「一團」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

日本初の連載漫画は、『團團珍聞』に連載された田口米作の『江の島鎌倉長短旅行』（1896年）で、特定のキャラクターによる一貫したストーリーを描いた最初の漫画でもあった。例文帳に追加

Japan's first serial comic was "A Tall Man and a Short Man Make a Trip to Enoshima and Kamakura" (1896) by Beisaku TAGUCHI serialized in "Marumaru Chinbun" and it was the first comic that describes a coherent story with specific characters.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎の市川一門の宗家である市川團十郎をさす語、また團十郎が不在のときは宗家の当主である市川海老蔵・市川新之助・市川三升のいずれかをさす語→「成田屋」を参照。例文帳に追加

It refers to "Danjuro ICHIKAWA" (a stage name taken on by kabuki actors of the Ichikawa family) which is the "soke" (head of the family) of the Ichikawa family of kabuki, and during Danjuro's absence, it refers to one of the family heads of the soke, Ebizo ICHIKAWA, Shinnosuke ICHIKAWA, or Sansho ICHIKAWA (Refer to 'Naritaya').  - Wikipedia日英京都関連文書対訳コーパス

背水の陣を引き、己の職を賭して左團次に一対一の指導をし、初日が開いてもしばらくは演技指導を行うほどだった。例文帳に追加

Shinshichi burned his boats and at the hazard of his career, he taught Sadanji acting on a one-to-one basis even a few days after the premiere.  - Wikipedia日英京都関連文書対訳コーパス

三代目中村歌右衛門(3代目)や四代目市川小團次(4代目)が江戸の一部の観客に受け入れられなかったのもこの点にあった。例文帳に追加

This is the reason Utaemon NAKAMURA III (sandaime) and Kodanji ICHIKAWA IV (yondaime) were not well accepted by certain spectators in Edo.  - Wikipedia日英京都関連文書対訳コーパス

そのなかで、唯一、新しい笑いを提供し多くのファンを獲得したのが初代春團治であった。例文帳に追加

In such a situation Harudanji I was the only rakugo storyteller who acquired a number of fans by providing new comic stories.  - Wikipedia日英京都関連文書対訳コーパス

左團次の死後は昭和10年(1935)から市川猿翁の一座に、また昭和23年(1948)からは関西歌舞伎に身を投じた。例文帳に追加

After Sadanji's death, he joined Eno ICHIKAWA's company from 1935, then he joined Kansai Kabuki from 1948.  - Wikipedia日英京都関連文書対訳コーパス

備考：助六を市村羽左衛門と市川團十郎以外の役者が演じた舞台で河東節「所縁江戸櫻」が使われた唯一の例。例文帳に追加

Note: This was the only performance where Katobushi 'Yukari no Edozakura' was used on the stage of Sukeroku impersonated by an actor other than Uzaemon ICHIMURA and Danjuro ICHIKAWA.  - Wikipedia日英京都関連文書対訳コーパス

役名が現在のものに固定するのは明治28年に九代目團十郎によって『暫』が独立した一幕物として上演されて以後のことである。例文帳に追加

The names became fixed when Danjuro (the ninth) performed "Shibaraku" as an independent play in 1895.  - Wikipedia日英京都関連文書対訳コーパス

元禄10年(1697年)、江戸中村座において市川團十郎(2代目)が『兵根元曾我』（つわものこんげんそが）の一幕として演じたものが原型。例文帳に追加

The original was an act in the play "Tsuwamono kongen Soga" in which ICHIKAWA Danjuro II played at Nakamura theater in Edo in 1697.  - Wikipedia日英京都関連文書対訳コーパス

團菊爺（だんぎくじじい）・菊吉爺（きくきちじじい）は、歌舞伎の好劇家間で用いられる俗語・隠語の一種。例文帳に追加

Dangiku jiji and Kikukichi jiji are slang or jargon used among Kabuki fans.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎俳優である市川左團次(2代目)をはじめ、谷崎潤一郎など数々の著名人らとの交友を深めた。例文帳に追加

She developed close friendships with many famous people, including Kabuki actor Sadanji ICHIKAWA II and novelist Junichiro TANIZAKI.  - Wikipedia日英京都関連文書対訳コーパス

團十郎とのコンビで「鏡獅子」「素襖落」などを振り付け、他にも坪内逍遥の新歌舞伎「お夏狂乱」等も手がけ一時代を築いた。例文帳に追加

In partnership with Danjuro, he composed the choreographies of 'Kagamijishi (The Lion Dance)' and 'Suo otoshi (literally, dropping down suo)' and also undertook new kabuki titled 'Onatsu Kyoran' (Onatsu's Madness) and so on and left his mark on the history of kabuki.  - Wikipedia日英京都関連文書対訳コーパス

急激な演劇の近代化に限界を感じ、明治14年(1881)團菊左のために書かれた散切物の大作『島鵆月白浪』（島ちどり）を一世一代として発表後、「引退」して黙阿弥と名乗る。例文帳に追加

Feeling that he had reached the limit during drastic modernization of drama, he decided to retire in 1881 when he published a great masterpiece of Zangirimono (the cropped hair plays) which was called "Shimachidori Tsuki no Shiranami" (commonly called Shimachidori, meaning Plovers of the Island) as his once-in-a-life-time work for his retirement ('isse ichidai' in Japanese), thereafter officially 'retiring' and renaming himself Mokuami.  - Wikipedia日英京都関連文書対訳コーパス

一方、四代目市川小團次、四代目中村歌右衛門(4代目)、四代目中村芝翫(4代目)のように江戸に下って活躍する者も多く、役者のレベルは江戸にひけととらなかった。例文帳に追加

On the other hand, many actors such as Kodanji ICHIKAWA IV, Utaemon NAKAMURA IV (yondaime) and Shikan NAKAMURA IV (yondaime) went up to Edo and gave outstanding performances, and the level of actors was not inferior to that of Edo.  - Wikipedia日英京都関連文書対訳コーパス

役者も、上方和事の第一人者初代實川延若(初代)、ケレンを得意とした初代市川右團次(初代)、新しい歌舞伎を目指した初代中村宗十郎らの名優がいた。例文帳に追加

There were many great actors such as Enjaku JITSUKAWA (shodai), who was the top performer of Kamigata wagoto, Udanji ICHIKAWA I (shodai), who excelled at keren and Sojuro NAKAMURA I, who aimed at new Kabuki.  - Wikipedia日英京都関連文書対訳コーパス

この年1月東京歌舞伎座での華やかな十一代目市川團十郎襲名披露に出演し、つづく4月の南座公演で逆に不入りを経験した仁左衛門は、関西歌舞伎の暗澹たる現状に衝撃を受けていた。例文帳に追加

Nizaemon, who had taken part in a spectacular show announcing the succession to Danjuro ICHIKAWA XI in Tokyo Kabuki-za in January 1962, also experienced the small audience for the performance at Minami-za in April and was shocked at the depressing conditions of Kansai Kabuki.  - Wikipedia日英京都関連文書対訳コーパス

上方では4代目桂米團治作「代書」（「代書屋」とも）、3代目桂米朝作「一文笛」、3代目林家染語楼作「青空散髪」、三田純市作「まめだ」などがある。例文帳に追加

Those of Kamigata include 'Scrivenery' (or 'A Scrivener') by Yonedanji KATSURA IV, 'A Little Flute' by Beicho KATSURA III, 'Outdoor Haircut' by Somegoro HAYASHIYA III and 'Baby Racoon' by Junichi MITA.  - Wikipedia日英京都関連文書対訳コーパス

葉山純之輔、大内弘ら大半は新興キネマへ、澤村國太郎、光岡龍三郎、そして第二次入社組の水原洋一、田村邦男、團徳麿、志村喬、大倉千代子、大久保清子らは日活へ行くことになる。例文帳に追加

Most of them, including Junnosuke HAYAMA and Hiroshi OUCHI, were transferred to Shinko Kinema, and Kunitaro SAWAMURA, Ryuzaburo MITSUOKA, Yoichi MIZUHARA, Kunio TAMURA, Tokuma DAN, Takashi SHIMURA, Chiyoko OKURA and Kiyoko OKUBO were transferred to Nikkatsu.  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎宗家市川團十郎家のお家芸である歌舞伎十八番の一つで、その中でも特に上演回数が多く、また上演すれば必ず大入りになるという人気演目である。例文帳に追加

"Sukeroku" is not just one of the eighteen Kabuki repertoire items that are specialties of the Danjuro ICHIKAWA family, the head of Kabuki, but also the most frequently performed play among them because it is one of the most popular items because whenever it was performed, it always played to full houses.  - Wikipedia日英京都関連文書対訳コーパス

備考：小團次と提携して河竹黙阿弥が書いた一群の作品のひとつ『江戸櫻清水清玄』（えどざくらきよみずせいげん）の二番目・世話場面で、いわば「我流の助六」。例文帳に追加

Notes: This was a domestic play scene as the second scene of "Edozakura Kiyomizuseigen" of a series of play written by Mokuami KAWATAKE in cooperation with Kodanji, that is to say, 'Sukeroku of their own style.'  - Wikipedia日英京都関連文書対訳コーパス

一同凍りついたが、團十郎は無言で蓋をし「源蔵改めて受取ろう」と返して源蔵を引っ込ませたあと、「のう、玄番殿、主君の首を討つほどでござる。例文帳に追加

Everybody froze, but Danjuro closed the lid without a word, and made Genzo leave with 'we will receive it later Genzo,' and said, 'hey, lord Genbo, it is a grave matter of beheading of your master.'  - Wikipedia日英京都関連文書対訳コーパス

長らく上演が絶えていたが、1913年に市川左團次(2代目)（平木白星作）、1933年に市川三升(5代目)（山崎紫紅作）、1958年に前進座（平田兼三郎作）、1982年に尾上松緑(2代目)（利倉幸一作）が復活上演している。例文帳に追加

Though the play was long out of performance, it was revived in 1913 by Sadanji ICHIKAWA (II) (written by Hakusei HIRAKI), in 1933 by Sansho ICHIKAWA (V) (written by Shiko YAMAZAKI), in 1958 by Zenshin-za Troupe (written by Kanesaburo HIRATA) and in 1982 by Shoroku ONOE (II) (written by Koichi TOSHIKURA).  - Wikipedia日英京都関連文書対訳コーパス

「坪内君が『桐一葉』を書いた時は、團十郎が羅馬法王で、桜痴居士が大宰相で、黙阿弥劇が憲法となっている大専制国であった。例文帳に追加

When Mr. Tsubouchi wrote "Kiri Hitoha," Kabuki was just like an autocratic large country in which Kabuki Danjuro was the Pope, Ochi-koji was dai saiso (great prime minister), and Mokuamii geki (drama) was a Constitution.  - Wikipedia日英京都関連文書対訳コーパス

重厚で陰惨な『村井長庵』に比べるとよりすっきりとした筋立てで、明るく、粋と娯楽に富んでおり、小團次と菊五郎の芸風の違いを知り尽くした黙阿弥の手腕が光る一編となっている。例文帳に追加

Compared to the deep and grim "Choan Murai," it has much simpler plot, is cheerful, is filled with sophistication and entertainment, and is a piece that displayed skills of Mokuami who had full knowledge of a difference in the artistic style beween Kodanji and Kikugoro.  - Wikipedia日英京都関連文書対訳コーパス

1713年初演の歌舞伎十八番の一つ『助六』は、市川團十郎(2代目)が弾左衛門の支配から脱した喜びから制作したものと言われている。例文帳に追加

"Sukeroku," one of the eighteen best Kabuki plays of the Ichikawa family, played first in 1713 is said to have been produced by Danjuro ICHIKAWA (the second) to express his happiness of having been freed from Danzaemon's control.  - Wikipedia日英京都関連文書対訳コーパス

ちなみに、團十郎の活歴物は宗十郎と組ませるのが定石であったが、一部の識者以外には人気がなかったため二人の名をかけて「損十郎」と言われていた。例文帳に追加

In Danjuro's katsurekimono (historical play), Danjuro and Sojuro always worked together, but they were not popular except amongst some of the intellectuals so, their play was called 'Son (damage) juro' using their names.  - Wikipedia日英京都関連文書対訳コーパス

二代目市川左團次によく学び、『頼朝の死』の源頼家、『桐一葉』の木村重成『鳥辺山心中』の菊地半九郎『番町皿屋敷』の青山播磨、『将軍江戸を去る』の徳川慶喜、『少将滋幹の母』の時平などの新作物の第一人者であった。例文帳に追加

He learned well from Sadanji ICHIKAWA (II) and was the top player in new plays such as MINAMOTO no Yoriie in "Yoritomo no shi" (Yoritomo's death), Shigenari KIMURA in "Kiri hitoha" (a single paulownia leaf), Hankuro KIKUCHI in "Toribe yama shinju" (Love-suicides at Mt. Toribe), Harima AOYAMA in "Ban-cho sarayashiki," Yoshinobu TOKUGAWA in "Shogun Edo wo saru," and Tokihira in "Shosho Shigemoto no haha."  - Wikipedia日英京都関連文書対訳コーパス