「荒事」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

源内左衛門の怪力を描いて、典型的な荒事の芸である。例文帳に追加

Depicting Gennaizaemon's supernatural strength, it is a typical art of aragoto (heroic play).  - Wikipedia日英京都関連文書対訳コーパス

門を破壊する荒事を女形が演じるのが眼目である。例文帳に追加

The main object is that such aragoto as breaking the gate is performed by an actor of female roles.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎において,連ねという,主として荒事の主役が述べる長いせりふ例文帳に追加

in Kabuki, a rather lengthy speech given by the actor playing the ruffian, consisting of a self-introduction, historical background and abilities  - EDR日英対訳辞書

これにより「荒事の成田屋」という看板が確立したといわれる。例文帳に追加

It is said that by this performance, the feature attraction of 'Aragoto no Naritaya' (aragoto (kabuki play featuring exaggerated posture, makeup, and costume) at Naritaya) was established.  - Wikipedia日英京都関連文書対訳コーパス

押戻（おしもどし）は、歌舞伎における話型の一にして荒事芸の一。例文帳に追加

Oshimodoshi is one of the scenes as well as one of "aragoto" (dynamic performance or a role of kabuki, featuring exaggerated posture, makeup, and costume).  - Wikipedia日英京都関連文書対訳コーパス

鱶七こと金輪五郎は典型的な荒事役で、九代目團十郎の型が基本である。例文帳に追加

Fukashichi, who is in fact KANAWA no Goro, is typical in the role of Aragoto (rough and fierce style of Kabuki acting), based on the style of Danjuro the ninth.  - Wikipedia日英京都関連文書対訳コーパス

暫・鳴神などのような古様を残す直接的な荒事のほかに、助六・弁慶（勧進帳）のように写実性のなかに荒事の要素を溶けこませた作品もある。例文帳に追加

There are direct aragoto programs with an old style, such as Shibaraku and Narukami, while others include the essence of aragoto in a realistic story, such as Sukeroku and Benkei (Kanjincho).  - Wikipedia日英京都関連文書対訳コーパス

ただし、江戸を中心にして発達した「金平浄瑠璃」と呼ばれる一連の作品は、後に歌舞伎の荒事に大きな影響を与えることになった。例文帳に追加

However, works called 'Konpira Joruri,' which developed mainly in Edo, later had a significant influence on the aragoto (a style of play featuring exaggerated posture, makeup and costume) of Kabuki.  - Wikipedia日英京都関連文書対訳コーパス

荒事(あらごと)と呼ばれる勇猛な男性の役は隈取り(くまどり)と呼ばれる赤や黒の線を入れて勇猛な感じを強調する。例文帳に追加

An actor who plays the role of a brave man called an aragoto (a Kabuki play featuring exaggerated postures, makeup, and costumes) draws red or black lines called kumadori on their face to give the impression that he is brave.  - Wikipedia日英京都関連文書対訳コーパス

忠信の勇壮な荒事の演技と早見藤太の道化敵のおかしさに、雑兵による立ち回りなど様式美の濃い一幕である。例文帳に追加

This is a scene full of the beauty of style, such as the performance of aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) by brave Tadanobu, humor of the dokegataki (an enemy who provokes laughter) HAYAMI no Tota, and Tachimawari (a fight) by zohyo (common soldiers).  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎研究家の渥美清太郎は、いくつかの演目は荒事に関するものではないかと推測している。例文帳に追加

Seitaro ATSUMI, a kabuki critic, conjectures that some of the programs are related to aragoto (Kabuki play featuring exaggerated posture, makeup, and costume).  - Wikipedia日英京都関連文書対訳コーパス

九代目は、荒事から和事、立役から女形と、幅広い役柄をこなし、その所作も口跡も優れたものだった。例文帳に追加

The Ninth played a variety of roles such as from aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) to wagoto (the production style of a love scene) from tachiyaku (a leading male-role actor) to oyama or onnagata (actor of female roles) with excellent acting and speech.  - Wikipedia日英京都関連文書対訳コーパス

和事芸の創始者で、同時期に荒事芸を創始した市川團十郎(初代)と比較される。例文帳に追加

He was the founder of wagoto (a play of love affairs by a womanizer) and is often compared with Danjuro ICHIKAWA (the founder of aragoto featuring exaggerated posture, makeup and costume).  - Wikipedia日英京都関連文書対訳コーパス

江戸歌舞伎とともに歌舞伎の両輪をなし、江戸歌舞伎が荒事と言う勇壮な芸を作り出したのに対し、和事とよばれる柔らか味のある芸を形成している。例文帳に追加

Together with Edo Kabuki, Kansai Kabuki is one of the two main schools of Kabuki, and in contrast to Edo Kabuki, which created valiant performances called aragoto (Kabuki play featuring exaggerated posture, makeup and costume), formed gentle and tender performances called wagoto (the production style of a love scene).  - Wikipedia日英京都関連文書対訳コーパス

荒事や繻子奴、等、勇猛な男性の役では伊達下がりと呼ばれる廻し化粧廻しに似た豪華で重厚な下がりになる。例文帳に追加

A player of the role of a dauntless man such as aragoto (a Kabuki player featuring exaggerated gruffness of samurai etc.) and shusu-yakko (a man who is good at fighting and a favorite with women but basically faithful and serious) wears a gorgeous and massive sagari loincloth called "Date-sagari" which looks like kesho-mawashi (a sumo wrestler's ceremonial apron).  - Wikipedia日英京都関連文書対訳コーパス

また、「妹背山・金殿」の鎌七を演じたとき、周囲は荒事の鎌七を和事の鴈治郎が演じられるのか、あるいはミスキャストではないかと案じた。例文帳に追加

When he performed Kamashichi in 'Imoseyama; Kinden,' people around him were worried if Ganjiro, who was good at wagoto, could perform Kamashichi, which was aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) in its nature or it might be a miscasting.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎に本来流儀はないが、「歌舞伎市川流」とした場合には、特に市川宗家が代々継承してきた荒事や歌舞伎十八番を指すこともある。例文帳に追加

Kabuki is intrinsically free from any styles, but "Kabuki Ichikawa-ryu school" sometimes refers especially to aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) and Kabuki Juhachiban (eighteen best plays) passed down from generation to generation by the head of the Ichikawa family.  - Wikipedia日英京都関連文書対訳コーパス

切りは敵役の師直、勇みたつ荒事の若狭介、二人を押しとどめる和事の判官と、『壽曾我對面』の幕切れと同じ形式になっている。例文帳に追加

The end of the scene takes the same form as that of "Kotobuki Soga no taimen," in which Moronao, who is the enemy, and Wakasanosuke, who is the excited aragoto (kabuki character featuring exaggerated posture, makeup, and costume), are being held back by Hangan, who is the wagoto (the peacemaker character in kabuki).  - Wikipedia日英京都関連文書対訳コーパス

また、尾上菊五郎(6代目)は、荒事風に足を割って足をにじらせる演技を見て｢あのギバの足の運びは真似できねえ。」と嘆息した。例文帳に追加

Kikugoro ONOE the sixth who looked at Ganjiro's performance of spreading his legs in the style of aragoto (Kabuki play featuring exaggerated posture, makeup, and costume), and twisting his legs, sighed and said, 'I can't copy his legwork by the name of giba (actions of jumping up, falling on one's hips, and spreading and stretching out one's legs when being thrown or kicked).'  - Wikipedia日英京都関連文書対訳コーパス

江戸の荒事の中で隈取が発展する際に参考とされたのが、仁王像などに代表される仏像の誇張された筋肉表現と能面の洗練された表情の表現であった。例文帳に追加

Aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) of Edo referred to Buddhist statue such as Nio Zo (statue of Deva Kings) that expressed muscles and refined facial expression of the noh mask.  - Wikipedia日英京都関連文書対訳コーパス

皇位をうかがう三河守範頼をとどめるため、平景清が張飛に扮して範頼の館へ忍びこみ、折から関羽に扮した畠山重忠が来合わせたのとともに荒事芸を見せる話。例文帳に追加

It is a story about TAIRA no Kagekiyo sneeking into the Mikawa no Kami (Governor of Mikawa Province), Noriyori's castle disguised as Cho Hi in order to murder him since he was going after the throne, and meets Shigetada HATAKEYAMA disguised as Kanu from Setsu, and shows aragoto.  - Wikipedia日英京都関連文書対訳コーパス

長らく上演が途絶えていたためにくわしい筋はよくわからないが、馬に乗り、大髭、唐装束、青竜刀を用いての一風変った荒事だったらしい。例文帳に追加

It has long been unperformed, so the detailed storyline is unknown, but it was said to have been a peculiar aragoto which shows the actors riding on horses, being full beard, and in Tang dynasty Chinese costume, with using "Seiryuto" (machete).  - Wikipedia日英京都関連文書対訳コーパス

明治の新作ではあるが、初期浄瑠璃や荒事に多大な影響を与えた金平浄瑠璃が唯一現行歌舞伎の演目として残っている場面である。例文帳に追加

Although it is a new work in the Meiji period, the scene is still presented only in 'Kinpira Joruri' (a type of sung narrative with shamisen accompaniment) which has tremendous impact on 'Shoki Joruri' (Joruri in the early time) and 'Aragoto' (rough style of kabuki acting).  - Wikipedia日英京都関連文書対訳コーパス

一番目の三建目（みたてめ。序幕）には荒事の暫があり、その返し（次幕）にはダンマリがあり、四建目には所作事がつき、大詰には金襖が用いられた御殿の場があり、謀反人の見出されがあった。例文帳に追加

In the overture (called 'mitateme') of the first part, 'Shibaraku' (a war story) in an exaggerated kabuki style was given and in the second act (called 'kaeshi') 'danmari' (a pantomimic play) was performed, followed by 'shosagoto' (kabuki dancing) in the fourth act ('yotateme') and 'ozume' (the final act) where a rebel was named in a scene of a castle with golden fusuma doors.  - Wikipedia日英京都関連文書対訳コーパス

女性中心からなる義太夫狂言様式の「御殿」から一変して、せり上がりやすっぽんなどの仕掛けを用い、荒事のヒーローと妖気漂う男性の悪役が対峙する名場面である。例文帳に追加

Changing dramatically from 'Mansion' in which main characters are females and Gidayu (a style of Joruri) is played, this is a great scene in which a rough and fierce hero confronts a mysterious male villain, using stage settings like Seri (trap-door lift at the stage) and Suppon (small Seri near the section where Hanamichi [passage through audience to stage] joins the stage).  - Wikipedia日英京都関連文書対訳コーパス

つまり市川団十郎における荒事、尾上菊五郎における世話物、坂東三津五郎における踊り、三遊亭圓朝における人情話、怪談などがこれである。例文帳に追加

That is to say, `traditions` can be considered to be: aragoto (kabuki plays featuring exaggerated poses, makeup, and costumes) showcased in the acting of Danjuro ICHIKAWA, sewamono (dramas dealing with the lives of ordinary people) acted by Kikugoro ONOE, dance elements of kabuki performed by Mitsuzaburo BANDO, ninjomono (human-interest stories), and ghost stories as told by Encho SANYUTEI.  - Wikipedia日英京都関連文書対訳コーパス

一方で東京に出てからは、十五代目羽左衛門系の颯爽とした芸系とともに、尾上松緑(2代目)に師事して尾上菊五郎(6代目)の写実的な世話物の系統、また松緑が得意とした荒事や舞踏にいたるまで広く学んだ。例文帳に追加

On the other hand, after he went to Tokyo, along with the smart artistic style of Uzaemon XV, he became Shoroku ONOE II's pupil and learned extensively of the art of Kikugoro ONOE's sewamono (the realistic genre of a play that deals with life and current events of the common people) as well as aragoto (kabuki play featuring exaggerated posture, makeup, and costume) and the dancing which was Shoroku's forte.  - Wikipedia日英京都関連文書対訳コーパス

座頭の工藤・和事の十郎・荒事の五郎・道化役の朝比奈・立女形の虎・若女形の少将・敵役の八幡・立役の近江・実事の鬼王と、歌舞伎の役どころがほとんど勢ぞろいし、視覚的にも音楽的にも様式美にあふれた一幕である。例文帳に追加

It is a stylistically beautiful play both from visual and musical points of view, as all the major characters of Kabuki appear on the stage such as Kudo as zato (leader of troupe), Juro as wagoto (the mediator), Goro as aragoto (the aggressive character), Asahina as the clown, Tora as tateoyama (the leading actor in a female role), Shosho as wakaoyama (the young actor in a female role), Hachiman as the enemy, and Omi as the leading male actor, and Kio as jitsugoto (the tragic character).  - Wikipedia日英京都関連文書対訳コーパス

写実的な演技や史実に則した時代考証などで歌舞伎の近代化を図る一方、伝統的な江戸歌舞伎の荒事を整理して今日にまで伝わる多くの形を決定、歌舞伎を下世話な町人の娯楽から日本文化を代表する高尚な芸術の域にまで高めることに尽力した。例文帳に追加

While trying to modernize Kabuki by realistic acting and re-creating historical backgrounds authentically, he rearranged aragoto (Kabuki play featuring exaggerated posture, makeup, and costume) of the traditional Edo Kabuki, determined many patterns handed down to the present and contributed greatly to the upgrading of Kabuki from as an entertainment of common people to a refined art representing Japanese culture.  - Wikipedia日英京都関連文書対訳コーパス

恰幅のいい体つきと、明るく豪放磊落な仁で、『勧進帳』の弁慶、『暫』鎌倉権五郎、『毛抜』の粂寺弾正のような荒事や、『義経千本桜』の権太、『髪結新三』、『盲長屋梅加賀鳶』、『魚屋宗五郎』といった世話物、『仮名手本忠臣蔵』の大星由良助、寺岡平右衛門、『熊谷陣屋』の熊谷直実、『義経千本桜』の知盛、狐忠信などの時代物にも定評があった。例文帳に追加

With his imposing stature and bright and open hearted benevolence, he won acclaim in roles in domestic dramas including Benkei in "Kanjincho," Gongoro KAMAKURA in "Shibaraku," aragoto style such as Kumedera Danjo in "Kenuki," Gonta in "Yoshitsune Senbon-zakura," "Kamiyuishinzo," "Mekuranagaya-umega-kagatobi," "Sakana Sogoro," and historical plays including Yuranosuke OBOSHI in "Kanadehon Chushingura," Heiemon TERAOKA and Naozane KUMAGAI in "Kumagai Jinya," Tomomori and Tadanobu KITSUNE in "Yoshitsune Senbon-zakura."  - Wikipedia日英京都関連文書対訳コーパス

代々の市川團十郎（團十郎が不在のときは宗家当主の海老蔵・新之助・三升のいずれか）が歌舞伎を代表する特別な役者であり、特にそのお家芸である荒事の創始者・継承者であることを尊重して、比喩的にこれを歌舞伎の宗家とみなすこと→「市川流」を参照。例文帳に追加

It is to consider figuratively the successive Danjuro ICHIKAWA (during Danjuro's absence, it would be one of the family heads of soke, Ebizo ICHIKAWA, Shinnosuke ICHIKAWA, or Sansho ICHIKAWA) as the soke of kabuki, on the respect of being a special actor who represents kabuki, and especially as the founder and successor of their "oiegei" (the specialty of a family or a school of the performing arts), "aragoto" (dynamic performance of kabuki, featuring exaggerated posture, makeup, and costume) (Refer to 'Ichikawa-ryu').  - Wikipedia日英京都関連文書対訳コーパス