹揚な性格であり、弟子などに求められると自分の作品でなくとも落款を認めた。 - Wikipedia日英京都関連文書対訳コーパス

His established style was first seen in "Ehonbutaiogi" (Books of Actor Portraits), which he published jointly with Buncho IPPITSUSAI in 1770. 例文帳に追加

そのはじめとなったのは、一筆斎文調との合作として明和7年（1770年）に発表した『絵本舞台扇』である。 - Wikipedia日英京都関連文書対訳コーパス

Bunrei and Rokkoku TANI, the father of Buncho TANI, had known each other, therefore Bunrei became the master in Buncho's boyhood and conveyed the Kano School. 例文帳に追加

文麗と谷文晁の父谷麓谷とは旧知の仲であったため少年期の文晁の師となり狩野派を伝えた。 - Wikipedia日英京都関連文書対訳コーパス

He was also close to Nanpo OTA, Buncho TANI, Hosai KAMEDA and Danjuro ICHIKAWA the seventh and regularly visited Mukojima-Hyakkaen Gardens and Yaozen restaurant. 例文帳に追加

また、太田南畝・谷文晁・亀田鵬斎・市川團十郎(7代目)とも親しく、向島百花園や八百善にも出入りしていた。 - Wikipedia日英京都関連文書対訳コーパス

From 1592, he led the navy during Hideyoshi's Buncho-Keicho Korean invasions and fought against the Korean navy led by Yi Sun-sin. 例文帳に追加

文禄元年（1592年）からの秀吉の朝鮮出兵である文禄・慶長の役では、水軍を統率して李舜臣指揮の朝鮮水軍と戦った。 - Wikipedia日英京都関連文書対訳コーパス

Buncho TANI (October 15, 1763 - January 6, 1841) was a Japanese painter who lived during the late Edo period. 例文帳に追加

谷文晁（たにぶんちょう、宝暦13年9月9日(旧暦)（1763年10月15日）-天保11年12月14日(旧暦)（1841年1月6日））は、江戸時代後期の日本の画家。 - Wikipedia日英京都関連文書対訳コーパス

Buncho was considered as one of Sampuku-tsui (triplicity) of Shitaya with Bosai KAMEDA and Hoitsu SAKAI and enjoyed his life, but he vigorously painted to the last breath. 例文帳に追加

亀田鵬斎、酒井抱一とは「下谷の三幅対」と評され、享楽に耽り遊びに興じたが最期まで矍鑠として筆をふるった。 - Wikipedia日英京都関連文書対訳コーパス

During this period, while he was engaged in the compilation of "Bungo Kokushi" (Bungo provincial history), he learned painting under a local painter, and even sought a distance instruction of Buncho TANI in Edo (present Tokyo), which can be compared to today's correspondence education. 例文帳に追加

この間『豊後国志』の編纂に携わり、また、地元の画家に画を学び、江戸の谷文晁に現在でいう通信教育まで受けている。 - Wikipedia日英京都関連文書対訳コーパス

Setting his goal at masterpieces of Song, Yuan (Mongolian) and Ming Dynasties of China, Unshitsu continued artistic training in the field of painting, and his artist friends were Toko SAWADA, Buncho TANI, Fuyo SUZUKI and many others. 例文帳に追加

また、画は目標を宋(王朝)、元(王朝)、明の名画に置き研鑽を続け、その画友に沢田東江、谷文晁、鈴木芙蓉その他多く知られている。 - Wikipedia日英京都関連文書対訳コーパス

Later he became a student of Buncho TANI, which led to a great leap in his abilities as a painter; he achieved success in his mid-twenties, which lifted his family's life from financial misery to modesty. 例文帳に追加

のちに谷文晁（たにぶんちょう）に入門し、絵の才能は大きく花開くこととなり、20代半ばには画家として著名となり、生活にも苦労せずにすむようになった。 - Wikipedia日英京都関連文書対訳コーパス

Anyone could use the real signature and seal of Buncho during his lecturer at his school called Shasanro, and a lot of disciples sold their paintings as Buncho's paintings to earn money. 例文帳に追加

また画塾写山楼では講義中、本物の文晁印を誰もが利用できる状況にあり、自作を文晁作品だと偽って売り、糊口をしのぐ弟子が相当数いた。 - Wikipedia日英京都関連文書対訳コーパス

They learned traditional comic stories from the following elders who were as good as retired: TACHIBANA no Ento I, Fukumatsu SHOFUKUTEI III, Unosuke KATSURA, Bundanji KATSURA IV, Nanten KATSURA, Buncho KATSURA, Monzaburo MIMASUYA. 例文帳に追加

初代橘ノ圓都、3代目笑福亭福松、桂右之助、桂文團治4代目、桂南天、桂文蝶、三升家紋三郎ら引退同然だった古老に噺の伝授を乞うた。 - Wikipedia日英京都関連文書対訳コーパス

His disciples included Genpaku SUGITA, Kenkado KIMURA, Yokusai IINUMA, Buncho TANI, Kinsai SAKURADA, Toyobumi MIZUTANI, Koki MITANI, Ekisai KARIYA, Rissen YOSHIDA, and Morinae YAMAMOTO (the adoptive great-grandfather of Gombei YAMAMOTO, Prime Minister in the Taisho period). 例文帳に追加

門弟に杉田玄白、木村兼葭堂、飯沼慾斎、谷文晁、桜田欽斎、水谷豊文、三谷公器、狩谷エキ斎、吉田立仙、山本盛備（大正年間の総理大臣山本権兵衛の養曽祖父） - Wikipedia日英京都関連文書対訳コーパス

The representative painters were Nankai GION (1676-1751), Hyakusen SAKAKI (1698-1753), Kien YANAGISAWA (1706-1758), IKE no Taiga, Buson YOSA, Gyokudo URAGAMI, Mokubei AOKI, Buncho TANI, Kazan WATANABE, Chikuden TANOMURA, Chinzan TSUBAKI and Tessai TOMIOKA. 例文帳に追加

代表的な画家は、祇園南海（1676年-1751年）、彭城百川（1698年-1753年）、柳沢淇園（1706年-1758年）、池大雅、与謝蕪村、浦上玉堂、青木木米、谷文晁、渡辺華山、田能村竹田、椿椿山、富岡鉄斎。 - Wikipedia日英京都関連文書対訳コーパス

In the early Edo period, men of refined taste such as Nobutada KONOE and Enshu KOBORI, painters such as Tanyu Kano, Mitsuoki TOSA, Oukyo MARUYAMA, Buncho TANI, Aigai TAKAKU, and Chinzan TSUBAKI preferably used itoin as their own Rakkan-in (seal to be put on a piece of calligraphy by a calligrapher when the piece is completed). 例文帳に追加

江戸時代初期には近衛信尹や小堀遠州などの風流人が、画家では狩野探幽、土佐光起や円山応挙、谷文晁、高久靄厓、椿椿山などが好んで自らの落款印としている。 - Wikipedia日英京都関連文書対訳コーパス

Shozan's paintings include 'Matsu ni Karadori Zu' (A Painting of Foreign-bred Bird on Pine) (an important cultural property in a private collection), 'Kakitsubata ni Hasami Zu' (A Painting of Rabbit-ear Iris and Scissors) (at Kobe City Museum), 'Take ni Buncho Zu' (A Painting of a Paddy Bird on a Bamboo) (at Akita Senshu Museum of Art), and 'Kozan Fukei Zu' (A View of a Mountain and a Lake). 例文帳に追加

曙山の作品として、「松に唐鳥図」（重要文化財、個人蔵）、「燕子花にハサミ図」（神戸市立博物館所蔵）、「竹に文鳥図」（秋田市立千秋美術館所蔵）、「湖山風景図」などの絵画がある。 - Wikipedia日英京都関連文書対訳コーパス

The major hetari included Kosan MIMASUYA (Ebisubashi Shochiku Theater), Unosuke KATSURA (Sennichi-gekijo Theater and old Umeda Kagetsu Theater), Buncho KATSURA (Sennichi-gekijo Theater), Danji KATSURA (Dotonbori Kado-za Theater), Tsubame TACHIBANAYA (Kobe Shochiku-za Theater) and Monzaburo MIMASUYA (New Kagetsu Theater). 例文帳に追加

主なへたりには三升家小さん（戎橋松竹）・桂右之助（千日劇場・旧うめだ花月）・桂文蝶（千日劇場）・桂團治（道頓堀角座）・橘家つばめ（神戸松竹座）・三升家紋三郎（新花月）等がいた。 - Wikipedia日英京都関連文書対訳コーパス

Furthermore, his painting style was influenced by Nagasaki school, a painting school influenced by Shen Nanpin who came to Japan in the middle of the Edo period, Hokusoga (the northern school of Chinese painting) and literati painting spread by Buncho TANI, decorative Rinpa style by Sotatsu TAWARAYA and Korin OGATA, Revived Yamato-e learned directly from his nephew, Tameyasu REIZEI. 例文帳に追加

この他にも江戸中期に来日した沈南蘋の流れを汲む長崎派や、谷文晁によって広まった北宗画や文人画、俵屋宗達・尾形光琳の装飾的な琳派、甥にあたる冷泉為恭から復古大和絵を直接学んだ。 - Wikipedia日英京都関連文書対訳コーパス

He also greatly contributed to the development of western studies by his wide-ranging exchanges with the central people of that time in politics, culture, diplomacy such as Toshiakira KAWAJI and Hidetatsu EGAWA (key Edo shogunate figures), Kazan WATANABE and Hoshu KATSURAGAWA (Dutch scholars), Shogo MITSUKURI (geographer), Kokan SHIBA and Buncho TANI (painters), Shuhan TAKASHIMA (ballistic specialist), Kodayu DAIKOKUYA (returnee from Russia), Sanai ADACHI, Kunpei EGAWA, Sakusaburo NAKAYAMA (Japanese-Dutch translator), Johan Willem de Sturler (curator of Dutch trading house). 例文帳に追加

また、川路聖謨、江川英龍などの幕府要人、渡辺崋山、桂川甫周などの蘭学者、箕作省吾などの地理学者、司馬江漢、谷文晁ら画家、砲術家　高島秋帆、海外渡航者の大黒屋光太夫、足立左内、潁川君平、中山作三郎ら和蘭通詞、オランダ商館長（カピタン）のスチュルレ（JohanWillemdeSturler）など、当時の政治、文化、外交の中枢にある人々と広く交流を持って洋学界にも大きく寄与した。 - Wikipedia日英京都関連文書対訳コーパス