「阪郎」に関連した英語例文の一覧と使い方(4ページ目) - Weblio英語例文検索

文中の『洗心洞剳記』とは、天保の大飢饉の際に万民の窮状を顧みない大阪奉行所の悪政に敢然と立ち上がった大塩平八郎（中斎）が記した講義録で、西郷に限らず幕末維新の志士の間で愛読されたという。例文帳に追加

The "Senshin Dosatsu-ki" mentioned above is a collection of lecture notes written by Heihachiro OSHIO (Chusai) who stood up against the maladministration of Osaka Magistrate Office not considering the people's distressed conditions during the Tenpo Famine; and the book was widely read not only by Saigo but also by other supporters of the Restoration at the end of the Edo period.  - Wikipedia日英京都関連文書対訳コーパス

1917年（大正6年）、今西林三郎が専務取締役の解任を申し出たことに際し、同年大阪瓦斯社長を解任されていたこと、関西の私鉄を一つにまとめ上げるという理想があったことなどがあり、この際は快く引き受け空席だった社長を務めることになった。例文帳に追加

In 1917, he gladly accepted to fill the vacancy as president in light of Rinsaburo IMANISHI's proposal to dismiss a senior managing director and realize his own desire of consolidating private railway companies in Kansai region.  - Wikipedia日英京都関連文書対訳コーパス

直輝がこの北浜銀行の危機に深く関わったのは、破綻が関西経済に容易ならざる悪影響を与えることもあったが、大阪電気軌道の経営破綻と、その先にある友人の大林芳五郎が社長を勤めた大林組の破綻があったからである。例文帳に追加

The reason for Naoteru's deep involvement in the crisis was not only out of his concern that such failure would affect the economy of the Kansai region but also a subsequent failure of Osaka Electric Tramway Co., Ltd. and Obayashi Gumi whose president was his friend Yoshigoro OBAYASHI.  - Wikipedia日英京都関連文書対訳コーパス

かつて多くの映画会社が時代劇映画の撮影所を置いていたことで知られ、牧野省三・マキノ雅弘親子らのマキノプロ、阪東妻三郎プロ、片岡千恵蔵プロなどのほか、中小の映画会社のおびただしい数の撮影所が密集した。例文帳に追加

It is famous for having housed studios for historical dramas by film companies; a large number of these studios stood close together such as those run by Makino Production by Shozo MAKINO and his son Masahiro MAKINO, Bando Tsumasaburo Production, Kataoka Chiezo Production and other small and medium sized film companies.  - Wikipedia日英京都関連文書対訳コーパス

第一次日韓協約により韓国政府に派遣された財政顧問・目賀田種太郎は、韓国政府の財政を立て直すとして、韓国の造幣局であった典圜局を廃止させ、大阪にある造幣局に銭貨の製造を委託させるなどの施策を行っていた。例文帳に追加

Tanetaro MEGATA, a financial advisor dispatched from Japan to the Korean government under the terms of the First Japan-Korea Agreement, initiated several measures to rebuild the finances of the Korean government, including the abolishing of the 典圜局, the Korean mint; Megata commissioned a mint in Osaka to manufacture coins instead.  - Wikipedia日英京都関連文書対訳コーパス

また1924年4月、新進作家直木三十五（当時「直木三十三」）が書いた小説『心中きらゝ坂』が、大阪プラトン社の雑誌『苦楽』に掲載されているのを読んだ牧野は、たまたま同月撮影所に招待したプラトン社の小山内薫と川口松太郎に同伴した直木に映画化を要望した。例文帳に追加

In April of 1924, Makino, after reading "Shinju Kirarazaka," a novel written by a then-budding writer, Sanjugo NAOKI (then called himself "Sanjusan NAOKI") and published in a magazine called "Kuraku" issued by a publishing house Platon Osaka, happened to meet Naoki accompanying Kaoru OSANAI and Matsutaro KAWAGUCHI of Platon whom he had invited to his film studio, and then asked permission of Naoki about making the novel into a movie.  - Wikipedia日英京都関連文書対訳コーパス

復元作業にあたっては、現存する資料を元に、宮内庁楽部楽師・芝祐靖氏（復曲）、NHKプロデューサー・堀田謹吾氏（企画）、元宮内庁楽部楽長であり小野雅楽会会長であった東儀和太郎氏（振り付け）、東京芸術大学教授・小泉文夫氏（監修）、並びに、大阪芸術大学教授・吉岡常雄氏（装束制作）らの尽力によって現実。例文帳に追加

The restoration process was completed by the efforts of Mr. Sukeyasu SHIBA, an ancient music performer of the musical performance department at the Imperial Household Agency (for re-composition of the musical part), Mr. Kingo HOTTA, a TV producer of NHK (Nippon Hoso Kyokai [Japan Broadcasting Corporation]) (for planning), Mr. Wataro TOGI, a bandmaster of the musical performance department at the Imperial Household Agency and the chairperson of the Ono Gagakukai (for choreography), Mr. Fumio KOIZUMI, a professor of Tokyo University of the Arts (for project supervision), and Mr. Tsuneo YOSHIOKA, a professor of Osaka University of Arts (for production of the consume) and so on, based on the existing documents.  - Wikipedia日英京都関連文書対訳コーパス

翌1922年（大正11年）「マキノ映画製作所」と名称を変え、1923年（大正12年）9月1日の関東大震災で製作中止に追い込まれた大活から内田吐夢ら、国際活映から環歌子や阪東妻三郎が参加し、20前後の若いスタッフたちの自由な発想で作ったリアルな剣戟が人気をよぶ。例文帳に追加

The next year, in 1922, the company changed its name to 'Makino Eiga Seisakusho (Makino Film Studio)' and, after the Great Kanto Earthquake of September 1, 1923 Tomu UCHIDA and others from Daikatsu and Utako TAMAKI and Tsumasaburo BANDO from Kokusai Katsuei which were forced to suspend their productions, joined and its realistic sword fights, produced by young and creative staff around twenty years old, became popular.  - Wikipedia日英京都関連文書対訳コーパス

その内訳は、多い順に並べると津田真道29本、西周25本、阪谷素20本、杉享二13本、森有礼と西村茂樹、中村正直が同列で11本、加藤弘之が10本、神田孝平が9本、箕作麟祥5本、柏原孝明4本、福澤諭吉3本、清水卯三郎2本、箕作秋坪と津田仙、柴田昌吉が並んで各1本である。例文帳に追加

Putting them in order from the biggest number, Mamichi TSUDA published 29, Amane NISHI 25, Shiroshi SAKATANI 20, Koji SUGI 13, Arinori MORI, Shigeki NISHIMURA and Masanao NAKAMURA 11, Hiroyuki KATO 10, Takahira KANDA 9, Rinsho MITSUKURI 5, Takaaki KASHIWABARA (柏原孝明) 4, Yukichi FUKUZAWA 3, Usaburo SHIMIZU 2, Shuhei MITSUKURI, Sen TSUDA and Shokichi SHIBATA 1.  - Wikipedia日英京都関連文書対訳コーパス

1928年（昭和3年）4月、牧野省三率いるマキノ・プロダクションの四国ブロック配給会社・三共社の山崎徳次郎は、阪東妻三郎プロダクションの経営者・立花良介とともに、以前から映画作家系インディーズの興行に熱心であった神戸市の菊水キネマ商会の大島菊松らを中心とした全国150館の独立系映画館主に呼びかけ、「日本活動常設館館主連盟映画配給本社」を設立、配給会社の中間マージンを排除し、独立プロダクションへの製作費のダイレクトな出資および興行の方針を打ち出した。例文帳に追加

In April of 1928 Tokujiro YAMAZAKI of Sankyo, the company led by Shozo MAKINO that had been distributing Makino films in the Shikoku area, conspired with the top execute of Bando Tsumasaburo Productions named Ryosuke TACHIBANA to get in contact with 150 independent theater owners throughout Japan, such as Kikumatsu OSHIMA of Kikusui Kinema in Kobe who was greatly interested in Indies films, to cooperate in establishing 'Nihon Katsudo Josetsukan Kanshu Renmei Eiga Haikyu Honsha' (Distribution Company Headquarters for Movie Theater Owners in Japan; also known as "Kanshu Renmei" [the Theater Owner's Association]) to eradicate the intervening contracting company and introduce policies that would provide direct production fees to independent film productions.  - Wikipedia日英京都関連文書対訳コーパス

一つは奥野定良（1,000石組頭）・進藤源四郎（400石足軽頭）・小山良師（300石足軽頭）・岡本重之（400石大阪留守居役）ら高禄取りを中心にしたお家再興優先派、もう一つは堀部武庸（200石江戸留守居役）・高田郡兵衛（石馬廻役）・奥田重盛（150石武具奉行）ら腕自慢の家臣を中心に、小禄の家臣たちに支持された吉良上野介への仇討ち優先派である。例文帳に追加

One area of contention regarded the fact that some members from certain branches of the family received a higher salary such as Sadayoshi OKUNO who received 1,000 koku as kumigashira (group leader), and Genshiro SHINDO who received 400 koku as ashigarugashira (head of the ashigaru) who retained warriors controlling the ashigaru, Yoshikazu KOYAMA who received 300 koku as ashigarugashira, and Shigeyuki OKAMOTO who received 400 koku as Osaka rusuiyaku (a regent) amongst others, as opposed to the Adauchi faction, which prioritized avenging Kozukenosuke KIRA, primarily powerful vassals such as Taketsune HORIBE who received 200 koku as Edo rusuiyaku, Gunbei TAKADA who received 200 koku as Umamawariyaku (body guard), and Shigemori OKUDA who received 150 koku as arms bugyo (magistrate) amongst others who were supported by a smaller stipend.  - Wikipedia日英京都関連文書対訳コーパス

つまり明治十四年の政変の結果、英米系および仏系の法学が官立学校から排除され、これらの拠点が私立の五大法律学校にシフトしたことから、政府は私学に対抗し官学（＝東大）をドイツ系法学・国家学の砦にしようとしたのである（阪谷芳郎の回想によれば、この点に関連して、当時「政府当局者が自由思想を抑圧し独逸系の国家学説を我邦に注入せんと試みんとするもの」という憶測が流れていた）。例文帳に追加

That is, as a result of the failed Meiji-14 coup of 1881, British, American and French studies of law were eliminated from national schools and their base was shifted to five top private law schools, so the government tried to make the government school (=Todai [the University of Tokyo]) a fort of German study of law and the science of the nation in rivalry with private schools (According to Yoshio SAKATANI's reminiscence, as for this point, speculation that government officials tried to repress Liberalism and infuse German doctrine of the science of the nation into our country was spread at that time).  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.  - Wikipedia日英京都関連文書対訳コーパス