...And a Time to Danceとは 意味・読み方・使い方

Kenjun, a Jodo priest, mastered gagaku (ancient Japanese court dance and music) and Kayo (songs and ballads) that had been handed down to the monks of his temple, and learned how to play the Kokin (Chinese zither with 3000 year history) from Teikatei, a Chinese musician who was in Japan at that time; drawing on what he had learnt, he began making Sokyoku music.発音を聞く 例文帳に追加

彼は浄土僧でもあり、寺院に伝承される雅楽や歌謡を修め、また当時来日していた明人の鄭家定に古琴（きん）を学び、これらから箏曲を作り出した。 - Wikipedia日英京都関連文書対訳コーパス

Originally, it was a gohengebuyo (five-transformation variety of dance) in which a girl coming out of a picture dances, but since the time of Kikugoro ONOUE the sixth the stage effects were altered to that of a wisteria spirit dancing as a girl, and this style became common and is now a popular Kabuki Buyo (Kabuki Dance).発音を聞く 例文帳に追加

もともとは絵から出て来た娘が踊ると言う趣向の五変化舞踊のひとつだったが、六代目尾上菊五郎が藤の精が娘姿で踊るという内容に変えて舞台演出を一新して以来、そのスタイルが一般的になり、現在では人気の歌舞伎舞踊の一つである。 - Wikipedia日英京都関連文書対訳コーパス

Dengaku, a dance in time with hayashi (musical accompaniment played on traditional Japanese instruments) such as fue (Japanese flute), drum, sasara (a Japanese traditional percussion instrument) also started drawing attentions of court nobles; it eventually was introduced to the Imperial Court after it entered Kyoto or Nara and became a public entertainment.発音を聞く 例文帳に追加

笛・鼓・ささらなどの囃しにあわせて踊る田楽も同様に貴族の関心をひくようになり、やがて京都や奈良にはいって芸能化されると、宮廷にも流れ込んでいった。 - Wikipedia日英京都関連文書対訳コーパス

According to one theory, the onset of an era of peace and stability was accompanied by growing interest in cultural pursuits among the general populace, leading to the rise of a new custom of having one's daughters learn how to dance, and that kimono sleeves were lengthened during this time in order to show off one's motions more gracefully.発音を聞く 例文帳に追加

一説には、世の中が安定期に入るにつれ文化に対する民衆の関心が高まり、娘に舞踊を習わせる習慣が生まれたが、その際に身振りを美しく見せるために袖を長大化させていったという。 - Wikipedia日英京都関連文書対訳コーパス

One of the reasons for holding this contest is to make the Kyoen Sodefure! well-known, and there is a rule that, in principle, groups which have participated in the competition have to join the So Odori (a dance festival) for the Grand Finale, which will be explained below (high school and younger students are not forced to join the So Odori due to the late time.)発音を聞く 例文帳に追加

この企画が創設された背景に、京炎そでふれ！の普及のためという目的があり、コンテストに参加した団体は後述するGrandFinaleの総おどりに原則参加という規定がある（高校生以下は時間帯の問題もあり、参加を強制していない）。 - Wikipedia日英京都関連文書対訳コーパス

In Matsubayashi, not only full-time performers, including Shomonji (lower-ranked diviner) and sanjo (manor's area where people of the sanjo provided special skills to the imperial authority instead of rice tax), but also citizens in every class, including villagers and merchants, put on costumes todress up and visited Hana no gosho (residence of Shogun in Kyoto) or the lords called Shugo in each region; they performed the Classical Japanese dance and musical accompaniment and a congratulatory address was given.発音を聞く 例文帳に追加

松囃子では、唱門師や散所などの芸能専業者のみならず村民や町人など各階層の人間が着飾り仮装し、京都においては花の御所へ、地方においては守護など各地の権力者の邸宅へ参向し、日本舞踊や囃子が披露され、祝辞が述べられる。 - Wikipedia日英京都関連文書対訳コーパス

They were dismissed from office because Yasumori had failed each time to carry out Goshirakawa's instructions in performing his duties in relation to the maihimesannyu (entrance of the dancers) and goran (watching the dance) ceremonies that were part of the gosetsu no sechie, and that Yorimori failed to be in attendance at Shigeko's first entry at Court as an Imperial Consort (daihajime) on May 12, without having submitted an application for leave, even though he had visited Itsukushima-jinja Shrine on a pilgrimage, and also because he had failed to perform allocated works related to the Daijoe, though he was obliged to do so in his capacity as Controller of Chinzei (Kyushu).発音を聞く 例文帳に追加

解官の理由は、保盛については五節の節会で舞姫参入・御覧の儀式の勤めを、後白河の指示に従わず毎度怠ったこと、頼盛については、3月26日の滋子の代始めの入内に奉仕しなかったこと、休暇願いを出さずに無断で厳島神社に参詣したこと、鎮西を知行していたにも関わらず大嘗会関係の課役を勤めなかったことだった。 - Wikipedia日英京都関連文書対訳コーパス

This Noh pieces contains many interesting essences, including the dynamic change from the ranbyoshi (dancer takes measured steps in triangular formation to match the beat of the kotsuzumi [shoulder drum] – the lengthy pauses have caused radio broadcasting incidents, due to the maximum time of silence allowed being exceeded) which is a contest of nerves with the kotsuzumi to the kyu no mai (high-tempo dance), the superb timing for the koken (stagehands) to drop the bell after the shite jumps into it, and the shite changing costume inside the bell unassisted to appear as the nochi-jite (lead role of latter half).発音を聞く 例文帳に追加

小鼓との神経戦である乱拍子（間をはかりながら小鼓に合わせ一歩ずつ三角に回る；大きな間をとるので、ラジオ放送では放送事故-無音時間過長-になったこともある）から一転急ノ舞になる迫力、シテが鐘の中に飛び込むや鐘後見が鐘を落とすタイミング、鐘の中で単身装束を替え後ジテの姿となる変わり身と興趣が尽きない能である。 - Wikipedia日英京都関連文書対訳コーパス