「之次」に関連した英語例文の一覧と使い方(5ページ目) - Weblio英語例文検索

とはいえ、著作権侵害の要件を論じる際に、それが複製物か二次的著作物かを区別する実益はない」とする見解もあり（田村善之「著作権法概説第２版」４７頁）、実際に多くの裁判例においては、二次的著作物の創作性を検討することなく「複製権又は翻案権を侵害するか」という択一的枠組みで検討されており、ここで複製か翻案かを論じる実益はほとんどないと考えるため、ここでは、複製として検討する。例文帳に追加

However, some argue that "It is meaningless, in discussing the elements that constitute the infringement of copyrights, to make a distinction between a duplication and a secondary copyrighted work" ("Overview on Copyright Law 2nd Edition" by Yoshiyuki Tamura, p.47). In fact, many court precedents discuss comprehensively "whether the right of duplication or of adaptation is infringed" without analyzing whether a secondary copyrighted work is creative or not. There would be little necessity to discuss whether the infringement constitutes a duplication or to an adaptation. Therefore, here our analysis shall be made on the assumption that the infringement constitutes the duplication.  - 経済産業省

竹久夢二・高畠華宵・西條八十・野口雨情・北原白秋・中山晋平・山田耕筰・島村抱月・松井須磨子・小山内薫・倉田百三・久保田万太郎・室生犀星・萩原朔太郎・芥川龍之介・武者小路実篤・志賀直哉・有島武郎・菊池寛・直木三十五・谷崎潤一郎・中里介山・阿部次郎・吉野作造・長谷川如是閑・宮武外骨・大杉栄・伊藤野枝・平塚らいてう等…例文帳に追加

Yumeji TAKEHISA, Kasho TAKABATAKE, Yaso SAIJO, Ujo NOGUCHI, Hakushu KITAHARA, Shinpei NAKAYAMA, Kosaku YAMADA, Hougetsu SHIMAMURA, Sumako MATSUI, Kaoru OSANAI, Hyakuzo KURATA, Mantaro KUBOTA, Saisei MUROO, Sakutaro HAGIWARA, Ryunosuke AKUTAGAWA, Saneatsu MUSHANOKOJI, Naoya SHIGA, Takeo ARISHIMA, Kan KIKUCHI, Sanjugo NAOKI, Junichiro TANIZAKI, Kaizan NAKAZATO, Jiro ABE, Sakuzo YOSHINO, Nyozekan HASEGAWA, Gaikotsu MIYATAKE, Sakae OSUGI, Noe ITO, Raicho HIRATSUKA and others.  - Wikipedia日英京都関連文書対訳コーパス

小説やテレビドラマでは手のつけられない凶暴な悪漢のように描かれることが多いが、会津藩主松平容保へ嘆願に行く時に八木家から紋付を借りることになり、全員同じ家紋になってしまうと八木源之丞が心配すると（公式の場では、かなり滑稽）、芹沢はまったく意に介せず笑っていたり、八木家から借りた火鉢をこっそり返しに来て、火鉢に刀傷があったので問いただしたら（隊士たちは酔って八木家の家財を手当たり次第に試し切りの材料にしていた）、「俺だ、俺だ」と頭をかいて逃げてしまうなど気さくな一面もあった。例文帳に追加

Although he is often described as a hopelessly violent villain in novels and TV dramas he also had open-hearted aspects which can be seen in such cases as: when Shinsen-gumi members had to borrow Montsuki kimonos from YAGI family upon visiting Katamori MATSUDAIRA, the Head of Aizu Clan, for a petition Gennnojo YAGI worried that they would all be bearing the same family crest (an extremely ridiculous situation at a public occasion), but SERIZAWA laughed, not minding at all; or when SERIZAWA came secretly to return a hibachi he borrowed from YAGI family, YAGI questioned him about cuts made by swords on the hibachi (when the members got drunk, they tested out their swords on randomly selected furniture that belonged to the YAGI family), but SERIZAWA said "it's me, it's me" and scratched his head and escaped.  - Wikipedia日英京都関連文書対訳コーパス

第一作家同盟（DSD、メンバー34名で五団体が結集、太田聴雨、小林三季、佐藤日梵、松島肇、吉川青草、真野満（以上、青樹社）、村雲毅一、荒木留吉、田中一良、玉村善之助（以上、高原会）、高木長葉、山内神斧、池田耕一、森谷南人子、西村陀宙、鳥居道枝（以上、蒼空邦画会）、小林源太郎、水島爾保布（以上、行樹社）、船崎光次郎、松田操、榎本三朗（以上、赤人社））1922年6月末結成例文帳に追加

Daiichi-Sakka-Domei (First Writers Alliance, or DSD), which had five groups and 34 members, including Shou OTA, Sanki KOBAYASHI, Nichibon SATO, Hajime MATSUSHIMA, Aokusa YOSHIKAWA, and Mitsuru MANO [all from Seiju-sha], Kiichi MURAKUMO, Tomeyoshi ARAKI, Kazuyoshi TANAKA, and Zennosuke TAMAMURA [all from Kogen-kai], Choyo TAKAGI, Shinpu YAMAUCHI, Koichi IKEDA, Nanjinshi MORITANI, Dachu NISHIMURA, and Michie TORII [all from Soku-Hogakai], Gentaro KOBAYASHI and Nio MIZUSHIMA [all from Koju-sha], Kojiro FUNASAKI, Misao MATSUDA, and Saburo ENOMOTO [all from Akahito-sha]) was formed in late June of 1922.  - Wikipedia日英京都関連文書対訳コーパス

設立第1作は、行友李風の新国劇ヒットナンバー『月形半平太』を「双ヶ丘撮影所」で製作、監督には山口がマキノで主演した『仇討殉情録』の脚本を書いた印南弘をマキノから引き抜き、撮影技師には東亜キネマ京都撮影所の大塚周一を起用、共演には「市川小文治歌舞伎映画プロダクション」（歌舞伎映画プロ）を立ち上げた市川小文治、奈良の市川右太衛門プロダクションあやめ池撮影所（右太プロ）から来て小文治の「歌舞伎映画プロ」の第1作『野崎村』に出演した市川芳之助（のちの沢田清）、マキノから引き抜いた藤井民次、東亜キネマ京都撮影所から引き抜いた高田篤と都さくら、衣笠映画連盟からマキノに出演した千代田綾子、阪東妻三郎プロダクション太秦撮影所に映画に出演していた一色勝代を起用した。例文帳に追加

For the first film, Yamaguchi Pro shot "Hanpeita TSUKIGATA," the hit shinkoku-geki (realistic period-drama) written by Rifu YUKITOMO, at 'Narabigaoka Studio' by recruiting Makino's Hiroshi INNAMI, who had written the screenplay of "Adauchi Junjo Roku" starring YAMAGUCHI, and appointed him as a director; Shuichi OTSUKA of Toa Kinema Kyoto Studio was selected as a cameraman; costars included Kobunji ICHIKAWA, who had set up 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro); Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ichikawa Utakemon Productions' (Uta Pro) Ayameike Studio in Nara and acted in "Nozaki-mura village," the first movie produced by Kobunji's "Kabuki Eiga Pro"; Tamiji FUJII, who had been recruited away from Makino; Atsushi TAKADA and Sakura MIYAKO, who had been recruited away from Toa Kinema Kyoto Studio; Ayako CHIYODA, who acted for Makino while belonging to Kinugasa Eiga Renmei; and Katsuyo ISSHIKI, who had acted in films in Bando Tsumasaburo Productions' Uzumasa movie studio.  - Wikipedia日英京都関連文書対訳コーパス

親友で枢密院議長だった一木喜徳郎をはじめ、政官界などからは、文部大臣、貴族院、学士会、ドイツ総領事館（大阪・神戸）、水野錬太郎、竹越与三郎、石原莞爾らが、教育会からは、早稲田大学総長中野登美雄、同志社大学総長牧野虎次、関西学院大学長神崎模一、関西大学長竹田省、京都帝国大学法学部長渡辺宗太郎、財界からは、大同生命保険社長広岡久右衛門、日本郵船社長寺井久信、大阪商船社長岡田永太郎、朝日新聞社取締役会長村山長拳、毎日新聞社長高石真五郎、読売新聞社長正力松太郎、京都新聞社長後川晴之助、住友財閥の住友吉左衛門らが告別式に参列している。例文帳に追加

Kitokuro ICHIKI, who was his intimate friend and chairman of the Privy Council, and other following figures participated in the memorial service: from the political circles and the official circles; Ministry of Education, House of Peers, Gakushikai (academia), German Consular Offices (Osaka and Kobe), Rentaro MIZUNO, Yosaburo TAKEGOSHI, Kanji ISHIHARA among others, from the educational circle; President of Waseda University Tomio NAKANO, President of Doshisha University Toraji MAKINO,President of Kwansai Gakuin University Kiichi KANZAKI, President of Kansai University Sho Takeda, Dean of Faculty of Law, Kyoto Imperial University Sotaro WATANABE, and from the business circle; President of Daido Life Insurance Company Kyuemon HIROOKA, President of Nippon Yusen Kabushiki Kaisha (NYK Line) Hisanobu TERAI, President of Osaka Shosen Kaisha (OSK Line) Eitaro OKADA, Board Chairperson of The Asahi Shinbun Company Choken Murayama, President of Mainichi Shinbun Shingoro TAKAISHI, President of the Yomiuri Shinbun Matsutaro SHORIKI, President of the Kyoto Shinbun Harunosuke USHIROGAWA, Sumitomo Zaibatsu (financial combine) Kichizaemon SUMITOMO, and others.  - Wikipedia日英京都関連文書対訳コーパス

生涯苦心致され候中にも、古史伝は最初文化の末頃より草稿取り掛かり、文政の始め頃に、成文一二巻程は、ざっと稿本成り候ところ、段々見識博くあいなり、殊に故鈴屋大人の御遺教をも相伺れ候て、いよいよ以って、世界悉く我が皇大神達の御鎔造（ツクリカタメ）なされたる事を感得致され候に付、古史伝は先ず差し置き、赤縣州を始め、印度及び西洋の古伝をも悉く皆探索網羅して、其の上にて、充分に古史の註解をと存し込まれ候て、文政の半ば頃より、専ら外国の学に困苦致され、凡そ廿余年も歳月を過ごされ候て、赤縣太古傳を初め、即ち今此れある丈の著述は出来候へ共、中々もって先人の心底に叶ひ候事には此れ無く候へ共、大抵は見当も付き候に依っては、私を始め門人の中の所存にも、段々時節後れ、先人も老年に成られ候に付き、先ず先ず外国の所は大抵にして差し置かれ、古史伝の清撰をしきりて、相願い催促致し候て、天保10年頃より、漸々と其の方にも趣かれ候所、言語規則の書之無きに付き、余儀なく五十音義の撰にかかり、凡そ一ヵ年ほど打ち過ぎられ候所、旧幕府の命に依って秋田へ放逐、尤も同所は本国の事、親族共も少なからず、第一旧君侯より厚く恩遇も之有りて会計の辛苦は薄らぎ候へ共、著述致す可き遑なく、此処両三年心配致され候内に病を発し入幽致され候次第にて残念至極にて御座候。例文帳に追加

Our teacher dedicated his life to the study requiring great pains; as to "Koshi-den", at the end of the Bunka era (1804-1818), he began to write the draft, and by the early Bunsei era (1818-1830), about 12 volumes had been completed; however, by that time, he had also gradually gained an insight into the study and understood the teachings of the master of Suzunoya (Norinaga MOTOORI), then he realized that this world was the product of our great gods of Japan, so he decided to suspend "Koshi-den" temporarily, and first explore and read through all the past annotations of the histories of our country as well as those of India and Europe to use new knowledge to his advantage in writing "Koshi-den"; therefore, since the middle of the Bunsei era, he intensly studied foreign literature and culture mainly, and during a period of over 20 years, he completed almost all his works, which he left for us, including "Sekiken Taiko-den" (Japanese Early History); although he was never satisfied with his works, his students, of course, including myself, with a feeling of gratitude, thought that our master had succeeded in completing most his researches and studies, and were concerned about the delay in completing "Koshi-den" and because of our master's age, we repeatedly begged him to restart the writing, then thankfully at about the 10th year of the Tenpo era (1839), he restarted; however, he was requested to write on linguistic methods so he began to write "Goju Ongi" (Pronunciation and Meaning of 50 Kana) and suspended "Koshi-den" again; after a year, he was banished to Akita Province by order of the former bakufu (Japanese feudal government headed by a shogun), fortunately since Akita was his hometown and there were many relatives of his, besides the former load treated him very kindly, they relieved him off poor living, although under those conditions, he had no time to finish the remaining works; he was always concerned about those unfinished works, and after only a few years, he became sick and regrettably died.  - Wikipedia日英京都関連文書対訳コーパス

法然房源空(1)→勢観房源智(前2)→法蓮房信空(後2)→正信房湛空(3)→求道房恵尋(4)→素月房恵顗(5)→寿観房任空(6)→示観房範空(7)→我観房運空(8)→僧然定玄(9)→佛立恵照国師（僧任等凞）(10)→良秀僧尋(11)→聖深阿縁(12)→僧海等珍(13)→僧秀良玉(14)→威照良真(15)→称譽秀馨(16)→極譽理聖(17)→栄譽永真(18)→西譽雲栖(19)→弘譽伝心(20)→性譽法山(21)→道残源立(22)→看譽源良(23)→縁譽休岸(24)→長譽源然(25)→琴譽盛林(26)→了的(27)→潮呑(28)→忍譽源授(29)→眼譽呑屋(30)→誓譽厳真(31)→檀譽順応(32)→広譽順長(33)→叶譽酋村(34)→通譽◎林(35)→薫譽寂仙(36)→重譽写悦(37)→到譽順教(38)→香譽春沢(39)→鑑譽万竜(40)→法譽智俊(41)→晃譽念潮(42)→到譽潮音(43)→謙譽霊忠(44)→神譽感霊(45)→覚譽霊長(46)→逾譽俊海(47)→禀譽(48)→浄譽原澄(49)→明譽顕海(50)→祐譽天従(51)→宣譽巨道(52)→貫譽学善(53)→住譽密善(54)→在譽祐倫(55)→黒谷定円〘寥譽〙(56)→獅子吼観定〘梁譽〙(57)→佐藤説門〘開譽〙(58)→獅子吼観定〘梁譽〙(59)→秋浦定玄〘静譽〙(60)→吉水賢融〘仏譽〙(61)→大鹿愍成〘深譽〙(62)→郁芳随円〘相譽〙(63)→望月信亨〘昱譽〙(64)→芳井教岸〘道譽〙(65)→川端信之〘源譽〙(66)→渡辺教善〘闡譽〙(67)→千葉良導〘妙譽〙(68)→福井周道〘鑑譽〙(69)→澤崎梁寿〘定譽〙(70)→藤原弘道〘法譽〙(71)→稲岡覚順〘等譽〙(72)→坪井俊映〘仁譽〙(73)→高橋弘次〘満譽〙(74)例文帳に追加

Honenbo Genku (1)->Seikanbo Genchi (first period of 2)->Horenbo Shinku (latter period of 2)->Shoshinbo Tanku (3)->Gudobo Keito (4)->Sogetsubo Eke (5)->Suganbo Jinku (6)->Jikanbo Hanku (7)->Gaganbo Unku (8)->Sozen Jogen (9)->Butsuryu Eisho Kokushi (Sonin Nadohiro) (10)->Yoshihide Sojin (11)->Seimi Aen (12)->Sokai Rachin(13)->Soshu Ryogyoku (14)->Iteri Ryoshin (15)->Shoyo Shukei (16)->Gokuyo Risei (17)->Eiyo Eishin (18)->Saiyo Unsei (19)->Koyo Denshin (20)->Seiyo Hozan (21)->Dozan Genryu (22)->Kanyo Genryo (23)->Enyo Kyugan (24)->Choyo Genzen (25)->Kinyo Seirin (26)->Ryoteki (27)->Chodon (28)->Ninyo Genju (29)->Ganyo Donya (30)->Seiyo Ganshin (31)->Danyo Juno (32)->Koyo Juncho (33)->Kyoyo Shuson (34)->Tsuyo Chorin (35)->Kunyo Jakusen (36)->Juyo Shaetsu (37)->Toyo Junkyo (38)->Koyo Shuntaku (39)->Kanyo Manryu (40)->Hoyo Chishun (41)->Koyo Nencho (42)->Toyo Choon (43)->Kenyo Reishi (44)->Shinyo Kanrei (45)->Kakuyo Reicho (46)->Yuyo Shunkai (47)->Rinyo (48)->Joyo Gencho (49)->Meiyo Kenkai (50)->Yuyo Tenju (51)->Senyo Kyodo (52)->Kanyo Gakuzen (53)->Juyo Myozen (54)->Zaiyo Yurin (55)->Kurotani Joen [Ryoyo] (56)->Shishiku Kanjo [Ryoyo] (57)->Sato Zeimon [Kaiyo] (58)->Shishiku Kanjo [Ryoyo] (59)->Shuho Jogen [Seiyo] (60)->Kissui Kenyu [Butsuyo] (61)->Oka Binjo [Shinyo] (62)->Ikuho Zuien [Soyo] (63)->Mochizuki Shinko [Ikuyo] (64)->Hoi Kyogan [Doyo] (65)->Kawabata Nobuyuki [Genho] (66)->Watanabe Kyozen [Senyo] (67)->Chiba Ryodo [Myoyo] (68)->Fukui Shudo [Kanyo] (69)->Sawazaki Ryoju [Joyo] (70)->Fujiwara Hiromichi [Hoyo] (71)->Inaoka Kakujun [Toyo] (72)->Tsuboi Shunei [Jinyo] (73)->Takahashi Koji [Manyo] (74)  - Wikipedia日英京都関連文書対訳コーパス